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"" (Ah! Deceiver), Op. 65, is a
concert aria A concert aria is normally a free-standing aria or opera-like scene (''scena'') composed for singer and orchestra, written specifically for performance in concert rather than as part of an opera. Concert arias have often been composed for particul ...
for soprano and orchestra by
Ludwig van Beethoven Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classic ...
. The dramatic ''
scena * Scena (moth), genus of moths in the subfamily Arctiinae. * Scena, Italian name for the comune (municipality) of Schenna in South Tyrol in northern Italy, * Scena, a sequence in an aria In music, an aria ( Italian: ; plural: ''arie'' , or ' ...
'' begins with a
recitative Recitative (, also known by its Italian name "''recitativo''" ()) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repea ...
in
C major C major (or the key of C) is a major scale based on C, consisting of the pitches C, D, E, F, G, A, and B. C major is one of the most common keys used in music. Its key signature has no flats or sharps. Its relative minor is A minor a ...
, taken from Pietro Metastasio's ''
Achille in Sciro ''Achille in Sciro'' is an opera and libretto by Pietro Metastasio telling the story of Achilles on Skyros. It was first set to music by Antonio Caldara in 1736, and premiered at the wedding of Maria Theresa and Francis of Lorraine in Vienna.Ita ...
''. The aria "Per pietà, non dirmi addio" (For pity's sake, do not bid me farewell) is set in the key of
E-flat major E-flat major (or the key of E-flat) is a major scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature has three flats. Its relative minor is C minor, and its parallel minor is E minor, (or enharmonically D ...
, and its lyricist is anonymous. A performance takes about 14 minutes.


History

The work was first performed on 21 November 1796 in the in Leipzig, with soprano
Josepha Duschek Josepha Duschek (née Hambacher) (1754–1824) was an outstanding soprano of the Classical era. She was a friend of Wolfgang Amadeus Mozart, who wrote a few works for her to sing. Her name is most often given in its German version as above. ...
as the soloist. The singer, a friend of
Mozart Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition r ...
in Prague, advertised it as "an Italian scena written by Beethoven for Duschek", possibly to raise interest rather than a statement about a dedication. The only extant manuscript by a copyist has a dedication to "Signora Comtessa di Clari", Countess Josephine of
Clary-Aldringen The House of Clary und Aldringen, also known as Clary-Aldringen, is one of the most prominent Austro-Hungarian princely families. Originally from Friuli, Northern Italy, one branch of the family moved to the County of Tyrol around 1500 and to the ...
. Another notable performance occurred in 1808 as part of a benefit concert for the composer on 22 December which also featured the premieres of his fifth and sixth symphonies, an excerpt of his Mass in C major, among others. The singer was the 17-year old who stepped in on short notice after others cancelled. A sister-in-law of the violinist
Ignaz Schuppanzigh Ignaz Schuppanzigh (20 July Michael Lorenz"Four more months for Ignaz Schuppanzigh" 13 August 2012] 1776 – 2 March 1830) was an Austrian violinist, friend and teacher of Ludwig van Beethoven, Beethoven, and leader of Count Razumovsky's privat ...
, she possibly performed, to mixed reaction, from the manuscript which shows changes made by Beethoven. This version differs from the first edition, which causes a problem for editors as both versions are authorized by Beethoven. The work was first published in Leipzig in 1805 by the of
Franz Anton Hoffmeister Franz Anton Hoffmeister (12 May 1754 – 9 February 1812) was an Austrian composer and music publisher. Early years Franz Anton Hoffmeister was born in Rottenburg am Neckar (Further Austria) on 12 May 1754. At the age of fourteen he went ...
and Ambrosius Kühnel, without an Opus number, like many early works by Beethoven. In 1819, Hofmeister in Leipzig printed it and assigned number 46. The number 65, which Beethoven had for unknown reasons not used, was assigned to the piece in 1819 by
Artaria Artaria & Co. () was one of the most important music publishing firms of the late 18th and 19th century. Founded in the 18th century in Vienna, the company is associated with many leading names of the classical era. History Artaria & Co. was foun ...
in Vienna, when Beethoven's Piano Sonata Op. 106 was published with a works list. In chronological order, a number in the range 5 to 10 would be justified.
Breitkopf & Härtel Breitkopf & Härtel is the world's oldest music publishing house. The firm was founded in 1719 in Leipzig by Bernhard Christoph Breitkopf. The catalogue currently contains over 1,000 composers, 8,000 works and 15,000 music editions or books ...
printed the work in 1862 as part of ', a publication of his complete works.


Text

Ah! Faithless one, perjured, barbarous betrayer, do you leave? And are these your last farewells? Who ever suffered such cruel tyranny? Go, wicked man! Go, run from me, The wrath of the Gods you shall not escape! If there is justice in Heaven, if there is mercy, They will join together to punish you! Pursuing shade, present wherever you go, I shall see my vengeance; I already enjoy it in my mind; I see already lightning flashing about you. Ah no, ah no, stop, Gods of vengeance! Spare that heart, strike mine! Though he has changed, I am what I was, Through him I lived, I would die for him! For pity, do not bid me farewell, What shall I do without you? You know, fair beloved, I shall die troubled. Ah, cruel one, you would that I die! Have you no pity for me? Why do you treat one who adores you With such barbarous reward? Tell me if in such trouble Am I not worthy of pity?


References

Notes Sources * * * * * * * * *


External links

* * *
Beethoven's "Ah! perfido"
programme note by Donald Teeters,
Boston Cecilia The Boston Cecilia is a choral society in Boston, Massachusetts. Founded in 1876, the ensemble has enjoyed historic relationships with the Boston Symphony Orchestra and famous conductors and composers, such as Arthur Fiedler, Igor Stravinsky, and An ...
, 2004 * –
Birgit Nilsson Märta Birgit Nilsson (17 May 1918 – 25 December 2005) was a celebrated Swedish dramatic soprano. Although she sang a wide répertoire of operatic and vocal works, Nilsson was best known for her performances in the operas of Richard Wagner a ...
;
Wolfgang Sawallisch Wolfgang Sawallisch (26 August 1923 – 22 February 2013) was a German conductor and pianist. Biography Wolfgang Sawallisch was born in Munich, the son of Maria and Wilhelm Sawallisch. His father was director of the Hamburg-Bremer-Feuerversich ...
, Orchestra della RAI di Roma (1974) {{authority control, state=collapsed Compositions by Ludwig van Beethoven Music dedicated to nobility or royalty 1796 compositions Soprano arias Arias in Italian