Elisabeth Lillström née ''Söderman'' (1717 – 4 April 1791) was a Swedish stage actress and

opera singer Opera is a form of Western theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a lib ...

. She was one of the first professional actresses in Sweden and a member of the pioneer generation of '' Kungliga svenska skådeplatsen'', the first national theater in ''

Bollhuset Bollhuset, also called (The Big Ball House), (Ball House Theater), and Gamla Bollhuset (Old Ball House) at various times, was the name of the first theater in Stockholm, Sweden; it was the first Swedish theater and the first real theater buildin ...

'' in

Stockholm Stockholm (; ) is the Capital city, capital and List of urban areas in Sweden by population, most populous city of Sweden, as well as the List of urban areas in the Nordic countries, largest urban area in the Nordic countries. Approximately ...

, where she was one of the most prominent members.Byström, Tryggve, Svenska komedien 1737-1754: en studie i Stockholmsteaterns historia, Norstedt, Stockholm, 1981 She was the mother of

Elisabeth Olin Elisabeth Olin née ''Lillström'' (December 1740 – 26 March 1828) was a Swedish opera singer and a music composer. She performed the leading female role in the inauguration performance of the Royal Swedish Opera in 1773, and is referred to ...

Life

The parentage of Elisabeth Lillström does not seem to be known. Her original surname is however known to be Söderman. She married the musician Petter Lillström (1714–1776), who is confirmed to be a member of the orchestra of the Bollhuset theater from at least 1744 onward (later as its conductor).

Early career

Elisabeth Lillström's employment at the theater illustrate the first beginning of the first professional actresses in Sweden. In 1737, the first professional Swedish language theater was inaugurated under royal patronage in the theater building at ''

'', which had until then only housed temporary foreign theater companies, which necessitated the creation of the pioneer group of native Swedish actors, composed, according to the British ambassador Edward Finch of "students, clerks and lady's maids." In Sweden, there was never any opposition to women performing onstage, and the first actresses, Beata Sabina Straas, "Miss Wijkman" and "Miss Lund" was engaged for the inauguration performance the same year. Straas, Wijkman and Lund where all retired by 1739, and there was a need to employ more permanent actresses, and in 1741, the theater lists its actresses as Anna Maria Sualing, Anna Lindbohm, Susanna Catharina Steenberg and Elisabeth Lillström. Elisabeth Lillström was one of the stars of the actors of the theater, which was the first and the only Swedish language theater at the time, and often played the lead female role in the productions. She was a member of the board of twelve directors which was formed by the most prominent actors themselves to manage the theater after it became a private theater in 1740, and one of four women directors alongside

Johanna Löfblad Johanna Catharina Löfblad née ''Embeck'' or ''Enbäck'' (1733 – 14 September 1811), also known as Madame Gentschein and Madame Löfblad, was a Swedish stage actress. She was a member of the pioneer group of actors in the first Swedish nation ...

, Maria Margareta Fabritz and Sophia Catharina Murman. Her roles are mostly unknown, which is the case also with the rest of the actors. The activity of the first national stage in Sweden is poorly documented and the casting lists for the plays are often missing. The theater is known to have performed not only dramatic theater but also operatic plays and ballet, creating not only the first native actors but also opera singers and ballet dancers - whose identity, however, is mostly unknown. Elisabeth Lillström was a part of this diversity, and though never formally referred to as an

, she was a

soprano A soprano () is a type of classical singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hertz, Hz to A5 in Choir, choral ...

and frequently used in singing parts as well as theatre plays, and played an important part as an acting singer. In the 1747–48 season, Elisabeth Lillström starred in the main role of the nymph Syrinx in ''Syrinx'' by Lars Lalin or Peter Lindahl with music by Johan Ohl, opposite Peter Lindahl (as

Harlequin Harlequin (, , ; , ) is the best-known of the comic servant characters (Zanni) from the Italian commedia dell'arte, associated with the city of Bergamo. The role is traditionally believed to have been introduced by the Italian actor-manager Zan ...

), Johanna Embeck (Chlorix), Petter Stenborg (Philemon), Trundman (Sylvanus) and her daughter

(Astrild), which is known as the first Swedish

opera comique The Opera Comique was a 19th-century theatre constructed in Westminster, London, located between Wych Street, Holywell Street and the Strand. It opened in 1870 and was demolished in 1902, to make way for the construction of the Aldwych and K ...

. She also starred in the leading role of the ''Den straffade förmätenheten eller Arachne hvilken blifver förvandlad i en spindel'' ('Punished impudence or Archne enchanted within a spider') by Lars Lalin (1750–51) as well as in the ''Menlöshetens tempel'' ('Sanctuary of Pointlessness') by Peter Lindahl (1749–50), also with her daughter. She was the furthermore the beneficiary of these three performances, a privilege given only to the elite members of the theater.

Later career

After the season of 1753-54, the Swedish theater lost its permission to use the royal Bollhuset theater building, which was transferred to the use of the French Du Londel theater by king Adolph Frederick of Sweden and queen Louisa Ulrika. The Swedish language theater split in two travelling Swedish theater companies: the company of Peter Lindahl and Johan Bergholtz, and the Stenborg Company of Petter Stenborg, which became the first two Swedish language theater companies in Sweden. Elisabeth Lillström joined the Stenborg Company, which performed in various locals in the city of Stockholm and in

Finland Finland, officially the Republic of Finland, is a Nordic country in Northern Europe. It borders Sweden to the northwest, Norway to the north, and Russia to the east, with the Gulf of Bothnia to the west and the Gulf of Finland to the south, ...

: her spouse was engaged as an organist in the

Katarina Church Katarina kyrka (''Church of Catherine'') is one of the major churches in central Stockholm, Sweden. The original building was constructed 1656–1695. It has been rebuilt twice after being destroyed by fires, the second time during the 199 ...

in Stockholm until 1770, but he is also listed as the musician of the theater company, which is interpreted to mean that he was active in the theater only during its performances in Stockholm. Her later career is not given as much attention. In 1761 and 1762, the Stenborg troupe was given permission to perform Swedish plays at Bollhuset for the benefit of the husband of Elisabeth Lillström: in 4 December 1770, Elisabeth Lillström played Salmonea in the tragedy ''Maccabeerne'' in Bollhuset, again to the benefit of her husband, who also composed the music. In 1770, three of the members of the pioneer group of Swedish actors in the first Swedish theater of Bollhuset was publicly praised "for their valuable contributions to the nation and to themselves, which has given hope of the Art of Acting in Sweden": these three were Peter Palmberg, Kristian Knöppel and Elisabeth Lillström. The daughter of Elisabeth Lillström, Elisabeth Olin, who debuted as a child actor by the side of her mother in ''Syrinx'' in 1747, became a notable concert-singer in the 1750s, and the first opera prima donna of the Royal Swedish Opera upon its foundation in 1773.

References

Svenskt biografiskt handlexikon
* Österberg, Carin et al., ''Svenska kvinnor: föregångare, nyskapare'' (Swedish women; predecessors, pioneers). Lund: Signum 1990. () * Svensk uppslagsbok. 1947 års utgåva Swedish dictionary. 1947 edition' * Frihetstiden Age of Liberty'Signum * Tryggve Byström (1981). Svenska komedien 1737-1754. Borås: Centraltryckeriet AB. Swedish comedy 1737-1754' * Johan Flodmark: Stenborgska skådebanorna: bidrag till Stockholms teaterhistoria, Norstedt, Stockholm, 1893 {{DEFAULTSORT:Lillstrom, Elisabeth 1717 births Swedish theatre directors Swedish women theatre directors Swedish operatic sopranos 1791 deaths 18th-century Swedish actresses 18th-century Swedish women opera singers Age of Liberty people

Life

Early career

Later career

See also

References