The Composers, Authors and Publishers Association of Canada () was a Canadian

copyright collective A copyright collective (also known as a copyright society, copyright collecting agency, licensing agency or copyright collecting society or collective management organization) is a non-governmental body created by copyright law or private agreeme ...

for the right to communicate with the public and publicly perform musical works. CAPAC administered these rights on behalf of its members (composers, lyricists, songwriters, and their publishers) and those of affiliated international organizations by licensing the use of their music in Canada. Royalties were paid to the music creators after administration costs were deducted to pay for the operation of CAPAC.

History

CAPAC was established as a subsidiary of Great Britain's

Performing Rights Society PRS for Music Limited (formerly The MCPS-PRS Alliance Limited) is a British music copyright collective, made up of two collection societies: the Mechanical-Copyright Protection Society (MCPS) and the Performing Right Society (PRS). It undertakes ...

(PRS) under the name the Canadian Performing Rights Society (CPRS) in 1925. Its initial purpose was to administer the royalties of composers, lyricists and music publishers whose creations were performed in Canada, be they native Canadians or foreigners. The

American Society of Composers, Authors and Publishers The American Society of Composers, Authors, and Publishers (ASCAP) () is an American not-for-profit performance-rights organization (PRO) that collectively licenses the public performance rights of its members' musical works to venues, broadc ...

bought partial ownership of the CPRS in 1930. In 1945 CPRS became CAPAC through the Supplementary Letters Patent. CAPAC developed a schedule under which broadcasters and cinema owners paid royalties for each playing of CAPAC music, while live music venues were required to purchase music performance licenses. Royalties were also collected when music was used in advertisements. In 1950 CPAC changed its method of assessment from logging individual performances to collecting a percentage of revenues. Over the next few years the organization came into conflict with the Canadian Association of Broadcasters as well as a number of private supper clubs, who objected to paying the royalties and license fees assessed by CAPAC. While the issue was in the courts, both the stations and the clubs were enjoined from playing any CAPAC music unless they paid a percentage of their revenue to CAPAC. In 1955 the Supreme Court ruled that radio stations could decide either to pay 1% of their revenue to CAPAC or refrain from using CAPAC music. By 1976 CAPAC had about 6,000 members and revenue of about $10 million. In 1989 the organization merged with the

Performing Rights Organization of Canada The Performing Rights Organization of Canada (PROCAN) was the second collective administering public performance rights in Canada. In 1990 it merged with the Composers, Authors and Publishers Association of Canada to create the Society of Composer ...

to form the

Society of Composers, Authors and Music Publishers of Canada The Society of Composers, Authors and Music Publishers of Canada (SOCAN) is a Canadian performance rights organization that represents the performing rights of more than 175,000 songwriters, composers and music publishers. The organization collect ...

References

* Canadian copyright law Music licensing organizations Music organizations based in Canada 1925 establishments in Canada {{canada-org-stub

History

See also

References