Devanāgarī
Devanagari ( ; in script: , , ) is an Indic script used in the Indian subcontinent. It is a left-to-right abugida (a type of segmental Writing systems#Segmental systems: alphabets, writing system), based on the ancient ''Brāhmī script, Brā ...
philosopher
Philosophy ('love of wisdom' in Ancient Greek) is a systematic study of general and fundamental questions concerning topics like existence, reason, knowledge, Value (ethics and social sciences), value, mind, and language. It is a rational an ...
Kashmir
Kashmir ( or ) is the Northwestern Indian subcontinent, northernmost geographical region of the Indian subcontinent. Until the mid-19th century, the term ''Kashmir'' denoted only the Kashmir Valley between the Great Himalayas and the Pir P ...
. He was also considered an influential
musician
A musician is someone who Composer, composes, Conducting, conducts, or Performing arts#Performers, performs music. According to the United States Employment Service, "musician" is a general Terminology, term used to designate a person who fol ...
,
poet
A poet is a person who studies and creates poetry. Poets may describe themselves as such or be described as such by others. A poet may simply be the creator (thought, thinker, songwriter, writer, or author) who creates (composes) poems (oral t ...
,
dramatist
A playwright or dramatist is a person who writes plays, which are a form of drama that primarily consists of dialogue between characters and is intended for theatrical performance rather than just
reading. Ben Jonson coined the term "playwri ...
,
exegete
Exegesis ( ; from the Greek , from , "to lead out") is a critical explanation or interpretation of a text. The term is traditionally applied to the interpretation of Biblical works. In modern usage, exegesis can involve critical interpretation ...
,
theologian
Theology is the study of religious belief from a religious perspective, with a focus on the nature of divinity. It is taught as an academic discipline, typically in universities and seminaries. It occupies itself with the unique content of ...
, and
logician
Logic is the study of correct reasoning. It includes both formal and informal logic. Formal logic is the study of deductively valid inferences or logical truths. It examines how conclusions follow from premises based on the structure of arg ...
Re-accessing Abhinavagupta, Navjivan Rastogi, page 4 – a
polymath
A polymath or polyhistor is an individual whose knowledge spans many different subjects, known to draw on complex bodies of knowledge to solve specific problems. Polymaths often prefer a specific context in which to explain their knowledge, ...
ic personality who exercised strong influences on
Indian culture
Indian culture is the heritage of social norms and technologies that originated in or are associated with the ethno-linguistically diverse nation of India, pertaining to the Indian subcontinent until 1947 and the Republic of India post-1947. ...
.
Abhinavagupta was born in a Kānyakubja Brāhmin family of scholars and mystics whose ancestors immigrated from
Kannauj
Kannauj (Hindustani language, Hindustani pronunciation: ) is an ancient city, administrative headquarters and a municipal board or Nagar palika, Nagar Palika Parishad in Kannauj district in the Indian States and territories of India, state of Ut ...
on invitation by the great king of Kashmir,
Lalitaditya Muktapida
Lalitaditya alias Muktapida (IAST: Lalitāditya Muktāpīḍa; r. c. 724 CE–760 CE) was a Karkota monarch of the Kashmir region in the Indian subcontinent. The 12th-century Kashmiri chronicler Kalhana characterizes Lalitaditya as a " world c ...
. He studied all the schools of philosophy and art of his time under the guidance of as many as fifteen (or more) teachers and
guru
Guru ( ; International Alphabet of Sanskrit Transliteration, IAST: ''guru'') is a Sanskrit term for a "mentor, guide, expert, or master" of certain knowledge or field. In pan-Indian religions, Indian traditions, a guru is more than a teacher: tr ...
s. In his long life he completed over 35 works, the largest and most famous of which is '' Tantrāloka'', an encyclopedic treatise on all the philosophical and practical aspects of Kaula and Trika (known today as
Kashmir Shaivism
Kashmir Shaivism tradition is a 20th century umbrella-term for a body of Sanskrit learning, Sanskrit exegetical literature from several Nondualism, non-dualist Shaivism, Shaiva-Shaktism, Shakta Tantra, tantric and Monism, monistic religious t ...
). Another one of his very important contributions was in the field of philosophy of aesthetics with his famous '' Abhinavabhāratī'' commentary of '' Nāṭyaśāstra'' of
Bharata Muni
Bharata (Devanagari: भरत) was a '' muni'' (sage) of ancient India. He is traditionally attributed authorship of the influential performing arts treatise '' Natya Shastra'', which covers ancient Indian dance, poetics, dramaturgy, and music ...
.Luce dei Tantra, Tantrāloka, Abhinavagupta, Raniero Gnoli, page LXXVII
Life
"Abhinavagupta" was not his real name, rather a title he earned from his Guru, meaning "competence and authoritativeness". In his analysis, Jayaratha (1150–1200 AD) – who was Abhinavagupta's most important commentator – also reveals three more meanings: "being ever vigilant", "being present everywhere" and "protected by praises". Raniero Gnoli, the only
Sanskrit
Sanskrit (; stem form ; nominal singular , ,) is a classical language belonging to the Indo-Aryan languages, Indo-Aryan branch of the Indo-European languages. It arose in northwest South Asia after its predecessor languages had Trans-cultural ...
scholar who completed a translation of Tantrāloka in a European language, mentions that "Abhinava" also means "new", as a reference to the ever-new creative force of his mystical experience.
From Jayaratha, we learn that Abhinavagupta was in possession of all the six qualities required for the recipients of the tremendous level of śaktipāta, as described in the sacred texts (Śrīpūrvaśāstra):Abhinavagupta, Ganesh Tryambak Deshpande, page 19 an unflinching faith in God, realisation of
mantra
A mantra ( ; Pali: ''mantra'') or mantram (Devanagari: मन्त्रम्) is a sacred utterance, a numinous sound, a syllable, word or phonemes, or group of words (most often in an Indo-Iranian language like Sanskrit or Avestan) belie ...
s, control over objective principles (referring to the 36 tattvas), successful conclusion of all the activities undertaken, poetic creativity and spontaneous knowledge of all disciplines.
Abhinavagupta's creation is well equilibrated between the branches of the triad ( Trika): will (''icchā''), knowledge (''
jñāna
In Indian philosophy and religions, ' (, ) is "knowledge".
The idea of ''jñāna'' centers on a cognitive event which is recognized when experienced. It is knowledge inseparable from the total experience of reality, especially the total or divin ...
''), action (''
kriyā
() most commonly refers to a "completed action", technique or practice within a yoga discipline meant to achieve a specific result.
Etymology
is a Sanskrit term, derived from the Sanskrit root , meaning 'to do'. ' means 'action, deed, effo ...
''); his works also include devotional songs, academical/philosophical works and works describing ritual/yogic practices.
As an author, he is considered a systematiser of the philosophical thought. He reconstructed, rationalised and orchestrated the philosophical knowledge into a more coherent form, assessing all the available sources of his time, not unlike a modern scientific researcher.
Various contemporary scholars have characterised Abhinavagupta as a "brilliant scholar and saint",Īśvara Pratyabhijñā Kārikā of Utpaladeva, Verses on the Recognition of the Lord; B. N. Pandit, page XXXIII "the pinnacle of the development of Kaśmir Śaivism" and "in possession of yogic realization".
Social background, family and disciples
"Magical" birth
The term by which Abhinavagupta himself defines his origin is "yoginībhū", 'born of a yoginī'. In Kashmir Shaivism and especially in Kaula it is considered that a progeny of parents "established in the divine essence of
Bhairava
Bhairava (, ), or Kāla Bhairava, is a Shaivite and Vajrayāna deity worshipped by Hindus and Buddhists. In Shaivism, he is a powerful manifestation, or avatar, of Shiva.Kramrisch, Stella (1994). ''The Presence of Śiva''. Princeton, NJ: P ...
", is endowed with exceptional spiritual and intellectual prowess. Such a child is supposed to be "the depository of knowledge", who "even as a child in the womb, has the form of
Shiva
Shiva (; , ), also known as Mahadeva (; , , Help:IPA/Sanskrit, ɐɦaːd̪eːʋɐh and Hara, is one of the Hindu deities, principal deities of Hinduism. He is the God in Hinduism, Supreme Being in Shaivism, one of the major traditions w ...
", to enumerate but a few of the classical attributes of his kind.
Parents
Abhinavagupta was born in a Kanyakubja Brahmin family in Kashmir. His mother, ''Vimalā'' (''Vimalakalā'') died when Abhinavagupta was just two years old;Luce dei Tantra, Tantrāloka, Abhinavagupta, Raniero Gnoli, page 4 as a consequence of losing his mother, of whom he was reportedly very attached, he grew more distant from worldly life and focused all the more on spiritual endeavour.
The father, Narasiṃhgupt, after his wife's death favoured an ascetic lifestyle, while raising his three children. He had a cultivated mind and a heart "outstandingly adorned with devotion to Mahesvara (Shiva)" (in Abhinavagupta's own words). He was Abhinavagupta's first teacher, instructing him in
grammar
In linguistics, grammar is the set of rules for how a natural language is structured, as demonstrated by its speakers or writers. Grammar rules may concern the use of clauses, phrases, and words. The term may also refer to the study of such rul ...
,
logic
Logic is the study of correct reasoning. It includes both formal and informal logic. Formal logic is the study of deductively valid inferences or logical truths. It examines how conclusions follow from premises based on the structure o ...
and
literature
Literature is any collection of Writing, written work, but it is also used more narrowly for writings specifically considered to be an art form, especially novels, Play (theatre), plays, and poetry, poems. It includes both print and Electroni ...
.
Family
Abhinavagupta had a brother and a sister. His brother, Manoratha, was a well-versed devotee of Shiva. His sister, Ambā (probable name, according to Navjivan Rastogi), devoted herself to worship after the death of her husband in late life.
His cousin Karṇa demonstrated even from his youth that he grasped the essence of Śaivism and was detached of the world. His wife was presumably Abhinavagupta's older sister Ambā, who looked with reverence upon her illustrious brother. Ambā and Karṇa had a son, Yogeśvaridatta, who was precociously talented in yoga
Abhinavagupta also mentions his disciple Rāmadeva as faithfully devoted to scriptural study and serving his master. Another cousin was Kṣema, possibly the same as Abhinavagupta's illustrious disciple Kṣemarāja. Mandra, a childhood friend of Karṇa, was their host in a suburban residence; he was not only rich and in possession of a pleasing personality, but also equally learned. And last but not least, Vatasikā, Mandra's aunt, who got a special mention from Abhinavagupta for caring for him with exceptional dedication and concern; to express his gratitude, Abhinavagupta declared that Vatasikā deserved the credit for the successful completion of his work.
The emerging picture here is that Abhinavagupta lived in a nurturing and protected environment, where his creative energies got all the support they required. Everyone around him was filled with spiritual fervor and had taken Abhinavagupta as their spiritual master. Such a supporting group of family and friends was equally necessary as his personal qualities of genius, to complete a work of the magnitude of Tantrāloka.
Ancestors
By Abhinavagupta's own account, his most remote known ancestor was called Atrigupta, born in antarved Kānyakubja in Madhyadesha, i.e. the Middle Country. From Madhyadeśa he travelled to
Kashmir
Kashmir ( or ) is the Northwestern Indian subcontinent, northernmost geographical region of the Indian subcontinent. Until the mid-19th century, the term ''Kashmir'' denoted only the Kashmir Valley between the Great Himalayas and the Pir P ...
at the request of king Lalitāditya, around year 740 CE.Triadic Mysticism, Paul E. Murphy, page 12
Masters
Abhinavagupta is famous for his voracious thirst for knowledge. To study he took many teachers (as many as fifteen), both mystical philosophers and scholars. He approached Vaiṣṇavas,
Buddhists
Buddhism, also known as Buddhadharma and Dharmavinaya, is an Indian religion and philosophical tradition based on teachings attributed to the Buddha, a wandering teacher who lived in the 6th or 5th century BCE. It is the world's fourth ...
, Śiddhānta Śaivists, and the Trika scholars.
Among the most prominent of his teachers, he enumerates four, two of whom were Vāmanātha, who instructed him in dualistic Śaivism, and Bhūtirāja in the dualist/nondualist school. Besides being the teacher of the famous Abhinavagupta, Bhūtirāja was also the father of two eminent scholars.
Lakṣmaṇagupta, a direct disciple of Utpaladeva, in the lineage of Trayambaka, was highly respected by Abhinavagupta and taught him all the schools of monistic thought: Krama, Trika, and Pratyabhijña (except Kula). Śambhunātha taught him the fourth school (Ardha-trayambaka). This school is in fact Kaula, and it was emanated from Trayambaka's daughter.
For Abhinavagupta, Śambhunātha was the most admired guru. Describing the greatness of his master, he compared Śambhunātha to the Sun, in his power to dispel ignorance from the heart, and, in another place, with "the Moon shining over the ocean of Trika knowledge." Abhinavagupta received Kaula initiation through Śambhunātha's wife (acting as a dūtī or conduit). The energy of this initiation is transmitted and sublimated into the heart and finally into consciousness. Such a method is difficult but very rapid and is reserved for those who shed their mental limitations and are pure. It was Śambhunātha who requested he write Tantrāloka. As guru, he had a profound influence in the structure of Tantrāloka and in the life of its creator, Abhinavagupta.
As many as twelve more of his principal teachers are enumerated by name but without details. It is believed that Abhinavagupta had more secondary teachers. Moreover, during his life he had accumulated a large number of texts from which he quoted in his magnum opus, in his desire to create a syncretic, all-inclusive system, where the contrasts of different scriptures could be resolved by integration into a superior perspective.
Lifestyle
Abhinavagupta remained unmarried all his life, and as an adept of Kaula, at least initially maintained
brahmacharya
''Brahmacharya'' (; Sanskrit: Devanagari: ब्रह्मचर्य) is the concept within Indian religions that literally means "conduct consistent with Brahman" or "on the path of Brahman". Brahmacharya, a discipline of controlling ...
and supposedly used the vital force of his energy (ojas) to deepen his understanding of the spiritual nervous system he outlined in his works—a system involving ritual union between Purusha (as Shiva) and Shakti. Such union is essentially non-physical and universal, and thus Abhinavagupta conceived himself as always in communion with Shiva-Shakti. In the context of his life and teachings, Abhinavagupta parallels Shiva as both ascetic and enjoyer.
Abhinavagupta studied assiduously at least until the age of thirty or thirty-five. To accomplish that he travelled, mostly inside Kashmir. By his own testimony, he had attained spiritual liberation through his Kaula practice, under the guidance of his most admired master, Śambhunātha. He lived in his home (functioning as an
ashram
An ashram (, ) is a spiritual hermitage or a monastery in Indian religions, not including Buddhism.
Etymology
The Sanskrit noun is a thematic nominal derivative from the root 'toil' (< Abhinavagupta's personality was described as a living realisation of his vision.
In an epoch pen-painting, Abhinavagupta is depicted seated in Virasana, surrounded by devoted disciples and family, performing a kind of trance-inducing music on a
veena
The ''veena'', also spelled ''vina'' ( IAST: vīṇā), is any of various chordophone instruments from the Indian subcontinent. Ancient musical instruments evolved into many variations, such as lutes, zithers and arched harps.
while dictating verses of Tantrāloka to one of his attendees--behind him two dūtī (women
yogi
A yogi is a practitioner of Yoga, including a sannyasin or practitioner of meditation in Indian religions.A. K. Banerjea (2014), ''Philosophy of Gorakhnath with Goraksha-Vacana-Sangraha'', Motilal Banarsidass, , pp. xxiii, 297–299, 331 ...
) waiting on him. A legend about the moment of his death (placed somewhere between 1015 and 1025, depending on the source), says that he took with him 1,200 disciples and marched off to a cave, today this cave is known by (Abhinavagupta Cave) located at hill called Bairam at Beerwah, reciting his poem ''Bhairava-stava'', a devotional work. They were never to be seen again, supposedly translating together into the spiritual world.
Works
Abhinavagupta's works fall into multiple sections: manuals of religious ritual, devotional songs, philosophical works and philosophy of aesthetics. Here are enumerated most of his works. Bold type faced titles represent the most important ones.
Religious works
Tantraloka
His most important work was ''Tantrāloka'' ("Elucidation of Tantra"), a synthesis of the entire Trika system. The esoteric chapter 29 on the Kaula ritual was translated in English together with ''Jayarathas commentary by John R. Dupuche. A complex study on the context, authors, contents and references of ''Tantrāloka'' was published by Navjivan Rastogi, Prof. of the Lucknow University. The first complete English translation of ''Tantrāloka'' was published by the Indologist Mark S. G. Dyczkowski in 2023 after 45 years of work. The last recognized master of the oral tradition of Kashmir Shaivism, Swami Lakshman Joo, gave a condensed version of the key philosophical chapters of ''Tantrāloka'' in his book, ''Kashmir Shaivism – The Secret Supreme''.
Another important text was the commentary on Parātrīśikā, ''Parātrīśikāvivaraṇa'', detailing the signification of the phonematic energies and their two sequential ordering systems, Mātṛkā and Mālinī. This was the last major translation project of Jaideva Singh.
Tantrasara
Tantrasāra ("Essence of Tantra") is a summarised version, in prose, of ''Tantrāloka'', which was once more summarised in ''Tantroccaya'', and finally presented in a very short summary form under the name of ''Tantravaṭadhānikā'' – the "Seed of Tantra".
''Pūrvapañcikā'' was a commentary of ''Pūrvatantra'', alias Mālinīvijaya Tantra, lost to this day. ''Mālinīvijayā-varttika'' ("Commentary on Mālinīvijaya") is a versified commentary on ''Mālinīvijaya Tantras first verse. ''Kramakeli'', "Krama's Play" was a commentary of ''Kramastotra'', now lost. ''Bhagavadgītārtha-saṃgraha'' which translates "Commentary on
Bhagavad Gita
The Bhagavad Gita (; ), often referred to as the Gita (), is a Hindu texts, Hindu scripture, dated to the second or first century BCE, which forms part of the Hindu epic, epic poem Mahabharata. The Gita is a synthesis of various strands of Ind ...
" has now an English translation by Boris Marjanovic.
Other religious works are: ''Parātrīśikā-laghuvṛtti'', "A Short Commentary on Parātrīśikā", ''Paryantapañcāśīkā'' ("Fifty Verses on the Ultimate Reality"), ''Rahasyapañcadaśikā'' ("Fifteen Verses on the Mystical Doctrine"), ''Laghvī prakriyā'' ("Short Ceremony"), ''Devīstotravivaraṇa'' ("Commentary on the Hymn to Devi") and ''Paramārthasāra'' ("Essence of the Supreme Reality").
Devotional hymns
Abhinavagupta has composed a number of devotional poems, most of which have been translated into French by
Lilian Silburn
Lilian Silburn (1908–1993) was a French Indologist specialising in Kashmir Shaivism, Tantra and Buddhism.
Silburn studied philosophy and Indology under Paul Masson-Oursel and others. During World War II, she joined the French National Centre for ...
:Hymnes de Abhinavagupta: Traduits et commentés, Lilian Silburn
* ''Bodhapañcadaśikā'' – "Fifteen Verses on Consciousness";
* ''Paramārthacarcā'' – "Discussion on the Supreme Reality";
* ''Anubhavanivedana'' – "Tribute of the Inner Experience";
* ''Anuttarāṣṭikā'' – "Eight Verses on Anuttara";
* ''Krama-stotra'' – an hymn, different from the fundamental text of the Krama school;
* ''Bhairava-stava'' – "Hymn to
Bhairava
Bhairava (, ), or Kāla Bhairava, is a Shaivite and Vajrayāna deity worshipped by Hindus and Buddhists. In Shaivism, he is a powerful manifestation, or avatar, of Shiva.Kramrisch, Stella (1994). ''The Presence of Śiva''. Princeton, NJ: P ...
";
* ''Dehasthadevatācakra-stotra'' – "Hymn to the Wheel of Divinities that Live in the Body";
* ''Paramārthadvādaśikā'' – "Twelve Verses on the Supreme Reality" and
* ''Mahopadeśa-viṃśatikā'' – "Twenty Verses on the Great Teaching".
* Another poem ''Śivaśaktyavinābhāva-stotra'' – "Hymn on the Inseparability of
Shiva
Shiva (; , ), also known as Mahadeva (; , , Help:IPA/Sanskrit, ɐɦaːd̪eːʋɐh and Hara, is one of the Hindu deities, principal deities of Hinduism. He is the God in Hinduism, Supreme Being in Shaivism, one of the major traditions w ...
and
Shakti
Shakti (Devanagari: शक्ति, IAST: Śakti; 'energy, ability, strength, effort, power, might, capability') in Hinduism, is the "Universal Power" that underlies and sustains all existence. Conceived as feminine in essence, Shakti refer ...
" was lost.
Philosophical works
One of the most important works of Abhinavagupta is ''Īśvarapratyabhijñā-vimarśini'' ("Commentary to the Verses on the Recognition of the Lord") and ''Īśvarapratyabhijñā-vivṛti-vimarśini'' ("Commentary on the explanation of ''Īśvarapratyabhijñā''"). This treatise is fundamental in the transmission of the ''Pratyabhijña'' school (the branch of Kashmir Shaivism based on direct recognition of the Lord) to our days. Another commentary on a ''Pratyabhijña'' work – ''Śivadṛṣtyā-locana'' ("Light on Śivadṛṣṭi") – is now lost. Another lost commentary is ''Padārthapraveśa-nirṇaya-ṭīkā'' and ''Prakīrṇkavivaraṇa'' ("Comment on the Notebook") referring to the third chapter of ''Vākyapadīya'' of Bhartrihari. Two more philosophical texts of Abhinavagupta are ''Kathāmukha-tilaka'' ("Ornament of the Face of Discourses") and ''Bhedavāda-vidāraṇa'' ("Confrontation of the Dualist Thesis").
Poetical and dramatic works
''Abhinavagupta''s most important work on the philosophy of art is ''Abhinavabhāratī'' – a long and complex commentary on
Natya Shastra
The ''Nāṭya Shāstra'' (, ''Nāṭyaśāstra'') is a Sanskrit treatise on the performing arts. The text is attributed to sage Bharata, and its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary b ...
of
Bharata Muni
Bharata (Devanagari: भरत) was a '' muni'' (sage) of ancient India. He is traditionally attributed authorship of the influential performing arts treatise '' Natya Shastra'', which covers ancient Indian dance, poetics, dramaturgy, and music ...
. This work has been one of the most important factors contributing to Abhinavagupta's fame up until present day. His most important contribution was that to the theory of rasa (aesthetic savour).
Other poetical works include: ''Ghaṭa-karpara-kulaka-vivṛti'', a commentary on "Ghaṭakarpara" of
Kalidasa
Kālidāsa (, "Servant of Kali"; 4th–5th century CE) was a Classical Sanskrit author who is often considered ancient India's greatest poet and playwright. His plays and poetry are primarily based on Hindu Puranas and philosophy. His surviv ...
; ''Kāvyakauṭukavivaraṇa'', a "Commentary to the Wonder of Poetry" (a work of Bhaṭṭa Tauta), now lost; and ''Dhvanyālokalocana'', "Illustration of Dhvanyāloka", which is a famous work of Anandavardhana.
Sanskrit
Sanskrit (; stem form ; nominal singular , ,) is a classical language belonging to the Indo-Aryan languages, Indo-Aryan branch of the Indo-European languages. It arose in northwest South Asia after its predecessor languages had Trans-cultural ...