
Double-drumming is a
percussion
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Exc ...
technique, developed around 1900,
[Hessler, Claus and Famularo, Dom (2008). ''Open-Handed Playing: Traditional Approach, Voice-variation Approach, Play-along Songs, Volume 1'', p.9. Alfred Music. .] allowing the use of both a
bass
Bass or Basses may refer to:
Fish
* Bass (fish), various saltwater and freshwater species
Music
* Bass (sound), describing low-frequency sound or one of several instruments in the bass range:
** Bass (instrument), including:
** Acoustic bass gui ...
and
snare drum
The snare (or side drum) is a percussion instrument that produces a sharp staccato sound when the head is struck with a drum stick, due to the use of a series of stiff wires held under tension against the lower skin. Snare drums are often used i ...
by one person, using
drum stick
A drum stick (or drumstick) is a type of percussion mallet used particularly for playing snare drum, drum kit, and some other percussion instruments, and particularly for playing unpitched percussion.
Specialized beaters used on some other p ...
s, prior to the invention of the
bass drum pedal (in 1909) and leading to the availability of the
drum kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player (drummer) typically holds a pair of matching drumsticks ...
. According to Len 'Hunt' Doc, double drumming allowed one player to "beat a fast
four-in-a-bar bass drum, doing a
close roll
The Close Rolls () are an administrative record created in medieval England, Wales, Ireland and the Channel Islands by the royal chancery, in order to preserve a central record of all letters close issued by the chancery in the name of the Crown. ...
on snare at the same time," whereas before it would have taken two percussionists.
[Nicholls, Geoff (2008). ''The Drum Book: A History of the Rock Drum Kit'', unpaginated. Backbeat. .] Accomplished through close positioning of the bass and snare heads, the cymbals were played by tapping a foot pedal called a "
low-boy".
[Blades, James and Dean, Johnny (2002). ''How to Play Drums: Everything You Need to Know to Play the Drums'', p.19. Macmillan. .] This style is best exemplified by early
New Orleans Jazz New Orleans Jazz may refer to:
* Dixieland, a style of jazz music (New Orleans Jazz)
*
* New Orleans Jazz (NBA team), professional basketball team that relocated and became the Utah Jazz
*New Orleans Jazz football club
New is an adjective referri ...
/
Second Line bands,
and
Baby Dodds
Warren "Baby" Dodds (December 24, 1898 – February 14, 1959) was an American jazz drummer born in New Orleans, Louisiana, United States. He is regarded as one of the best jazz drummers of the pre-big band era, and one of the most important ...
has been called the master.
It has been proposed that either the bass foot pedal or hi-hat pedal was invented, or rather, standardized, first. The illustration in Blades and Dean (2002) implies that the low-boy started out as a stick laid over two cymbals ("sock cymbal") and that the positioning of the snare and bass was facing each other, nearly touching at the bottom, achieved through use of snare and bass drum stands,
while Nicholls describes the snare drum as being, "tilted alarmingly close to vertical."
Hessler and Famularo (2008) argue that the bass drum pedal must have come first, due to its less sensitive action.
This process also contributed to the standard drum kit layout and arm position, as most drummers chose to play the bass pedal with their right foot.
When the hi-hat came along, it was left to the other foot, and
traditional grip
In percussion, grip refers to the manner in which the player holds the percussion mallet or mallets, whether drum sticks or other mallets.
For some instruments, such as triangles and large gongs, only one mallet or beater is normally used, hel ...
made the use of the right hand, and thus a cross-, rather than
open-, handed technique, more comfortable.
[Hessler and Famularo (2008), p.10.]
See also
*
Double bass drum
*
Double drumming
References
Further reading
*Brown, Theodore D. (1981). "Double Drumming", ''Percussive Notes'' 20 no. 1: 32-34.
Percussion performance techniques
{{Membranophone-instrument-stub