The da capo aria () is a

musical form In music, ''form'' refers to the structure of a musical composition or musical improvisation, performance. In his book, ''Worlds of Music'', Jeff Todd Titon suggests that a number of organizational elements may determine the formal structure of a ...

for

aria In music, an aria (, ; : , ; ''arias'' in common usage; diminutive form: arietta, ; : ariette; in English simply air (music), air) is a self-contained piece for one voice, with or without instrument (music), instrumental or orchestral accompan ...

s that was prevalent in the Baroque era. It is sung by a soloist with the accompaniment of instruments, often a small orchestra. The da capo aria is very common in the musical genres of

opera Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically ...

and

oratorio An oratorio () is a musical composition with dramatic or narrative text for choir, soloists and orchestra or other ensemble. Similar to opera, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguisha ...

. According to Randel, a number of Baroque composers (he lists Scarlatti, Hasse, Handel, Porpora, Leo, and Vinci) composed more than a thousand da capo arias during their careers.Randel (2003:54)

Form

A da capo aria is in

ternary form Ternary form, sometimes called song form, is a three-part musical form consisting of an opening section (A), a following section (B) and then a repetition of the first section (A). It is usually schematized as A–B–A. Prominent examples inclu ...

, meaning it is composed of three sections. The first section is a complete song with accompaniment, ending in the tonic key, and could in principle be sung by itself. The second section contrasts with the first in its musical key, texture, mood, and sometimes also tempo. The third section was usually not written out by the composer, who would instead simply note the instruction "

da capo Da capo ( , , ; often abbreviated as D.C.) is an Italian musical term that means "from the beginning" (literally, "from the head"). The term is a directive to repeat the previous part of music, often used to save space, and thus is an easie ...

" (Italian for "from the head") - meaning from the beginning, i.e., the first section is to be repeated. The text for a da capo aria was typically a poem or other verse sequence written in two

strophe A strophe () is a poetic term originally referring to the first part of the ode in Ancient Greek tragedy, followed by the antistrophe and epode. The term has been extended to also mean a structural division of a poem containing stanzas of var ...

s, the first for the A section (hence repeated later) and the second for B. Each

consisted of from three to six lines, and terminated in a line containing a masculine ending, that is a line ending in a stressed syllable.

Improvisation

The singer was often expected to improvise variations and ornaments during the third section, to keep it from being a mere repetition of the first. This was especially so for da capo arias written in slower tempos, where the opportunity to improvise, as well as the risk of dullness, were greater. The ability to improvise variations and ornaments was a skill learned by, and expected of, all solo singers. The decline in this ability following the Baroque era is perhaps the reason why the da capo aria ultimately acquired a reputation as a musically dull form. The authentic performance movement, starting in the mid twentieth century, restored

improvisation Improvisation, often shortened to improv, is the activity of making or doing something not planned beforehand, using whatever can be found. The origin of the word itself is in the Latin "improvisus", which literally means un-foreseen. Improvis ...

to the performance of da capo arias, although the practice has yet to become universal even among authentic performance artists.

Famous examples

Handel's oratorio ''

Messiah In Abrahamic religions, a messiah or messias (; , ; , ; ) is a saviour or liberator of a group of people. The concepts of '' mashiach'', messianism, and of a Messianic Age originated in Judaism, and in the Hebrew Bible, in which a ''mashiach ...

'' (1742) includes two well-known da capo arias, "He Was Despised" (for alto voice) and "The Trumpet Shall Sound" (for bass). J. S. Bach's cantata '' Jauchzet Gott in allen Landen, BWV 51'' (1730) begins with a flamboyant da capo aria for soprano, trumpet soloist, and strings.

Notes

References

*Benward & Saker (2003). ''Music: In Theory and Practice, Vol. I''. Seventh Edition. McGraw-Hill Higher Education. . *Randel, Don Michael, ed. (2003) "Aria," in ''The Harvard Dictionary of Music''. Cambridge, MA: Harvard University Press. (Author: "CG".)

External links

Grove Music Online - Aria
a play by

Edna St. Vincent Millay Edna St. Vincent Millay (February 22, 1892 – October 19, 1950) was an American lyric poetry, lyrical poet and playwright. Millay was a renowned social figure and noted Feminism, feminist in New York City during the Roaring Twenties and beyond. ...