Agnès Armengol
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Agnès Armengol i Altayó (also known as Agnès Armengol de Badia;
pseudonym A pseudonym (; ) or alias () is a fictitious name that a person assumes for a particular purpose, which differs from their original or true meaning ( orthonym). This also differs from a new name that entirely or legally replaces an individual's o ...
, Graziella;
Sabadell Sabadell () is a city and municipality in Catalonia, Spain. It is in the south of the ''comarca'' of Vallès Occidental, where it is one of the two capitals, the other being Terrassa. It is located on the River Ripoll, north of Barcelona, a ...
, August 1852 - Sabadell, January 30, 1934) was a Spanish writer, pianist, composer, promoter of women's participation in the
Catalanist Catalan nationalism promotes the idea that the Catalan people form a distinct nation and national identity. A related term is Catalanism (, ), which is more related to regionalism and tends to have a wider meaning, most people who define themsel ...
movement."Agnès Armengol i Altayó". ''
Gran Enciclopèdia Catalana The (English: the ''Great Catalan Encyclopedia'') is a Catalan language, Catalan-language encyclopedia, started in fascicles, and published in 1968 by . The soul of the work was written by Max Cahner, and the first director was Jordi Carbonell. ...
''.
Barcelona Barcelona ( ; ; ) is a city on the northeastern coast of Spain. It is the capital and largest city of the autonomous community of Catalonia, as well as the second-most populous municipality of Spain. With a population of 1.6 million within c ...
: Grup Enciclopèdia Catalana.


Early life and education

The daughter of a family of textile manufacturers, her education began at Les Escolàpies in Sabadell before continuing her studies in
Barcelona Barcelona ( ; ; ) is a city on the northeastern coast of Spain. It is the capital and largest city of the autonomous community of Catalonia, as well as the second-most populous municipality of Spain. With a population of 1.6 million within c ...
and at the Occitan boarding school Pension Catalane, in
Castres Castres (; ''Castras'' in the Languedocian dialect, Languedocian dialect of Occitan language, Occitan) is the sole Subprefectures in France, subprefecture of the Tarn (department), Tarn Departments of France, department in the Occitania (adminis ...
. During these years, she trained in
music education Music education is a field of practice in which educators are trained for careers as primary education, elementary or secondary education, secondary music teachers, school or music conservatory ensemble directors. Music education is also a rese ...
and began to show her talents as a writer, musician and composer.


Career

She signed his first musical compositions with the pseudonym "Graziella", inspired by the name of one of her favorite works, the romantic novel ''
Graziella ''Graziella'' is an 1852 novel by the French author Alphonse de Lamartine. It tells of a young French man who falls for a fisherman's granddaughter – the eponymous Graziella – during a trip to Naples, Italy; they are separated when ...
'' (1849), by Alphonse de Lamartine . With this name, Armengol entered several music competitions, where she won some prizes. She is especially remembered for ''Suspirs'', which won a prize in a musical competition in
Chicago Chicago is the List of municipalities in Illinois, most populous city in the U.S. state of Illinois and in the Midwestern United States. With a population of 2,746,388, as of the 2020 United States census, 2020 census, it is the List of Unite ...
in 1893. Armengol published some poems in various magazines from Sabadell and Barcelona, such as ''Lo Catalanista'', ''Revista de Sabadell'', or ''
La Llumanera de Nova York ''La Llumanera de Nova York'' was a monthly illustrated publication, edited in Catalan in New York by writer Artur Cuyàs i Armengol, and illustrated by Felip Cusachs, in a delicate moment for the relationship between Spain and Cuba, and the puis ...
'', and various writings in defense of the
Catalan language Catalan () is a Western Romance languages, Western Romance language and is the official language of Andorra, and the official language of three autonomous communities of Spain, autonomous communities in eastern Spain: Catalonia, the Balearic I ...
, culture and traditions. In this spirit, she wrote the poetry collection ''Cant a la senyera'' for the Orfeó de Sabadell, the poem "Rosari antic" (Old Rosary) (a collection of the life, customs and traditions of Catalonia) and contributed to resurrecting the "Ball del Ciri" and the "Dance of Castellterçol".


Death and legacy

She died in Sabadell at the age of 82 and her burial constituted a public mourning in Sabadell. The Agnès Armengol i Altayó Fund is at the Bosch i Cardellach Foundation in Sabadell. A city street and a school bear her name today.


Selected works

* ''Lays'' * ''Ramell de Semprevives'' (poems) Agnès Armengol i Altayó, in ''Feminal'', no. 122, 24 June 1917 * 1912. ''Redempció''. Collecció Feminals. * 1925. ''Sabadellenques i altres poesies''. Sabadell: Biblioteca Sabadellenca, 3. * 1925. ''Redempció''. Sabadell: Biblioteca Sabadellenca, 4. * 1926. ''Els dies clars''. Sabadell: Biblioteca Sabadellenca, 7. * 1926. ''Rosari antic. Tradicions i records''. Sabadell: Biblioteca Sabadellenca, 10.


Poems presented at the Barcelona Floral Games

* 1893. ''Montanyana''. * 1919. ''Al Montserrat''. * 1919. ''Na Marió''. * 1926. ''San Josep''. * 1927. ''La bona masovera''. * 1927. ''La nit i la diada de San Joan''.


Musical compositions

* ''Le Jasmin'' (1873) * ''Le Noyer'' (1873) * ''L’heure du mystere'' (1873) * ''A toi, les sanges de bonheur'' (1873) * ''Chant du soir'' (1875). (Work for violin, cello, piano and harmonium quartet) * ''Ballet Impromptée'' (1876). (Work for piano, four hands) * ''Composicions (''1876). (Works for voice and piano) * ''Impromptus'' (1877). (Works for piano.) * ''Suspirs'' (1877). (Work for voice and piano.) * ''A une marguerite des champs'' (1877). * ''Vora la mar'' (1877). (Barcarola for voice and piano) * ''Ah! qui podrà oblidar ton cel de festa''. (1879). (Work for voice and piano) * ''Cantar.'' (Work for voice and piano) * ''Regret!'' (Work for piano) * ''Goigs a la Mare de Déu de la Salut'' (1882). (Work for soloist and chorus) * ''Cançons per a Infants'' (1928). (Works for voice and piano)


References

{{DEFAULTSORT:Armengol, Agnes 1852 births 1934 deaths 20th-century Spanish writers Spanish pianists Composers from Catalonia 20th-century Spanish poets 20th-century Spanish women writers People from Sabadell 19th-century pseudonymous writers Pseudonymous women writers