Antônio Parreiras
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Antônio Diogo da Silva Parreiras (20 January 1860,
Niterói Niterói () is a List of municipalities in Rio de Janeiro, municipality in the state of Rio de Janeiro (state), Rio de Janeiro, in the Southeast Region, Brazil, southeast region of Brazil. It lies across Guanabara Bay, facing the city of Rio de ...
– 17 October 1937, Niterói) was a Brazilian painter, designer and illustrator.


Biography

He was one of nine children and his father was a goldsmith. In 1882, he enrolled at the
Academia Imperial de Belas Artes The Imperial Academy of Fine Arts (') was an institution of higher learning in the arts in Rio de Janeiro, Brazil, established by King João VI. Despite facing many initial difficulties, the Academy was established and took its place at the fore ...
in
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,Biography and critical commentary
@ the Enciclopédia Itaú Cultural
but left two years later to attend the free painting classes being offered by the German immigrant artist Georg Grimm. @ Pitoresco. In 1885, when Grimm left to work in the countryside, Parreiras became an
autodidact Autodidacticism (also autodidactism) or self-education (also self-learning, self-study and self-teaching) is the practice of education without the guidance of schoolmasters (i.e., teachers, professors, institutions). Overview Autodi ...
.Biography by Antonio Gasparetto Junior
@ InfoEscola.
A year later, one of his works was purchased by Emperor Pedro II. This allowed him to resume his formal studies and travel to Europe in 1888, entering the Accademia di Belle Arti di Venezia where his teacher was Filippo Carcano. Upon his return to Brazil two years later, he participated in the "". Later that same year, he became a Professor of landscape painting at the
Escola Nacional de Belas Artes Escola de Belas Artes (School of Fine Arts) is one of the centers of the Federal University of Rio de Janeiro and dates back to colonial times. A royal letter of 20 Nov 1800 by John VI of Portugal established the ''Aula Prática de Desenho e ...
(ENBA) and, following the example set by Grimm, introduced his students to
plein-air ''En plein air'' (; French language, French for 'outdoors'), or plein-air painting, is the act of painting outdoors. This method contrasts with studio painting or academic rules that might create a predetermined look. The theory of 'En plein ai ...
painting. Following disagreements with ENBA over changes in the curriculum, he set up his own school called the " Escola do Ar Livre". He was soon doing much of his work in the forests outside
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. He also received numerous commissions to paint historical scenes and, after 1899, did decorations for the government in public buildings, such as the "Allegory of Apollo and the Goddesses of the Hours", which he created for the Palácio da Liberdade in
Belo Horizonte Belo Horizonte is the List of largest cities in Brazil, sixth-largest city in Brazil, with a population of around 2.3 million, and the third largest metropolitan area, containing a population of 6 million. It is the List of cities in Sout ...
. His female nudes are also considered to be especially well done. From 1906 to 1919, he maintained a second studio in Paris and exhibited at the
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. He was also named a delegate of the
Société Nationale des Beaux-Arts Société Nationale des Beaux-Arts (SNBA; ; ) was the term under which two groups of French artists united, the first for some exhibitions in the early 1860s, the second since 1890 for annual exhibitions. 1862 Established in 1862 by the painter a ...
in 1911. In 1925 he was chosen as Brazil's best artist by the readers of ', a magazine created by art critic Gonzaga Duque. The following year, he published his autobiography and was inducted into the "". In 1933, he participated in his last exhibitions; the "Jubileu Artístico" in
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and Niteroi. Four years after his death, his former studio became the .


Other selected paintings

File:Antônio Parreiras - Fantasia, 1909.jpg, Fantasia (1909) File:Fim de romance by Antônio Diogo da Silva Parreiras 1915.jpg, The End of Romance (1915) File:Parreiras-conquista.jpg, Conquest of the Amazon (1907) Antônio Parreiras - Agonia.jpg, Agony (1915) File:Antônio Parreiras - Zumbi.jpg,
Zumbi Zumbi ( – November 20, 1695), also known as Zumbi dos Palmares (), was a Brazilian quilombola leader and one of the pioneers of resistance to enslavement of Africans by the Portuguese in colonial Brazil. He was also the last of the kings of ...
(1927)


See also

* Belém Museum of Art


References


Further reading

* ''História de um pintor'' (autobiography), edited by Athayde Parreiras. Diário oficial (reprint, 1943) * , ''Antônio Parreiras (1860-1937), pintor de paisagem: gênero e história'', Edições Pinakotheke (1981) * Valéria Salgueiro, ''Antônio Parreiras: notas e críticas, discursos e contos : coletânea de textos de um pintor paisagista'', Editora da Universidade Federal Fluminense (2000) Notes from the book @ DezenoveVint

* Maria de Lourdes Eleutério, "Antônio Parreiras", Volume 21 of ''Coleção Folha Grandes pintores brasileiros'', Folha de S.Paulo (2013)


External links


Museu Antônio Parreiras
homepage. 1860 births 1937 deaths Brazilian landscape painters 19th-century Brazilian painters 19th-century Brazilian male artists 20th-century Brazilian painters 20th-century Brazilian male artists {{Brazil-painter-stub