''Brazilian Jiu-Jitsu: Theory and Technique'' is a book first published in 2001, co-authored by

Renzo Gracie Renzo Gracie (; born March 11, 1967) is a Brazilian mixed martial artist and 7th degree coral belt Brazilian jiu-jitsu practitioner and coach. A third generation member of the Gracie family, he is the grandson of Gracie jiu-jitsu co-founder C ...

Royler Gracie Royler Gracie (born December 6, 1965) is a Brazilian-American retired mixed martial artist and Brazilian jiu-jitsu practitioner. Gracie ran the Gracie Humaitá school in Rio de Janeiro for many years under his father Helio's d ...

, Kid Peligro and John Danaher and illustrated by Ricardo Azoury. It was written on the request of Sheik Tahnoon Bin Zayed Al Nayan, creator of the ADCC. The book describes the "

paradigm shift A paradigm shift is a fundamental change in the basic concepts and experimental practices of a scientific discipline. It is a concept in the philosophy of science that was introduced and brought into the common lexicon by the American physicist a ...

in the

martial arts Martial arts are codified systems and traditions of combat practiced for a number of reasons such as self-defence; military and law enforcement applications; combat sport, competition; physical, mental, and spiritual development; entertainment; ...

in favor of

grappling Grappling is a fighting technique based on throws, trips, sweeps, clinch fighting, ground fighting and submission holds. Grappling contests often involve takedowns and ground control, and may end when a contestant concedes defeat. Shou ...

styles" as a result of

MMA Mixed martial arts (MMA) is a full-contact fighting sport based on striking and grappling; incorporating techniques from various combat sports from around the world. In the early 20th century, various inter-stylistic contests took place t ...

events, such as

UFC 1 ''The Ultimate Fighting Championship'' (later renamed ''UFC 1: The Beginning'') was the first mixed martial arts event by the Ultimate Fighting Championship (UFC), held at the McNichols Sports Arena in Denver, Colorado, United States, on Novembe ...

, in the early 1990s. It explains the theoretical foundations of Brazilian Jiu-Jitsu as a search for a solution to the fundamental problem of the

Martial arts Martial arts are codified systems and traditions of combat practiced for a number of reasons such as self-defence; military and law enforcement applications; combat sport, competition; physical, mental, and spiritual development; entertainment; ...

, which it defines as "How can one successfully defend oneself against attack by a bigger, stronger, and more aggressive opponent?" The book traces Brazilian Jiu-Jitsu's lineage to

Mitsuyo Maeda naturalized as Otávio Maeda (),Virgílio, p. 9 was a Japanese people, Japanese-born judo, ''judōka'' and prizefighter in no holds barred competitions. He was known as Count Combat or ''Conde Koma'' in Spanish and Portuguese, a nickname he pi ...

, a student of Jigoro Kano, who taught his style of

Judo is an unarmed gendai budō, modern Japanese martial art, combat sport, Olympic sport (since 1964), and the most prominent form of jacket wrestling competed internationally.『日本大百科全書』電子版【柔道】(CD-ROM version of Encyc ...

Carlos Gracie Carlos Gracie (September 14, 1902October 7, 1994) was a Brazilian martial artist who is credited with being one of the primary developers of Brazilian jiu-jitsu. Along with his younger brother Hélio Gracie and fellow students Luis França a ...

. From then, the Gracie clan further develops Jiu-Jitsu independently from the

Kodokan The , or ''Kōdōkan'' (講道館), is the headquarters of the worldwide judo community. The ''kōdōkan'' was founded in 1882 by Kanō Jigorō, the founder of judo, and is now an eight-story building in Tokyo. Etymology Literally, ''kō'' ...

. The book further explains how Brazilian Jiu-Jitsu differentiates itself from

. The book explains that Brazilian Jiu-Jitsu does not have a set standard list of techniques or belt requirements, but that each school informally ranks their students according to actual fighting proficiency. Nonetheless, the book then sets some guidelines as to what a typical Brazilian Jiu-Jitsu school might expect from a student at each belt rank; Blue, Purple, Brown, and Black. Finally, the book describes its model of a typical fight and what a Brazilian Jiu-Jitsu fight looks like.

References

* Martial arts manuals 2001 non-fiction books Collaborative non-fiction books {{Martialarts-stub