Atomizer (album)

''Atomizer'' is the debut full-length album by American punk rock group Big Black released on January 1, 1986. The album is regarded as one of the greatest albums of the 1980s, and a forerunner of industrial rock.

Background and release

One song from the album, "Big Money", was released as a B-side to the " Il Duce" single prior to the release of ''Atomizer''. Homestead Records also issued "Big Money" and "Il Duce" the A-side of a 12" record with three live songs on the B-side (including the live version of "Cables" that would appear on ''Atomizer'') with the agreement that the 12" be used for promotional purposes only. The label sent the promo 12" to radio stations, then sold extra copies outside of Big Black's native Chicago, hoping the band would never find out. When they did, Big Black left Homestead and signed to Touch and Go Records.

In the year after ''Atomizer's'' release, Big Black recorded their 4-song '' Headache EP'' and released it with a sticker that bore the words, "Warning! Not as good as ''Atomizer'', so don't get your hopes up, cheese." The same sticker also appeared on some copies of Sonic Youth's EP '' Master=Dik''. That same year ''Atomizer'' was compiled onto compact disc along with the ''Headache'' EP and the band's "Heartbeat" single under the name, '' The Rich Man's Eight Track Tape.'' The CD omitted track 9 "Strange Things" (although included in a subsequent reissue), as well as the artwork and liner notes from the original records. Instead, Steve Albini expressed his general dislike for the compact disc format in the CD's liner notes, saying, "This compact disc, compiled to exploit those of you gullible enough to own the bastardly first generation digital music system, contains all- analog masters. Compact discs are quite durable, this being their only advantage over real music media. You should take every opportunity to scratch them, fingerprint them, and eat egg and bacon sandwiches off them. Don't worry about their longevity, as Philips will pronounce them obsolete when the next phase of the market-squeezing technology bonanza begins."

Music and lyrics

In the book '' Gimme Indie Rock'', music journalist Andrew Earles describes Atomizer as "Big Black at the height of its two-guitars-plus-bass-plus- drum-machine powers, forging a line-straddling, industrial-meets-nascent- noise-rock force to be reckoned with." Andy Kellman of ''AllMusic'' described the sound as "a wailing behemoth of assaultive Roland beats, Steve Albini and Santiago Durango's clanging and whirring guitars, and new member Dave Riley's lumberjack bass." The guitar work on the tracks "Passing Complexion" and "Kerosene" have been described as " warped-beyond-recognition." Kellman described the guitar intro of the latter track as "completely incapable of being accurately described by vocal imitation or physical gesture."

Earles opined that the album contains "generally the harshest lyrical subject matter he bandhad to offer," describing the tracks as "fictional forays into the American underbelly." The album's opening track, "Jordan, Minnesota," is controversial due to its lyrics, which describe events regarding the bust of a child pornography ring in the titular city from the perspective of the perpetrators. In congruence, Kellman stated that the album sees Albini "at his most plainspoken and bleak." Kellman also stated his belief that the track "Bad Houses" could be "a perhaps unintentional reply" to "Pink Houses" by John Mellencamp. Additionally, the album contains themes of self-immolation.

Reception and legacy

Reviewing for ''The Village Voice'' in September 1986, Robert Christgau wrote that, "Though they don't want you to know it, these hateful little twerps are sensitive souls—they're moved to make this godawful racket by the godawful pain of the world, which they learn about reading everything from textbooks to bondage mags. This is the brutal guitar machine thousands of lonely adolescent cowards have heard in their heads. Its creators deserve credit for finding each other and making their obsession real."

Andy Kellman of ''AllMusic'' assessed, "After countless rock and neo-industrial outfits attempted to one-up each other's levels of extremity over the years, ''Atomizer'' holds up extremely well," concluding his review by stating that the album is "as horrifying as the day it was recorded."

In the book '' Gimme Indie Rock'', music journalist Andrew Earles stated that the album "belongs in the collection of anyone with more than a passing interest in nderground rock music"

Accolades

In addition to the ones mentioned below, the album was included in the book '' 1001 Albums You Must Hear Before You Die''.

Notable covers

Among the cover versions of the song "Kerosene" is one by St. Vincent performed live at the Our Band Could Be Your Life 10th Anniversary Show at New York’s Bowery Ballroom on May 22, 2011; it was named by ''Consequence of Sound'' as one of her best covers.

Track listing

Personnel

* Steve Albini – guitar, vocals, drum machine programming
* Santiago Durango – guitar
* Dave Riley – bass guitar
* Iain Burgess – recording engineer

Big Black always credited Roland along with the band's members, though Roland is a brand of drum machine and not an actual person. Additionally, Atomizer and all post-Atomizer releases by the band do not feature the TR-606, instead opting for the E-mu Drumulator.

See also

* Jordan, Minnesota sexual abuse scandal

References

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Big Black albums
1986 debut albums
Homestead Records albums
Touch and Go Records albums
Blast First albums