''A Huguenot, on St. Bartholomew's Day, Refusing to Shield Himself from Danger by Wearing the Roman Catholic Badge'' (1851–52) is the full, exhibited title of a painting by

John Everett Millais Sir John Everett Millais, 1st Baronet ( , ; 8 June 1829 – 13 August 1896) was an English painter and illustrator who was one of the founders of the Pre-Raphaelite Brotherhood. He was a child prodigy who, aged eleven, became the youngest s ...

, and was produced at the height of his Pre-Raphaelite period. It was accompanied, at the

Royal Academy of Arts The Royal Academy of Arts (RA) is an art institution based in Burlington House in Piccadilly London, England. Founded in 1768, it has a unique position as an independent, privately funded institution led by eminent artists and architects. Its ...

in London in 1852, with a long quote reading: "When the clock of the Palais de Justice shall sound upon the great bell, at daybreak, then each good Catholic must bind a strip of white linen round his arm, and place a fair white cross in his cap.—''The order of the Duke of Guise''." This long title is usually abbreviated to ''A Huguenot'' or ''A Huguenot, on St Bartholomew's Day''. It depicts a pair of young lovers and is given a dramatic twist because the woman, who is Catholic, is attempting to get her beloved, who is Protestant, to wear the white armband declaring allegiance to

Catholicism The Catholic Church (), also known as the Roman Catholic Church, is the List of Christian denominations by number of members, largest Christian church, with 1.27 to 1.41 billion baptized Catholics Catholic Church by country, worldwid ...

. The young man firmly pulls off the armband at the same time that he gently embraces his lover, and stares into her pleading eyes. The incident refers to the

St. Bartholomew's Day massacre The Saint Bartholomew's Day massacre () in 1572 was a targeted group of assassinations and a wave of Catholic mob violence directed against the Huguenots (French Calvinist Protestants) during the French Wars of Religion. Traditionally believed ...

on August 24, 1572, when around 3,000 French Protestants (

Huguenots The Huguenots ( , ; ) are a Religious denomination, religious group of French people, French Protestants who held to the Reformed (Calvinist) tradition of Protestantism. The term, which may be derived from the name of a Swiss political leader, ...

) were murdered in Paris, with around 20,000 massacred across the rest of France. A small number of Protestants escaped from the city through subterfuge by wearing white armbands. Millais had initially planned simply to depict lovers in a less dire predicament, but supposedly had been persuaded by his

Pre-Raphaelite The Pre-Raphaelite Brotherhood (PRB), later known as the Pre-Raphaelites, was a group of English painters, poets, and art critics, founded in 1848 by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti, William Michael Rossetti, ...

colleague

William Holman Hunt William Holman Hunt (2 April 1827 – 7 September 1910) was an English painter and one of the founders of the Pre-Raphaelite Brotherhood. His paintings were notable for their great attention to detail, vivid colour, and elaborate symbolism ...

that the subject was too trite. After seeing

Giacomo Meyerbeer Giacomo Meyerbeer (born Jakob Liebmann Meyer Beer; 5 September 1791 – 2 May 1864) was a German opera composer, "the most frequently performed opera composer during the nineteenth century, linking Wolfgang Amadeus Mozart, Mozart and Richard Wa ...

's opera ''

Les Huguenots () is an opera by Giacomo Meyerbeer and is one of the most popular and spectacular examples of grand opera. In five acts, to a libretto by Eugène Scribe and Émile Deschamps, it premiered in Paris on 29 February 1836. Composition history '' ...

'' of 1836 at Covent Garden, which tells the story of the massacre, Millais adapted the painting to refer to the event. In the opera, Valentine attempts unsuccessfully to get her lover Raoul to wear the armband.Tate Gallery, ''The Pre-Raphaelites'', 1984, p. 99 The choice of a pro-Protestant subject was also significant because the Pre-Raphaelites had previously been attacked for their alleged sympathies to the

Oxford Movement The Oxford Movement was a theological movement of high-church members of the Church of England which began in the 1830s and eventually developed into Anglo-Catholicism. The movement, whose original devotees were mostly associated with the Un ...

and to Catholicism. Millais painted the majority of the background near Ewell in Surrey in the late summer and autumn of 1851, while he and Hunt were living at Worcester Park Farm. It was from a brick wall adjoining an orchard. Some of the flowers depicted in the scene may have been chosen because of the contemporary interest in the so-called

language of flowers Floriography (language of flowers) is a means of cryptological communication through the use or arrangement of flowers. Meaning has been attributed to flowers for thousands of years, and some form of floriography has been practiced in tradition ...

. The blue Canterbury Bells at the left, for example, can stand for faith and constancy. Returning to London after the weather turned too cold to work out-of-doors in November, he painted in the figures: the face of the man was from that of Millais's family friend Arthur Lemprière, and the woman was posed for by Anne Ryan.

Reception

The painting was exhibited with ''

Ophelia Ophelia () is a character in William Shakespeare's drama ''Hamlet'' (1599–1601). She is a young noblewoman of Denmark, the daughter of Polonius, sister of Laertes and potential wife of Prince Hamlet. Due to Hamlet's actions, Ophelia ultima ...

'' and his portrait of Mrs. Coventry Patmore (

Fitzwilliam Museum The Fitzwilliam Museum is the art and antiquities University museum, museum of the University of Cambridge. It is located on Trumpington Street opposite Fitzwilliam Street in central Cambridge. It was founded in 1816 under the will of Richard ...

, Cambridge) at the Royal Academy of Arts in 1852, and helped to change attitudes towards the Pre-Raphaelites.

Tom Taylor Tom Taylor (19 October 1817 – 12 July 1880) was an English dramatist, critic, biographer, public servant, and editor of Punch (magazine), ''Punch'' magazine. Taylor had a brief academic career, holding the professorship of English literatu ...

wrote an extremely positive review in '' Punch''. It was produced as a reproductive print by the dealer D. White and engraved in

mezzotint Mezzotint is a monochrome printmaking process of the intaglio (printmaking), intaglio family. It was the first printing process that yielded half-tones without using line- or dot-based techniques like hatching, cross-hatching or stipple. Mezzo ...

Thomas Oldham Barlow Thomas Oldham Barlow (4 August 1824 – 24 December 1889) was an English mezzotint engraver. His prints helped to popularise the works of painters like John Phillip and Sir John Everett Millais. Biography Barlow was born in Oldham in Lanca ...

in 1856. This became Millais's first major popular success in this medium, and the artist went on to produce a number of other paintings on similar subjects to serve a growing middle class market for engravings.Jason Rosenfeld and Alison Smith, ''Millais'', Tate Publishing, 2007, pp. 68, 76, 94–6, 110, 112; no. 57. These include ''

The Order of Release ''The Order of Release, 1746'' is a painting by John Everett Millais exhibited in 1853. It is notable for marking the beginnings of Millais's move away from the highly medievalist Pre-Raphaelitism of his early years. Effie Gray, who later left ...

, 1746'' (

Tate Tate is an institution that houses, in a network of four art galleries, the United Kingdom's national collection of British art, and international modern and contemporary art. It is not a government institution, but its main sponsor is the UK ...

, London), ''

The Proscribed Royalist, 1651 ''The Proscribed Royalist, 1651'' (1852-1853) is a painting by John Everett Millais which depicts a young Puritan woman protecting a fleeing Royalist after the Battle of Worcester in 1651, the decisive defeat of Charles II by Oliver Cromwell. Th ...

'' (Lord Lloyd-Webber Collection), and ''

The Black Brunswicker ''The Black Brunswicker'' (1860) is a painting by John Everett Millais. It was inspired in part by the exploits of the Black Brunswickers, a German volunteer corps of the Napoleonic Wars, during the Waterloo campaign and in part by the contrast ...

'' (

Lady Lever Art Gallery The Lady Lever Art Gallery is a museum founded and built by the industrialist and philanthropist William Lever, 1st Viscount Leverhulme and opened in 1922. The Lady Lever Art Gallery is set in the garden village of Port Sunlight, on the Wirra ...

, Port Sunlight). All were successfully engraved. There are smaller watercolor versions of the picture in The Higgins Art Gallery, Bedford, the

Fogg Art Museum The Harvard Art Museums are part of Harvard University and comprise three museums: the Fogg Museum (established in 1895), the Busch-Reisinger Museum (established in 1903), and the Arthur M. Sackler Museum (established in 1985), and four research ...

Harvard University Harvard University is a Private university, private Ivy League research university in Cambridge, Massachusetts, United States. Founded in 1636 and named for its first benefactor, the History of the Puritans in North America, Puritan clergyma ...

, and a reduced oil replica in the Lord Lloyd-Webber Collection, all by Millais.

Notes

{{DEFAULTSORT:Huguenot Paintings by John Everett Millais 1852 paintings Oil on canvas paintings Paintings of couples Works about Christianity Allegorical paintings by English artists 19th-century allegorical paintings

Reception

See also

Notes