|
Yōga
is a style of artistic painting in Japan, typically of Japanese subjects, themes, or landscapes, but using Western (European) artistic conventions, techniques, and materials. The term was coined in the Meiji period (1868–1912) to distinguish Western-influenced artwork from indigenous, or more traditional Japanese paintings, or . History Early works European painting was introduced to Japan during the late Muromachi period along with Christian missionaries from Portugal in 1543. Early religious works by Japanese artists in imitation of works brought by the missionaries can be considered some of the earliest forms of ''Yōga''. However, the policy of national seclusion introduced by the Tokugawa bakufu in the Edo period effectively ended the influence of western art on Japanese painting, with the exception of the use of perspective, which was discovered by Japanese artists in sketches found in European medical and scientific texts imported from the Dutch via Nagasaki ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nihonga
''Nihonga'' (, "Japanese-style paintings") are Japanese paintings from about 1900 onwards that have been made in accordance with traditional Japanese artistic conventions, techniques and materials. While based on traditions over a thousand years old, the term was coined in the Meiji period of Imperial Japan, to distinguish such works from Western-style paintings or ''Yōga'' (). History The impetus for reinvigorating traditional painting by developing a more modern Japanese style came largely from many artist/educators, which included Shiokawa Bunrin, Kōno Bairei, Tomioka Tessai and art critics Okakura Tenshin and Ernest Fenollosa, who attempted to combat Meiji Japan's infatuation with Western culture by emphasizing to the Japanese the importance and beauty of native Japanese traditional arts. These two men played important roles in developing the curricula at major art schools, and actively encouraged and patronized artists. ''Nihonga'' was not simply a continuation of old ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Painting
is one of the oldest and most highly refined of the Japanese visual arts, encompassing a wide variety of genres and styles. As with the history of Japanese arts in general, the long history of Japanese painting exhibits synthesis and competition between native Japanese aesthetics and the adaptation of imported ideas, mainly from Chinese painting, which was especially influential at a number of points; significant Western influence only comes from the 19th century onwards, beginning at the same time as Japanese art was influencing that of the West. Areas of subject matter where Chinese influence has been repeatedly significant include Buddhist religious painting, ink-wash painting of landscapes in the Chinese literati painting tradition, calligraphy of sinograms, and the painting of animals and plants, especially birds and flowers. However, distinctively Japanese traditions have developed in all these fields. The subject matter that is widely regarded as most characteristic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Asai Chū
was a Japanese painter, noted for his pioneering work in developing the ''yōga'' (Western-style) art movement in late 19th century and early twentieth-century Japanese painting. Biography Asai was born to an ex-samurai class household in Sakura, in the Kantō region of Japan, where his father had been a retainer of the Sakura Domain. He attended the domain school, where his father was principal, and left home in 1873 to pursue English language studies in Tokyo. However, he became interested in the arts, and enrolled as a pupil of Kunisawa Shinkuro in western oil painting classes. In 1876, he enrolled as one of the first students in the ''Kobubijutsu Gakkō'' (the Technical Fine Arts School), where he was able to study under the Italian foreign advisor Antonio Fontanesi, who had been hired by the Meiji government in the late 1870s to introduce western oil painting to Japan. In 1889, he established the ''Meiji Bijutsukai'' (Meiji Art Society), the first group of Western-style ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Takahashi Yuichi
was a Japanese painter, noted for his pioneering work in developing the ''yōga'' (Western-style) art movement in late 19th-century Japanese painting.There were many Japanese painters who tried Western painting and Western style painting in the modern age, but Yuichi is said to be the first "Western painter" in Japan who learned full-scale oil painting techniques and was active from the late Edo period to the middle of the Meiji era. Biography Takahashi was born to a samurai-class household at the Edo residence of Sano Domain, a subsidiary han of Sakura Domain, where his father was a retainer of the Hotta clan. Interested in art from childhood, he apprenticed to the Kanō school, but later became fascinated with western-style art through lithographs which were being available in Japan during the Bakumatsu period. In 1862, he obtained a place in the arts department of the ''Bansho Shirabesho'', the Tokugawa shogunate’s research institute in western learning, where he studied ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Fontanesi
Antonio Fontanesi (23 February 1818 – 17 April 1882) was an Italian painter who lived in Meiji period Japan between 1876 and 1878. He introduced European oil painting techniques to Japan, and exerted a significant role in the development of modern Japanese '' yōga'' (Western style) painting. He is known for his works in the romantic style of the French Barbizon school. Early life Fontanesi was born in Reggio Emilia, Emilia-Romagna, and trained with the landscape painters Prospero Minghetti and Vincenzo Carnevali. From 1841 to 1846 he made theatre sets and began painting landscapes. In 1848, he joined a group of Garibaldian volunteers, that went to Milan to fight with the Manara Legion, against the Austrians. In 1859, he was again to briefly join Cavour's armed forces in Bologna. In 1850, he moved to Geneva, where he stayed until 1865. His main area of interest was landscape painting, which he expanded on after visiting the 1855 Exposition Universelle in Paris. In 1863, he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kawakami Tōgai
Kawakami Tōgai, originally Hiroshi (Japanese:川上 冬崖; 22 July 1828, Nagano Prefecture - 3 May 1881, Atami) was a Japanese painter; one of the first to work in the yōga (Western) style. Life and work His birth name was Yamagishi Mannojō, but was later adopted by the Kawakamis; a family of the minor nobility. As a young man, he went to Edo (Tokyo) and studied painting with , a follower of the Shijō school. He then found work at the Bansho Shirabesho (roughly; Institute for the Study of Barbarian Books) where he translated books in Dutch that dealt with Western-style painting. He was still employed there in 1862 when it was renamed the Yōsho Shirabesho (Institute for the Study of Western books). After the Meiji Restoration in 1868, he worked at the "South Department" of the Tokyo Daigakkō, which would eventually become the University of Tokyo. He also worked for the Ministry of Culture and the Imperial Japanese Navy General Staff, where he did drafting and made chart ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
:Category:Japanese Words And Phrases ...
{{Commons Words and phrases by language Words Words Words A word is a basic element of language that carries an objective or practical meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no conse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bansho Shirabesho
The ', or "Institute for the Study of Barbarian Books," was the Japanese institute charged with the translation and study of foreign books and publications in the late Edo Period. Origin The institute was founded in 1856 that catered to the samurai youth. It emerged out of the previous translation bureau called ''Yogakusho'', which also previously replaced the ''Banshowagegoyo''. The launch of the new institute was a reaction to the unimpeded arrival of the American warships in 1853 under the command of Admiral Matthew C. Perry. The foreigners also brought with them gifts, which baffled and unsettled the Tokugawa regime as they exposed the inferior state of the Japanese coastal defense. ''Bansho Shirabesho'' functioned as a sort of bureau of the Tokugawa Shogunate and considered a politically charged institution that emerged from the perceived imposition of foreignness on Japanese body politic. The establishment of Bansho Shirabesho as an independent institution was also partl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barbizon School
The Barbizon school of painters were part of an art movement towards Realism in art, which arose in the context of the dominant Romantic Movement of the time. The Barbizon school was active roughly from 1830 through 1870. It takes its name from the village of Barbizon, France, on the edge of the Forest of Fontainebleau, where many of the artists gathered. Most of their works were landscape painting, but several of them also painted landscapes with farmworkers, and genre scenes of village life. Some of the most prominent features of this school are its tonal qualities, color, loose brushwork, and softness of form. The leaders of the Barbizon school were: Théodore Rousseau, Charles-François Daubigny, Jules Dupré, Constant Troyon, Charles Jacque, and Narcisse Virgilio Díaz. Jean-François Millet lived in Barbizon from 1849, but his interest in figures with a landscape backdrop sets him rather apart from the others. Jean-Baptiste-Camille Corot was the earliest on the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fuji Masazo
Fuji may refer to: Places China * Fuji, Xiangcheng City (付集镇), town in Xiangcheng City, Henan Japan * Mount Fuji, the tallest mountain in Japan * Fuji River * Fuji, Saga, town in Saga Prefecture * Fuji, Shizuoka, city in Shizuoka Prefecture * Fuji Speedway, a major race track at the base of Mt Fuji People * Fuji (surname), a Japanese surname * Mr. Fuji, ring name of American professional wrestler and manager Harry Fujiwara (1934–2016) * Mr. Fuji, one of many modern monikers of the creator of Fuji musical genre, Ayinde Barrister Fictional characters * Fuji (comics), a character in the ''Stormwatch'' series Music * Mt. Fuji Jazz Festival, a jazz festival in Japan * Fuji Rock Festival, a rock festival in Japan * Fuji music, a music genre from Yorubaland of Nigeria Japanese companies * Fujifilm, a Japanese company producing cameras and photographic film * Fuji Heavy Industries, Ltd., the former name of Subaru Corporation, a Japanese company producing industrial produc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raphaël Collin
Louis-Joseph-Raphaël Collin (17 June 1850 – 21 October 1916) was a French painter born and raised in Paris, where he became a prominent academic painter and a teacher. He is principally known for the links he created between French and Japanese art, in both painting and ceramics. Early life Collin studied at the school of Saint-Louis, then went to Verdun where he was at school with Jules Bastien-Lepage; they became close friends. Collin then went to Paris and studied in the atelier of Bouguereau and then joined Lepage at Alexandre Cabanel's atelier where they both worked alongside Fernand Cormon, Aimé Morot and Benjamin Constant. Collin painted still-lives, nudes, portraits and genre pieces, and preferred to render his subjects en plein air with a clear and luminous palette. Career Around 1873 he began successfully exhibiting at the Salon. He won a number of prizes that helped launch his career, and before long he was receiving increasingly prestigious commissions to pai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Cappelletti
Giovanni may refer to: * Giovanni (name), an Italian male given name and surname * Giovanni (meteorology), a Web interface for users to analyze NASA's gridded data * '' Don Giovanni'', a 1787 opera by Wolfgang Amadeus Mozart, based on the legend of Don Juan * Giovanni (Pokémon), boss of Team Rocket in the fictional world of Pokémon * Giovanni (World of Darkness), a group of vampires in ''Vampire: The Masquerade/World of Darkness'' roleplay and video game * "Giovanni", a song by Band-Maid from the 2021 album ''Unseen World'' * ''Giovanni's Island'', a 2014 Japanese anime drama film * '' Giovanni's Room'', a 1956 novel by James Baldwin * Via Giovanni, places in Rome See also * * * Geovani * Giovanni Battista * San Giovanni (other) *San Giovanni Battista (other) San Giovanni Battista is the Italian translation of Saint John the Baptist. It may also refer to: Italian churches * San Giovanni Battista, Highway A11, a church in Florence, Italy * San Giovanni Ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
