Claude-Bénigne Balbastre
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Claude Balbastre (8 December 1724 – 9 May 1799) was a French
composer A composer is a person who writes music. The term is especially used to indicate composers of Western classical music, or those who are composers by occupation. Many composers are, or were, also skilled performers of music. Etymology and def ...
,
organist An organist is a musician who plays any type of organ (music), organ. An organist may play organ repertoire, solo organ works, play with an musical ensemble, ensemble or orchestra, or accompany one or more singers or instrumentalist, instrumental ...
,
harpsichord A harpsichord is a musical instrument played by means of a musical keyboard, keyboard. Depressing a key raises its back end within the instrument, which in turn raises a mechanism with a small plectrum made from quill or plastic that plucks one ...
ist and
fortepianist A fortepiano is an early piano. In principle, the word "fortepiano" can designate any piano dating from the invention of the instrument by Bartolomeo Cristofori in 1700 up to the early 19th century. Most typically, however, it is used to ref ...
. He was one of the most famous musicians of his time.


Life

Claude Balbastre was born in Dijon in 1724. Although his exact birthdate has been disputed, the discovery of his baptismal record has now made that date, 8 December, certain. Balbastre's father, Bénigne, a church organist in Dijon, had 18 children from two marriages; Claude was the 16th. Three of his brothers were also named Claude. He is often confused with younger brother Claude-Bénigne Balbastre (22 Jan. 1727-before 22 March 1737). He received his first music lessons from his father, then became a pupil of Claude Rameau, the younger brother of
Jean-Philippe Rameau Jean-Philippe Rameau (; ; – ) was a French composer and music theory, music theorist. Regarded as one of the most important French composers and music theorists of the 18th century, he replaced Jean-Baptiste Lully as the dominant composer of ...
, the most famous French musician at the time and also a native of Dijon. Balbastre settled in Paris in 1750 and studied there with
Pierre Février Pierre Février (21 March 1696 – 5 November 1760) was a French baroque composer, organist and harpsichordist. Biography Born in Abbeville in 1696, he arrived in Paris in 1720 and served as titular organist of two churches on Saint-Honoré str ...
, whom he succeeded as organist of the Saint Roch church.
Jean-Philippe Rameau Jean-Philippe Rameau (; ; – ) was a French composer and music theory, music theorist. Regarded as one of the most important French composers and music theorists of the 18th century, he replaced Jean-Baptiste Lully as the dominant composer of ...
helped and protected Balbastre when he settled in the city, so Balbastre was quickly and efficiently introduced to the Parisian musical circles and high society, and made a brilliant career: he played at the ''
Concert Spirituel The Concert Spirituel () was one of the first public concert series in existence. The concerts began in Paris in 1725 and ended in 1790. Later, concerts or series of concerts with the same name occurred in multiple places including Paris, Vienna ...
'' until 1782,Sadie, S.(ed), The Norton/Grove Concise Encyclopaedia of Music, Norton, 1994, p.54 became organist of the
Notre-Dame cathedral Notre-Dame de Paris ( ; meaning "Cathedral of Our Lady of Paris"), often referred to simply as Notre-Dame, is a medieval Catholic cathedral on the Île de la Cité (an island in the River Seine), in the 4th arrondissement of Paris, France. It ...
and of the ''Chapelle Royale'', became harpsichordist to the French royal court where he taught queen
Marie-Antoinette Marie Antoinette (; ; Maria Antonia Josefa Johanna; 2 November 1755 – 16 October 1793) was the last queen of France before the French Revolution and the establishment of the French First Republic. She was the wife of Louis XVI. Born Archd ...
, and became organist for Louis-Stanislas-Xavier,
Count of Provence The asterisk ( ), from Late Latin , from Ancient Greek , , "little star", is a Typography, typographical symbol. It is so called because it resembles a conventional image of a star (heraldry), heraldic star. Computer scientists and Mathematici ...
, who later became
Louis XVIII Louis XVIII (Louis Stanislas Xavier; 17 November 1755 â€“ 16 September 1824), known as the Desired (), was King of France from 1814 to 1824, except for a brief interruption during the Hundred Days in 1815. Before his reign, he spent 23 y ...
,
King of France France was ruled by monarchs from the establishment of the kingdom of West Francia in 843 until the end of the Second French Empire in 1870, with several interruptions. Classical French historiography usually regards Clovis I, king of the Fra ...
. Balbastre's fame was so great that the Archbishop of Paris,
Christophe de Beaumont Christophe de Beaumont du Repaire (26 July 1703 – 12 December 1781) was a Kingdom of France, French cleric who belonged to a cadet branch of the Les Adrets and Saint-Quentin branches of the illustrious Dauphin family of Beaumont. He became Bish ...
had to forbid him to play at Saint Roch during some of the services, because the churches were always crowded when Balbastre played. An account of one of these services at Saint Roch is provided by Dr.
Charles Burney Charles Burney (7 April 1726 â€“ 12 April 1814) was an English music historian, composer and musician. He was the father of the writers Frances Burney and Sarah Burney, of the explorer James Burney, and of Charles Burney, a classicis ...
who recounts that, on Sunday 17 June 1770, he left a dinner early in order to hear the "celebrated" Balbastre play the organ at Saint Roch. Balbastre "''performed in all styles in accompanying the choir. When the
Magnificat The Magnificat (Latin for "y soulmagnifies he Lord) is a canticle, also known as the Song of Mary or Canticle of Mary, and in the Byzantine Rite as the Ode of the Theotokos (). Its Western name derives from the incipit of its Latin text. This ...
was sung, he played likewise between each verse several minuets, fugues, imitations, and every species of music, even to hunting pieces and jigs, without surprising or offending the congregation, as far as I was able to discover.''"Preface to Curtis (ed.), CB Balbastre : Pièces de Clavecin d'Orgue, de Forte Piano, Huegel, 1973, p. VIII Burney visited Balbastre at home and reported that the latter owned a very beautiful harpsichord by
Ruckers The Ruckers family (variants: Ruckaert, Ruckaerts, Rucqueer, Rueckers, Ruekaerts, Ruijkers, Rukkers, Rycardt) were harpsichord and Virginals, virginal makers from the Southern Netherlands based in Antwerp in the 16th and 17th century. Their influe ...
: "''After church M. Balbastre invited me to his house, to see a fine Rucker harpsichord which he has had painted inside and out with as much delicacy as the finest coach or even snuff-box I ever saw at Paris.''" He also reported that he owned a "''very large organ, with pedals, which it may be necessary for a French organist to have for practice; it is too large and coarse for a chamber, and the keys are as noisy as those at St. Roque (sic).''" Burney reports that Balbastre was on very good terms with his fellow composer
Armand-Louis Couperin Armand-Louis Couperin (25 February 17272 February 1789) was a French composer, organist, and harpsichordist of the late Baroque and early Classical periods. He was a member of the Couperin family of musicians, of which the most notable were his g ...
, to whom he introduced Burney, remarking "''I was glad to see two eminent men of the same profession, so candid and friendly together.''" In 1763, he married Marie-Geneviève Hotteterre, daughter of Jacques Martin Hotteterre and descendant of the famous family of Norman musicians. During the French Revolution, Balbastre's connection with nobility and the royal court might have endangered his life, but he adapted to the new political situation, playing the Revolutionary hymns and songs on his organ. He did lose his official posts and, temporarily, his pension. He died in Paris in 1799.


Works

Balbastre's best-known compositions include the following: *14 organ concertos (all lost but one) *
quartet In music, a quartet (, , , , ) is an ensemble of four singers or instrumental performers. Classical String quartet In classical music, one of the most common combinations of four instruments in chamber music is the string quartet. String quar ...
sonatas In music a sonata (; pl. ''sonate'') literally means a piece ''played'' as opposed to a cantata (Latin and Italian ''cantare'', "to sing"), a piece ''sung''. The term evolved through the Music history, history of music, designating a variety of ...
*two collections of harpsichord pieces (from 1748 and 1759) *four ''noëls variés'' suites for the organ or
fortepiano A fortepiano is an early piano. In principle, the word "fortepiano" can designate any piano dating from the invention of the instrument by Bartolomeo Cristofori in 1700 up to the early 19th century. Most typically, however, it is used to ref ...
(1770). *
variations Variation or Variations may refer to: Science and mathematics * Variation (astronomy), any perturbation of the mean motion or orbit of a planet or satellite, particularly of the moon * Genetic variation, the difference in DNA among individual ...
on
La Marseillaise "La Marseillaise" is the national anthem of France. It was written in 1792 by Claude Joseph Rouget de Lisle in Strasbourg after the declaration of war by the First French Republic against Austria, and was originally titled "". The French Na ...
: ''Marche des Marseillois et l’Air Ça-ira Arrangés pour le Forte Piano / Par le Citoyen C. Balbastre / Aux braves défenseurs de la République française l’an 1792 1er de la République''


See also

*
List of French harpsichordists This article lists France, French composers who wrote for the harpsichord during the 17th and 18th centuries. Chronology 1640–1710: Beginnings of harpsichord music in France *Jean-Henri d'Anglebert (1629–1691) *Jacques Champion ...
*
French organ school The French organ school formed in the first half of the 17th century. It progressed from the strict polyphonic music of Jean Titelouze (c. 1563–1633) to a unique, richly ornamented style with its own characteristic forms that made full use of ...


References


External links

* *Listen t
Petite chasse
{{DEFAULTSORT:Balbastre, Claude French male classical composers French Classical-period composers Composers for harpsichord French classical organists French harpsichordists 1724 births 1799 deaths Musicians from Dijon 18th-century French classical composers 18th-century French male musicians French male classical organists French Baroque composers