"' (; ) is a song by Brazilian singer and composer

Chico Buarque Francisco Buarque de Hollanda (born 19 June 1944), popularly known simply as Chico Buarque (), is a Brazilian singer-songwriter, guitarist, composer, playwright, writer, and poet. He is best known for his music, which often includes social, econom ...

, recorded in 1971 for his album of the same name. The lyrics are in

Brazilian Portuguese Brazilian Portuguese (; ; also known as pt-BR) is the set of Variety (linguistics), varieties of Portuguese language native to Brazil. It is spoken by almost all of the 203 million inhabitants of Brazil and widely across the Brazilian diaspora ...

(with a Spanish version having been released later). The song is made of 14-syllable verses and each sentence ends with a

proparoxytone In linguistics, a proparoxytone (, ) is a word with stress on the antepenultimate (third to last) syllable, such as the English language, English words "cinema" and "operational". Related concepts are paroxytone (stress on the penultimate syllable) ...

word. The musical arrangements are by the musician

Rogério Duprat Rogério Duprat (7 February 1932 – 26 October 2006) was a Brazilian composer and musician. Biography Born in Rio de Janeiro, Duprat spent much of his life in São Paulo, where he died. It was there in the early 1960s that he developed an inter ...

. The song was made during one of the harshest times of the

military dictatorship in Brazil The military dictatorship in Brazil (), occasionally referred to as the Fifth Brazilian Republic, was established on 1 April 1964, after a 1964 Brazilian coup d'état, coup d'état by the Brazilian Armed Forces, with support from the United Stat ...

, amid censorship and political persecution, soon after Buarque returned from Italy where he had previously moved to due to the threat of political persecution. In 2009, "Construção" was selected by ''

Rolling Stone ''Rolling Stone'' is an American monthly magazine that focuses on music, politics, and popular culture. It was founded in San Francisco, California, in 1967 by Jann Wenner and the music critic Ralph J. Gleason. The magazine was first known fo ...

'' magazine as the greatest Brazilian song of all time. The song was featured in the

2016 Summer Olympics opening ceremony The opening ceremony of the 2016 Summer Olympics took place on the evening of Friday 5 August 2016 in the Maracanã Stadium, Rio de Janeiro, starting at 20:00 BRT (23:00 UTC). As mandated by the Olympic Charter, the proceedings combined the fo ...

Rio de Janeiro Rio de Janeiro, or simply Rio, is the capital of the Rio de Janeiro (state), state of Rio de Janeiro. It is the List of cities in Brazil by population, second-most-populous city in Brazil (after São Paulo) and the Largest cities in the America ...

Lyrics and music

"Construção" narrates the events of the last day of a construction worker's life, who is killed in the course of his daily activities. The song tells the story from the beginning of his day until his death. Over three sections of verses (stanzas), the narrator observes, organizes and communicates the daily activities that took place in a circular narration, sung in reiterative melody and poetic structure, modifying the viewing angle in each section by changing the placement of the last word. This replacement process creates strong imageries denoting the disposable nature of labor in a cut-throat capitalistic system that dehumanizes and disempowers workers and sees as disposable commodities. All three stanzas conclude in the worker's death with different semantic impact and imagery of powerful intensity. As stated before, the lyrics are seen as a strong critique of the alienation of the worker in a modern, urban capitalist society, reduced to a mechanical condition, especially intensified in the third stanza. When the worker eventually falls to his death, the lyrics revealing that his body "smashed on the street" is a nuisance to "the traffic", "the crowd", and "the Saturday" (of the public), respectively. The lyrics are constructed in order to add effective pathos incrementally, building a tour de force in meaning and image piece by piece, verse by verse. The song is known for its interchangeable last word of each line, which Buarque described as being put together "as if they were pieces of a board game."

References

{{DEFAULTSORT:Construcao (song) 1971 songs Brazilian songs Songs in Portuguese Chico Buarque songs Songs about death Protest songs