Chandrahasa () is a king of the
Kuntala kingdom in
Hindu mythology
Hindu mythology refers to the collection of myths associated with Hinduism, derived from various Hindu texts and traditions. These myths are found in sacred texts such as the Vedas, the Itihasas (the ''Mahabharata'' and the ''Ramayan ...
. The story of Chandrahasa is described in the
Ashvamedhika Parva
The Ashvamedhika Parva () is the fourteenth of the eighteen ''parvas'' (books) of the Indian epic ''Mahabharata''. It traditionally has 2 parts and 96 chapters.Ganguli, K.M. (1883-1896)Aswamedha Parva in ''The Mahabharata of Krishna-Dwaipayana Vya ...
of the epic
Mahabharata
The ''Mahābhārata'' ( ; , , ) is one of the two major Sanskrit Indian epic poetry, epics of ancient India revered as Smriti texts in Hinduism, the other being the ''Ramayana, Rāmāyaṇa''. It narrates the events and aftermath of the Kuru ...
. Chandrahasa befriends
Arjuna
Arjuna (, , Help:IPA/Sanskrit, �ɾd͡ʒun̪ə is one of the central characters of the ancient Hindu epic ''Mahabharata''. He is the third of the five Pandava brothers, and is widely regarded as the most important and renowned among them. ...
who was accompanied by
Krishna
Krishna (; Sanskrit language, Sanskrit: कृष्ण, ) is a major deity in Hinduism. He is worshipped as the eighth avatar of Vishnu and also as the Supreme God (Hinduism), Supreme God in his own right. He is the god of protection, c ...
guarding the ashvamedha ceremony of
Yudhishthira
Yudhishthira (Sanskrit: युधिष्ठिर, ud̪ʱiʂʈʰiɾᵊ IAST: ''Yudhiṣṭhira''), also known as Dharmaputra, is the eldest among the five Pandavas, and is also one of the central characters of the ancient Indian epic ''Ma ...
. Chandrahasa anoints his son Makaraksha as the king and accompanies the army of Arjuna to help the
ashvamedha
The Ashvamedha () was a horse sacrifice ritual followed by the Śrauta tradition of Vedic religion. It was used by ancient Indian kings to prove their imperial sovereignty: a horse accompanied by the king's warriors would be released to wander ...
.
The story of Chandrahasa is also depicted in the Kannada epic
Jaimini Bharatha of the poet
Lakshmeesha. The popular story of the prince Chandrahasa is also played in popular films and in
Yakshagana
Yakshagana is a traditional theatre, found in Dakshina Kannada, Udupi, Kasaragod district and Uttara Kannada, Shimoga and western parts of Chikmagalur district, Chikmagalur districts, in the state of Karnataka and in Kasaragod district in Keral ...
theatre.
Legend
Childhood
Prince Chandrahasa was born to a
raja
Raja (; from , IAST ') is a noble or royal Sanskrit title historically used by some Indian subcontinent, Indian rulers and monarchs and highest-ranking nobles. The title was historically used in the Indian subcontinent and Southeast Asia.
T ...
of
Kerala
Kerala ( , ) is a States and union territories of India, state on the Malabar Coast of India. It was formed on 1 November 1956, following the passage of the States Reorganisation Act, by combining Malayalam-speaking regions of the erstwhile ...
, bearing six toes in his left foot, an inauspicious sign. The raja was slain in battle, and his queen followed him in the funeral pyre, leaving their son destitute. The child's maid fled with him to the kingdom of Kuntala, but passed away three years later without having revealed the identity of the prince. Chandrahasa grew to fend for himself, finding a
shaligrama
A shaligram, or shaligrama shila ( deva, शालिग्राम शिला; IAST: ''Śāligrāma-śilā''), is a fossilized stone or ammonite collected from the riverbed or banks of the Kali Gandaki, a tributary of the Gandaki River in ...
, a sacred marble of
Vishnu
Vishnu (; , , ), also known as Narayana and Hari, is one of the Hindu deities, principal deities of Hinduism. He is the supreme being within Vaishnavism, one of the major traditions within contemporary Hinduism, and the god of preservation ( ...
, that served as his talisman.
One day, Dushtabuddhi (the wicked-minded one), the minister of the king of Kuntala, was performing the ''annasantarpaṇa'', the ceremony of feeding the people. The priests who had gathered there noticed the royal features of Chandrahasa and told the minister to take special care of the boy. But Dushtabuddhi, who had evil designs, wished to usurp the throne, and hence sought to dispose of the boy. He hired some mercenaries for this purpose, who took the boy captive in the jungle and prepared to kill him. Unable to perform the dirty deed, they slice off his sixth toe and showed it to Dushtabuddhi as evidence of Chandrahasa's death. Kalinda, a vassal of Kuntala, saw the child wandering and crying in the jungle. As he had no children of his own, he brought him home and raised him as his own son, naming him as Chandrahasa, since his faced radiated like the moon whenever he laughed. Chandrahasa learnt all the aspects of a princely education and was designated as his foster-father's heir. Dustabuddhi visited Chandanavati, the kingdom of Kalinda, and caught sight of Chandrahasa, realising that he had been deceived. He wrote a letter to his son Madana, asking Chandrahasa to be his messenger.
Coronation
Chandrahasa travelled to the Kuntala kingdom and was resting in the garden in the outskirts of the town. Vishaya, daughter of Dushtabuddhi, who had also come there with her maids chanced upon a sleeping Chandrahasa and was attracted to his comeliness. She opened the letter addressed to her brother and recognised it as her father's note. The letter addressed to Madana ordered him neither to care for the rank nor the youth of the messenger, and to give him ''visha'' (poison). Vishaya, entranced by the youth, decided that her father, in his haste, had meant to write ''Vishaya'' instead, adding the last characters to the letter using her cosmetic and a stalk.
Vishaya changes the letter, folio of .">Razmnama.
Chandrahasa delivered the note to Madana, Dushtabuddhi's son, who honoured his father's command that very evening, wedding the prince to his beautiful sister.
Dustabuddhi returned to Kuntala to great fanfare, and swiftly realised what had transpired, wondering if he had truly committed such a blunder. He hatched another assassination plot, requesting Chandrahasa to visit the family's Kali temple that evening, alone, assuring him it was their custom. Meanwhile, the raja of Kuntala decided to abdicate his throne due to one of his dreams, resolving to name Chandrahasa as his heir, and marry him off to his daughter.
Chandrahasa bends his knee before the king of Kuntala made by Kanhar. folio of Razmnama.
Madana was asked to convey this message. Madana met Chandrahasa, asking him to rush to the palace immediately and took his place to go the temple. He was promptly assassinated there by the murderers sent by Dushtabuddhi. Chandrahasa went to the palace and was immediately married to the princess, Champakamalini, and was crowned as the king. When the tidings of his son's tragic death reached Dushtabuddhi, he was devastated and decided to end his life, going to the Kali temple and beheading himself. When Chandrahasa learnt of this twin tragedy, he went to the temple and prayed to goddess Kali to restore the two to life. When there was no answer, he proceeded to offer himself as a sacrifice to the goddess, following which Kali appeared before him and granted his wish. Chandrahasa ruled as the king of Kuntala and Chandanavati with his two queens.
Chandrahasa's sacrifice, made by Qabil. folio of Razmnama
Ashvamedha
Chandrahasa ruled his kingdom for many years, having invited Kulinda to Kuntala. He had a son by the name of Padmaksha from Champakamalini, and Makaraksha from Vishaya, the minister's daughter. When these two boys were walking in the outskirts of the town one day, they chanced upon the stallion of Yudhishtira's ashvamedha yagna; dismayed, they came back and informed their father of it. Chandrahasa met Krishna and Arjuna and treated them in a royal manner offering them abundant wealth and men for the yagna. He anointed his son Makaraksha as the king, and joined Krishna and Arjuna, along with his kingdom's army.
In popular culture
The story was composed in Yakshagana and is regularly performed in Karnataka state. The story of Chandrahasa has been depicted in a number of Indian films, including: ''Chandrahasa'' (1921) and ''Chandrahasa'' (1928) by
Kanjibhai Rathod
Kanjibhai Rathod was an Indian film director.
Early life
Kanjibhai Rathod from Maroli village in Navsari district of south Gujarat, was considered the first successful director in Indian cinema. His rise to fame in an era when most people st ...
, ''Chandrahasa'' (1929) by
Dhundiraj Govind Phalke
Dhundiraj Govind Phalke (Pronunciation: ̪ʱuɳɖiɾaːd͡ʒ pʰaːɭke, popularly known as Dadasaheb Phalke (30 April 1870 – 16 February 1944), was an Indian producer-director-screenwriter, known as "the Father of Indian cinema".
His debu ...
,
''Chandrahasa'' (1933) by
Sarvottam Badami
Sarvottam Badami (1910–2005) was an Indian film director of Hindi, Telugu language, Telugu, and Tamil language, Tamil films. He started his career as a sound recordist for the first talkie in India, ''Alam Ara'' (1931). In 1948 he helped set ...
,
''Chandrahasan'' (1936) by Profulla Ghosh, ''Chandrahasa'' (1941) by M. L. Rangaiah, ''Chandrahasa'' (1947) by Gunjal, ''Chandrahasa'' (1947) by Shanthesh Patel, ''
Chandrahasa'' (1965) by B. S. Ranga in both Telugu (with Hara Nadh and Krishna Kumari, Gummadi in the lead roles and Kannada, with Raj Kumar and Leelavati.
References
Bibliography
*Jaimini Bharata, Lakshmeesha, Shatpadi 50 59, Kannada
*Havyakara Itihasa, Vidwan Manjappa Kalasi, 1993.
*Mahabharatha, Ashvamedhika Parva, Sanskrit Epic.
*The coins of Kuntal
{{DEFAULTSORT:Chandrahasa
Characters in the Mahabharata
Indian legendary characters
Indian mythology in popular culture
Indian monarchs
Hindu monarchs
Yakshagana
Mughal art
Miniature painting