Amrutesvara Temple, Amruthapura
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The Amruteshvara temple also spelt "Amrutesvara" or "Amruteshwara", is located in the village of Amruthapura, 67 km north of
Chikmagalur Chikmagalur (officially Chikkamagaluru, ), previously known as ''Kiriya-Muguli'' is a city and the headquarters of Chikmagalur district in the Indian state of Karnataka. Located on the foothills of the Mullayanagiri, Mullayanagiri peak of the We ...
town in the
Chikkamagaluru district Chikmagalur, officially Chikkamagaluru () is an administrative district in the Malnad subregion of Karnataka, India. It was called Kadur (''Cuddoor'') district till 1947. Coffee was first cultivated in India in Chikmagalur. The hills of Chikmaga ...
of the
Karnataka state Karnataka ( ) is a States and union territories of India, state in the southwestern region of India. It was Unification of Karnataka, formed as Mysore State on 1 November 1956, with the passage of the States Reorganisation Act, 1956, States Re ...
,
India India, officially the Republic of India, is a country in South Asia. It is the List of countries and dependencies by area, seventh-largest country by area; the List of countries by population (United Nations), most populous country since ...
. Located 110 km from
Hassan Hassan, Hasan, Hassane, Haasana, Hassaan, Asan, Hassun, Hasun, Hassen, Hasson or Hasani may refer to: People *Hassan (given name), Arabic given name and a list of people with that given name *Hassan (surname), Arabic, Jewish, Irish, and Scotti ...
and 50 km from
Shimoga Shimoga, officially Shivamogga, is a city and the district headquarters of Shimoga district in the Karnataka state of India. The city lies on the banks of the Tunga River. Being the gateway for the hilly region of the Western Ghats, the city ...
on NH 206, Amruthapura is known for the Amruteshvara temple. The temple was built in 1196 CE by Amrutheshwara ''Dandanayaka'' (''lit'', "commander") under
Hoysala The Hoysala Kingdom was a kingdom originating from the Indian subcontinent that ruled most of what is now Karnataka, India, Karnataka, parts of Tamilnadu and South-Western Telangana between the 11th and the 14th centuries Common Era, CE. The c ...
King
Veera Ballala II Veera Ballala II (reigned 22 July 1173–1220) was the most notable king of the Hoysala Kingdom. His successes against the Yadavas of Devagiri, the Kalachuris of Kalyani, Southern Kalachuris, the Pandya Dynasty, Pandyas of Madurai and t ...
.


Amrutesvara temple

The temple is a built according to
Hoysala architecture Hoysala architecture is the building style in Hindu temple architecture developed under the rule of the Hoysala Empire between the 11th and 14th centuries, in the region known today as Karnataka, a States and territories of India, state of Indi ...
with a wide open ''mantapa'' (hall).Foekema (1996), p37 The temple has an original outer wall with unique equally spaced circular carvings. The temple has one ''
vimana Vimāna are mythological flying palaces or chariots described in Hindu texts and Sanskrit epics. The "Pushpaka Vimana" of Ravana (who took it from Kubera; Rama returned it to Kubera) is the most quoted example of a vimana. Vimanas are also menti ...
'' (shrine and tower) and therefore is a ''ekakuta'' design,Quote:"Depending on the number of towers, temples are classified as ''ekakuta'' (one), ''dvikuta'' (two), ''trikuta'' (three), ''chatushkuta'' (four) and ''panchakuta'' (five). The last two types are rare. Sometimes a ''trikuta'' temple is literally not ''trikuta'' as only the central of three shrines may have a superstructure", Foekema (1996), p25 and has a closed ''mantapa'' (hall) that connects the sanctum to the large open ''
mantapa A ''mandapa'' or ''mantapa'' () is a pillared hall or pavilion for public rituals in Indian architecture, especially featured in Hindu temple architecture and Jain temple architecture. ''Mandapas'' are described as "open" or "closed" dependin ...
''. It is medium-sized Hoysala temple with certain vastu features similar to the
Veera Narayana Temple, Belavadi The Veera Narayana temple, also referred to as the Viranarayana temple of Belavadi, is a triple Hindu temple with a complex Hoysala architecture completed around 1200 CE. Close to Halebidu, this is a better preserved large Hoysala monument found ...
in ''mantapa'' structure and size. The open ''mantapa'' has twenty nine bays,Quote:"A bay is a square or rectangular compartment in the hall", Foekema (1996) p36, p93 and the closed ''mantapa'' has nine bays with a side porch that leads to a separate shrine on the south side. The shrine is square in shape has the original superstructure (''
shikhara ''Shikhara'' (IAST: '), a Sanskrit word translating literally to "mountain peak", refers to the rising tower in the Hindu temple architecture of North India, and also often used in Jain temples. A ''shikhara'' over the ''garbhagriha'' chamber ...
'') which is adorned with sculptures of ''
Kirtimukha Kirtimukha (Sanskrit: कीर्तिमुख ,', also ', a bahuvrihi compound translating to "glorious face") is the name of a swallowing fierce face with huge fangs, and gaping mouth, very common in the iconography of Hindu temple architectu ...
s'' (demon faces), miniature decorative towers (
aedicule In ancient Roman religion, an ''aedicula'' (: ''aediculae'') is a small shrine, and in classical architecture refers to a niche covered by a pediment or entablature supported by a pair of columns and typically framing a statue,"aedicula, n." ''O ...
). Below the superstructure, the usually seen panel of
Hindu Hindus (; ; also known as Sanātanīs) are people who religiously adhere to Hinduism, also known by its endonym Sanātana Dharma. Jeffery D. Long (2007), A Vision for Hinduism, IB Tauris, , pp. 35–37 Historically, the term has also be ...
deities is absent. The base of the wall has five mouldings which according to art critic Foekema is an "older Hoysala style".Quote:"In a typical "older style" that was popular throughout most of the 12th century Hoysala temples, there is one set of
eaves The eaves are the edges of the roof which overhang the face of a wall and, normally, project beyond the side of a building. The eaves form an overhang to throw water clear of the walls and may be highly decorated as part of an architectural sty ...
where the tower meets the wall of the shrine. The eaves runs all around the temple. Eaves is a projecting roof overhanging the temple wall. Below the eaves are decorated miniature towers on pilasters. Below these towers are the wall panels of Hindu Gods, Goddesses and their attendants. Below these panels are the five mouldings", Foekema (1996), p28
The ''
sukanasi In Hindu temple architecture a sukanasa (, IAST: śukanāsa) or sukanasi is an external ornamented feature over the entrance to the garbhagriha or inner shrine. It sits on the face of the sikhara tower (in South India, the vimana) as a sort of ant ...
'', the tower on top of the vestibule that connects the sanctum to the closed ''mantapa'' (the ''Sukanasi'' appears like the nose of the superstructure),Foekema(1996), p22 has the original Hoysala emblem of "Sala" fighting the lion.Foekema (1996), p22According to Kamath, Sala fights a tiger. According to historians such as C. Hayavadhana Rao, J. D. M. Derrett and B. R Joshi, "Sala" was the mythical founder of the empire, Kamath (2001), p123 The rows of shining lathe turned pillars that support the ceiling of the ''mantapa'' is a Hoysala-Chalukya decorative idiom.Quote:"a common feature of Western Chalukya-Hoysala temples", Kamath (2001), p117 The ''mantapa'' has many deeply domed inner ceiling structures adorned with floral designs. The outer parapet wall of the open ''mantapa'' has a total of hundred and forty panel sculptures with depictions from the Hindu epics. Unlike many Hoysala temples where the panels are small and carvings in miniature, these panels are comparatively larger. The
Ramayana The ''Ramayana'' (; ), also known as ''Valmiki Ramayana'', as traditionally attributed to Valmiki, is a smriti text (also described as a Sanskrit literature, Sanskrit Indian epic poetry, epic) from ancient India, one of the two important epics ...
is sculpted on the south side wall on seventy panels, with the story proceeding quite unusually, in anti-clockwise direction. On the north side wall, all depictions are clockwise, a norm in Hoysala architectural articulation. Twenty five panels depict the life of the Hindu god
Krishna Krishna (; Sanskrit language, Sanskrit: कृष्ण, ) is a major deity in Hinduism. He is worshipped as the eighth avatar of Vishnu and also as the Supreme God (Hinduism), Supreme God in his own right. He is the god of protection, c ...
and the remaining forty five panels depict scenes from the epic
Mahabharata The ''Mahābhārata'' ( ; , , ) is one of the two major Sanskrit Indian epic poetry, epics of ancient India revered as Smriti texts in Hinduism, the other being the ''Ramayana, Rāmāyaṇa''. It narrates the events and aftermath of the Kuru ...
. Ruvari Mallitamma, the well known sculptor and architect is known to have started his career here working on the domed ceilings in the main ''mantapa''.''Architectural marvel'' by P.B.Premkumar, ''Spectrum'', Tuesday, 20 January 2004 The large stone inscription near the porch contains poems composed by medieval Kannada poet
Janna Janna (Kannada : ಮಹಾಕವಿ ಜನ್ನ) was one of the well-known Kannada poets of the early 13th century who also served in the capacity of a minister and a builder of temples. He graced the court of Hoysala empire King Veera Ba ...
who had the honorific ''Kavichakravarti'' (''lit'', "emperor among poets").


Gallery

File:Profile of shrine in Amrutesvara temple at Amruthapura.JPG, Profile of shrine outer wall with ''Shikara'' (tower) at Amrutesvara temple, Amruthapura File:Mantapa outer wall articulation in Amrutesvara temple at Amruthapura.JPG, Close up of mantapa wall with miniature decorative towers, swirls and flourish in relief at Amrutesvara temple, Amruthapura File:Shrine wall relief at Amruteshvara temple in Amruthapura, Chikkamagaluru district.JPG, Mantapa wall with miniature decorative towers (
aedicule In ancient Roman religion, an ''aedicula'' (: ''aediculae'') is a small shrine, and in classical architecture refers to a niche covered by a pediment or entablature supported by a pair of columns and typically framing a statue,"aedicula, n." ''O ...
) in relief at Amrutesvara temple, Amruthapura File:Outer wall relief at Amruteshvara temple in Amruthapura, Chikkamagaluru district.JPG, Wall relief at Amrutesvara temple, Amruthapura File:Wall decoration in relief in Amrutesvara temple at Amruthapura.JPG, Wall relief at Amrutesvara temple, Amruthapura File:Close up of outer wall relief at Amruteshvara temple in Amruthapura, Chikkamagaluru district.JPG, Close up of wall relief at Amrutesvara temple, Amruthapura Image:Wall Carving at Amrutesvara Temple in Chikkamagaluru district.jpg, Wall relief sculpture of the Amrutesvara temple Image:Battle scene in relief in Amruthesvara Temple at Amruthapura in Chikkamagaluru district.jpg, Wall relief sculpture at the Amrutesvara temple, Amruthapura File:Mythological scene from the Hindu legend in relief in the Amrutesvara temple at Amruthapura.JPG, Wall relief sculpture at Amrutesvara temple, Amruthapura File:Scene from the Hindu legend in relief in the Amrutesvara temple at Amruthapura.JPG, Wall relief sculpture at Amrutesvara temple, Amruthapura File:Perforated window art at mantapa entrance in Amrutesvara temple at Amruthapura.JPG, Perforated window art at Amrutesvara temple, Amruthapura File:Hindu deity sculpture in the Amrutesvara temple at Amruthapura 1.JPG, Hindu deity sculpture at Amrutesvara temple, Amruthapura File:Domical ceiling art in Amrutesvara temple at Amruthapura.JPG, Domical ceiling art at Amrutesvara temple, Amruthapura File:Domical ceiling art in Amrutesvara temple at Amruthapura 1.JPG, Domical ceiling art at Amrutesvara temple, Amruthapura File:Domical ceiling art in Amrutesvara temple at Amruthapura 6.JPG, Domical ceiling art at Amrutesvara temple, Amruthapura Image:Wall Sculpture at Amrutesvara Temple in Chikkamagaluru district.jpg, Wall relief sculpture, Amrutesvara temple File:Decorative swirls on mantapa wall at Amruteshvara temple in Amruthapura, Chikkamagaluru district.JPG, Decorative swirls in bas-relief on mantapa outer wall at Amrutesvara temple, Amruthapura


Notes


See also

*
Hoysala architecture Hoysala architecture is the building style in Hindu temple architecture developed under the rule of the Hoysala Empire between the 11th and 14th centuries, in the region known today as Karnataka, a States and territories of India, state of Indi ...
*
Chikkamagaluru District Chikmagalur, officially Chikkamagaluru () is an administrative district in the Malnad subregion of Karnataka, India. It was called Kadur (''Cuddoor'') district till 1947. Coffee was first cultivated in India in Chikmagalur. The hills of Chikmaga ...


References

* Gerard Foekema, A Complete Guide to Hoysala Temples, Abhinav, 1996 * Suryanath U. Kamath, A Concise history of Karnataka from pre-historic times to the present, Jupiter books, 2001, MCC, Bangalore (Reprinted 2002) , .


External links


Architectural marvel
{{Hindu temples in Karnataka 12th-century Hindu temples Hindu temples in Chikmagalur district