(1516-?1592) is distinguished as the first generation in the Raku family line of potters. According to historical documents he was the son of one Ameya, who is said to have emigrated to Japan from Korea (or possibly Ming China, as asserted on the RAKU WARE website (link below) of the still active line of potters he founded. He produced ridge tiles for

Toyotomi Hideyoshi , otherwise known as and , was a Japanese samurai and ''daimyō'' (feudal lord) of the late Sengoku period, Sengoku and Azuchi-Momoyama periods and regarded as the second "Great Unifier" of Japan.Richard Holmes, The World Atlas of Warfare: ...

's Jurakudai palace in 1574. In 1584, Hideyoshi presented Chōjirō with a seal inscribed with the character 楽, ''raku'', and with this "Raku" was adopted as the family name. He worked at one time for

Sen no Rikyū , also known simply as Rikyū, was a Japanese tea master considered the most important influence on the ''chanoyu'', the Japanese "Way of Tea", particularly the tradition of '' wabi-cha''. He was also the first to emphasize several key aspect ...

, the master of

tea Tea is an aromatic beverage prepared by pouring hot or boiling water over cured or fresh leaves of '' Camellia sinensis'', an evergreen shrub native to East Asia which probably originated in the borderlands of south-western China and nor ...

, at whose request he created teabowls to be used in

chanoyu The Japanese tea ceremony (known as or lit. 'Hot water for tea') is a Japanese cultural activity involving the ceremonial preparation and presentation of , powdered green tea, the procedure of which is called . The term "Japanese tea ceremony ...

, the Japanese tea ceremony. Extant records of the use, at the time, of the tea bowls that he produced for Rikyū describe them as "tea bowls of the Sōeki form", Sōeki being the name that Rikyū was then generally known by.''Rikyū Daijiten'', Japanese "Rikyū Encyclopedia", Tankosha 1989, , entry for Chōjirō. The bowls attracted attention for their beauty and refinement of either entirely red or black glazed soft pottery, simple and without decoration, meant to reflect '' wabi'' ideals. Chōjirō's adopted son, Jōkei, followed in his father's footsteps, and was allowed to append the term ''raku'' to his name in recognition of his talents. This marked the beginning of the use of the style in Japanese

pottery Pottery is the process and the products of forming vessels and other objects with clay and other raw materials, which are fired at high temperatures to give them a hard and durable form. The place where such wares are made by a ''potter'' is al ...

References

External links

Official homepage of the Raku family and its ceramic tradition

An entry on Tanaka Chojiro from the Encyclopædia Britannica
Japanese potters 1592 deaths Year of birth unknown {{Japan-artist-stub