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''A Doll's Life'' was a 1982
musical Musical is the adjective of music. Musical may also refer to: * Musical theatre, a performance art that combines songs, spoken dialogue, acting and dance * Musical film and television, a genre of film and television that incorporates into the narr ...
with music by Larry Grossman, and a book and lyrics by Betty Comden and Adolph Green. A sequel to the 1879
Henrik Ibsen Henrik Johan Ibsen (; ; 20 March 1828 – 23 May 1906) was a Norwegian playwright and theatre director. As one of the founders of modernism in theatre, Ibsen is often referred to as "the father of realism" and one of the most influential playw ...
play '' A Doll's House'', it told the story of what happened to the lead character, Nora, after she left her husband and her old life behind to face the world on her own; in doing so, it examined several aspects of feminism and the ways in which women are treated. ''A Doll's Life'' opened on Broadway at the Mark Hellinger Theatre on September 23, 1982, in a production directed by Hal Prince and starring
Betsy Joslyn Betsy Joslyn (born April 19, 1954 in Staten Island, New York) is a Broadway musical and dramatic actress and soprano. Joslyn is best known for her Broadway work, including the original 1979 production of ''Sweeney Todd''. She appeared in the e ...
, George Hearn and Peter Gallagher. It closed three days later, after a run of 18 previews and 5 performances.


Plot

Set within the framework of a contemporary rehearsal of
Henrik Ibsen Henrik Johan Ibsen (; ; 20 March 1828 – 23 May 1906) was a Norwegian playwright and theatre director. As one of the founders of modernism in theatre, Ibsen is often referred to as "the father of realism" and one of the most influential playw ...
's classic play '' A Doll's House'', it addresses the question of what might have transpired after Nora slammed the door and abandoned her
tyrannical A tyrant (), in the modern English usage of the word, is an absolute ruler who is unrestrained by law, or one who has usurped a legitimate ruler's sovereignty. Often portrayed as cruel, tyrants may defend their positions by resorting to rep ...
husband Torvald. Borrowing the fare from a young violinist, Otto, she takes the train to Christiania, where she accepts work in a cafe and soon becomes involved not only with Otto, but Eric Didrickson, the wealthy owner of shipping lines and fish canneries, and Johan Blecker, a
lawyer A lawyer is a person who practices law. The role of a lawyer varies greatly across different legal jurisdictions. A lawyer can be classified as an advocate, attorney, barrister, canon lawyer, civil law notary, counsel, counselor, solic ...
, as well. Throughout the show, scenes in her new life mingle with intermittent flashbacks to the one she left behind.


Musical numbers

;Act I * "Prologue" - Nora, Company * "A Woman Alone" - Nora, Otto, Conductor, Company * "Letter to the Children" - Nora * "New Year's Eve" - Eric, Johan, Dr. Berg, Gustafson * "Stay With Me, Nora" - Otto, Nora * "Arrival" - Astrid, Company * "Loki and Baldur" - Otto, Singers * "You Interest Me" - Johan * "Departure" - Astrid, Company * "Letter From Klemnacht" - Astrid * "Learn to Be Lonely" - Nora * "Rats and Mice and Fish" - Women * "Jailer, Jailer/Letter to the Children (reprise)" - Nora, Women * "Excerpts From ''Loki and Baldur''" - Company * "Rare Wines" - Eric, Nora ;Act II * "No More Mornings" - Nora * "There She Is" - Johan, Eric, Otto * "Power" - Nora * "Letter to the Children (reprise)" - Nora * "At Last" - Johan * "The Grand Cafe" - Company * "Finale" - Company


Productions

The Broadway production opened on September 23, 1982, at the Mark Hellinger Theatre. Directed by Hal Prince, the show featured scenic design by Timothy O'Brien and Tazeena Firth, costume design by Florence Klotz, lighting design by Ken Billington. and choreography by Larry Fuller. The cast featured
Betsy Joslyn Betsy Joslyn (born April 19, 1954 in Staten Island, New York) is a Broadway musical and dramatic actress and soprano. Joslyn is best known for her Broadway work, including the original 1979 production of ''Sweeney Todd''. She appeared in the e ...
, George Hearn and Peter Gallagher. A staged concert of the musical was presented by the York Theatre Company in New York City, New York from December 13, 1994 to January 22, 1995.Canby, Vincent
" ''A Doll's Life'', New Look at Hypothetical Future of Ibsen's Nora"
''The New York Times'', December 22, 1994


Critical response

Frank Rich of the ''New York Times'' wrote that "three legendary Broadway hands - Harold Prince, Betty Comden and Adolph Green - have inflated a spectacularly unpromising premise with loads of money, good intentions and hard work, only to end up with a show that collapses in its prologue and then skids into a toboggan slide from which there is no return." He wrote of Prince's direction that "remarkably, there isn't a single idea in the staging that he hasn't done before - and better"; he criticized the character of Nora as being "merely a symbol: The Unliberated Female", and wrote that the show's heavily flawed dramaturgy "can't muster what should be a foolproof case" for its supposed revelations about feminism that "at this late date ..are facts of life In a later piece for the ''Times'', Rich wrote that the show was "merely pretentious," and that "to write a show in 1982 that espouses a primer-like feminist credo - as if feminism had only entered the public mind yesterday - seems, in its own way, a form of escapism (and not even an entertaining form at that)." According to John Kenrick, the musical had "an almost operatic score, but the book droned on about the unfairness of life and an overly-elaborate Hal Prince production only made matters worse."Kenrick, Joh
"'A Doll's Life' - Bay Cities
musicals101.com, accessed February 11, 2010
Despite its failure, the show received several Tony Award nominations, and an original cast recording was released on the Bay Cities label. Broadway wags dubbed the show "A Doll's Death." One even suggested "A Door's Life," in reference to the portal out of which Nora slams at the end of the original Ibsen play, and which 'danced' almost continually throughout the musical, far more interestingly than most of the rest of the action.


Awards and nominations


Original Broadway production


References


External links

*
''A Doll's Life'' at The Guide to Musical Theatre
{{DEFAULTSORT:Dolls Life, A 1982 musicals Broadway musicals Adaptations of works by Henrik Ibsen Musicals based on plays Musicals by Betty Comden and Adolph Green