Edmé Bouchardon

Edmé Bouchardon (; 29 May 169827 July 1762) was a French sculptor best known for his neoclassical statues in the gardens of the Palace of Versailles, his medals, his equestrian statue of Louis XV of France for the Place de la Concorde (destroyed during the French Revolution); and for the Fountain of Four Seasons in Paris. He was also a draftsman and painter, and made celebrated series of engravings of working-class Parisians.''Le Petit Robert des Noms Propres'', Paris (2010)

Biography

Bouchardon was born in Chaumont-en-Bassigny, the son of a sculptor and architect, Jean-Baptiste Bouchardon. He learned sculpture first in the studio of his father, and then with Guillaume Coustou. He won the Prix de Rome of the Académie royale de peinture et de sculpture in 1722, and as a consequence lived and worked in Rome from 1722 to 1732. He resisted the more ornate tendencies of the Rocaille style, and moved toward neoclassicism. While in Rome, he specialized in busts of distinguished patrons, including Pope Benedict XIII. In 1726 he also began a copy of the '' Barberini Faun'', a Classical Hellenic sculpture from the Palazzo Barberini in Rome. His copy arrived in France in 1732, and was greatly admired, and aided the transition of French sculpture toward neoclassicism. In 1775 the Duke of Chartres bought it for his elaborate garden at Parc Monceau. It is now in the Louvre.

On his return to France, he was employed in the royal art workshops at the Palace of Versailles, working alongside his two brothers, he made statues for the gardens of Versailles, including the statue of Proteus in the Basin of Neptune. In his style, he resisted the flamboyant Rocaille style of his contemporaries, and tended toward more classical models. Bouchardon sculpted ''Cupid Fashioning a Bow out of the Club of Hercules'', now in the Louvre, for the gardens of Versailles. It depicted a realistic, unidealized adolescent Cupid in a natural posture, which was completely in contrast with the classical ideals. He first presented the model in terra cotta at the 1739 Salon, then a full-scale model in 1746. He was commissioned to make a marble version, which he created between 1747 and 1750. The work established his reputation, and also his fortune; he was paid a remarkable 21,000 livres.

His last completed major sculptural work was the Fontaine des Quatre-Saisons on the Rue de Grenelle in Paris, commissioned in 1739, and completed six years later in 1745. This work featured a classical colonnade, decorated with statuary. It was similar in its arrangement of statues made by Michelangelo in the Sagrestia Nuova in Florence. His sculpture was widely admired. It was featured, along with a fine engraving of the fountain, in the article on classical sculpture by Jacques-François Blondel in the French '' Encyclopédie'' of 1765. However, it also drew considerable criticism, the colossal sculptural work on a narrow street provided only a tiny trickle of water. The project was criticized by Voltaire in a letter to Anne Claude de Caylus in 1739, as the fountain was still under construction:

Bouchardon was commissioned to make one last major work, an equestrian statue of Louis XV for the Place Louis XV, to commemorate France's victory in the War of Austrian Succession. He died before the work was finished. It was completed by Jean-Baptiste Pigalle, but was destroyed during the French Revolution.

Sculpture

File:Portrait of Pope Clemente XII (Lorenzo Corsini) by Edme Bouchardon, French, after 1730, tinted plaster and terracotta - California Palace of the Legion of Honor - DSC07739.JPG, Bust of Pope Clement XII, plaster and terra-cotta (after 1730) California Palace of the Legion of Honor
File:Sleeping satyr Bouchardon Louvre MR1921.jpg, Copy of the Barberini Faun in Rome made by Bouchardon, Louvre (1732)
File:Edme Bouchardon, Cupid, 1744, NGA 41708.jpg, Edme Bouchardon, ''Cupid'', 1744, National Gallery of Art
Amor Bouchardon Louvre MR 1761.jpg, ''Amor Fashioning a Bow after the Club of Hercules'', 1750, Louvre
Bouchardon Genius des Überflusses.jpg, ''Genius of Abundance'', 1731; Bode Museum
File:Palais-Rohan-Bibliothèque (2).jpg, Armand Gaston Maximilien de Rohan, bust in the library of Palais Rohan, Strasbourg (after 1730)
File:Street vendor MET DP155993.jpg, Porcelain figure of a street vendor (1750–60)
File:4 saisons zone centrale.jpg, Fontaine des Quatre-Saisons, Paris (completed 1745)
File:Fontaine des Quatre-Saisons Paris 7 partie centrale.jpg, Central portion of the Fontaine des Quatre-Saisons (1745)
File:4 saisons le printemps.jpg, Detail of the Fontaine des Quatre-Saisons, Paris (completed 1745) (''Spring'')
File:French architects and sculptors of the XVIIIth century (1900) (14578206667).jpg, The finished equestrian statue of Louis XV for Place Louis XV, completed by Jean-Baptiste Pigalle (1762)

Jetons

Bouchardon also designed jetons or metal tokens, which were distributed by the King. The subjects and themes were chosen by the Académie des Inscriptions et Belles-Lettres and passed through an elaborate process of critiques before approval, which involved the King himself. Drawings and counterproofs for these jetons are now held at various museums and collections around the world including the Institut de France, the Musée de la Monnaie, and the Bibliothèque nationale de France.

Family

Bouchardon's brother, Jacques-Philippe Bouchardon, was also a sculptor, who became first sculptor to the king of Sweden.

Drawings and etchings

Bouchardon was particularly skilled at drawing, and produced two series of drawings of working people in the streets of Paris. His drawings, made with ''sanguine'' or reddish chalk, were originally used to make a series of smaller ceramic sculptures of Parisian characters, such as street vendors (see gallery). Later they were made into a series of etchings by the historian and engraver Anne Claude de Caylus, under the title ''Studies made of the Lower Class or the Cries of Paris.'' These became a very valuable source of information for later social historians.''Le Petit Robert des Noms Propres ''(2010)

Edmé Bouchardon - Study for the Equestrian Statue of Louis XV - WGA02875.jpg, ''Study for the Equestrian Statue of Louis XV'', c. 1750, Louvre
File:America MET DP805450.jpg, Print of the continent ''America'' after a drawing by Bouchardon for a sculptural design, (Metropolitan Museum of Art
Edmé Bouchardon - Design for Fountain in Niche - Google Art Project.jpg, ''Design for Fountain in Niche'', c. 1735, Cooper–Hewitt, National Design Museum
File:Design for a Token- Trésor Royal 1748 MET DP805457.jpg, Design for a royal ''jeton'', or commemorative token (1748)
File:Diana at the Bath After Returning from the Hunt MET 53.600.2443.jpg, Diana at the Bath after Returning from the Hunt (1730–60), Metropolitan Museum of Art
File:Études prises dans le bas peuple ou les Cris de Paris - Porteur d'eau.jpg, A water carrier (1742), Metropolitan Museum of Art
File:Études prises dans le bas peuple ou les Cris de Paris - Cotterets.jpg, A firewood seller in Paris (1748), Metropolitan Museum of Art
File:Oyster Seller MET DP817840.jpg, Oyster seller in Paris (1738), Metropolitan Museum of Art

References

Bibliography

* Gerhard Bissell
''Bouchardon, Edme''
in: '' Allgemeines Künstlerlexikon (Artists of the World)'', Vol. 13, Saur, Munich 1996, from p. 425 (in German).
* Duby, Georges and Daval, Jean-Luc, ''La Sculpture de l'Antiquité au XXe Siècle'', (French translation from German), Taschen, (2013), ()
* Geese, Uwe, Section on Baroque sculpture in ''L'Art Baroque – Architecture – Sculpture – Peinture'' (French translation from German), H.F. Ulmann, Cologne, 2015. ()

External links

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{{DEFAULTSORT:Bouchardon, Edme
1698 births
1762 deaths
People from Chaumont, Haute-Marne
18th-century French sculptors
French male sculptors
18th-century French painters
French male painters
Prix de Rome for sculpture
18th-century French male artists
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