Stenography
In 1815, he learned the system of Samuel Taylor, adapted by Théodore-Pierre Bertin for French. In 1820, after inventing his own method of stenography, he abandoned his career as a lawyer and traveled across France, as well as theMusic system advocacy
He approached Pierre Galin when he moved to Paris, and asked to be his business-manager, so Galin could work on setting his music education ideas into print. However, once admitted as Galin's successor, he plagiarized Galin's ideas and denied having known him. After Galin died in 1822 without publishing a full explanation of his ideas, several teachers led classes claiming to follow his methods. Paris decided to devote himself to propagating what he knew of Galin's methods, with a few minor modifications. He published numerous pamphlets on the technique, and toured schools widely, offering challenges to music teachers. According to Fétis, his challenges were designed so that he could be denounced in tract or speech regardless of whether they were accepted or not. His sister, Nanine Paris, married the surgeon Emile Chevé, who became an advocate for the system. Paris, along with his sister and Emile Chevé, continued touring and publishing pamphlets until his death.Mnemonics
Aimé Paris was the first person to publish a version of the mnemonic major system in its modern form.References
* Kenneth Simpson. ''Some Great Music Educators''. Borough Green: Novello, 1976. Pages 21–23. {{DEFAULTSORT:Paris, Aime 1798 births 1866 deaths French music educators Creators of writing systems