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Trobador
A troubadour (, ; oc, trobador ) was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word ''troubadour'' is etymologically masculine, a female troubadour is usually called a ''trobairitz''. The troubadour school or tradition began in the late 11th century in Occitania, but it subsequently spread to the Italian and Iberian Peninsulas. Under the influence of the troubadours, related movements sprang up throughout Europe: the Minnesang in Germany, ''trovadorismo'' in Galicia and Portugal, and that of the trouvères in northern France. Dante Alighieri in his ''De vulgari eloquentia'' defined the troubadour lyric as ''fictio rethorica musicaque poita'': rhetorical, musical, and poetical fiction. After the "classical" period around the turn of the 13th century and a mid-century resurgence, the art of the troubadours declined in the 14th century and around the time of the Black Death (1348) it died out. The texts of troubadou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trouvère
''Trouvère'' (, ), sometimes spelled ''trouveur'' (, ), is the Northern French ('' langue d'oïl'') form of the '' langue d'oc'' (Occitan) word ''trobador'', the precursor of the modern French word ''troubadour''. ''Trouvère'' refers to poet-composers who were roughly contemporary with and influenced by the ''trobadors'', both composing and performing lyric poetry during the High Middle Ages, but while the ''trobadors'' composed and performed in Old Occitan, the ''trouvères'' used the northern dialects of France. One of the first known ''trouvère'' was Chrétien de Troyes ( 1160s–1180s) and the ''trouvères'' continued to flourish until about 1300. Some 2130 ''trouvère'' poems have survived; of these, at least two-thirds have melodies. Etymology The etymology of the word ''troubadour'' and its cognates in other languages is disputed, but may be related to ''trobar'', "to compose, to discuss, to invent", cognative with Old French ''trover'', "to compose something in v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trovadorismo
In the Middle Ages, the Galician-Portuguese lyric, also known as ''trovadorismo'' in Portugal and ''trobadorismo'' in Galicia, was a lyric poetic school or movement. All told, there are around 1680 texts in the so-called secular lyric or ''lírica profana'' (see Cantigas de Santa Maria for the religious lyric). At the time Galician-Portuguese was the language used in nearly all of Iberia for lyric (as opposed to epic) poetry. From this language derives both modern Galician and Portuguese. The school, which was influenced to some extent (mainly in certain formal aspects) by the Occitan troubadours, is first documented at the end of the twelfth century and lasted until the middle of the fourteenth, with its zenith coming in the middle of the thirteenth century, centered on the person of Alfonso X, ''The Wise King''. It is the earliest known poetic movement in Galicia or Portugal and represents not only the beginnings of but one of the high points of poetic history in both countr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sirventes
The ''sirventes'' or ''serventes'' (), sometimes translated as "service song", was a genre of Old Occitan lyric poetry practiced by the troubadours. The name comes from ''sirvent'' ('serviceman'), from whose perspective the song is allegedly written. Sirventes usually (possibly, always) took the form of parodies, borrowing the melody, metrical structure and often even the rhymes of a well-known piece to address a controversial subject, often a current event. The original piece was usually a canso, but there are sirventes written as contrafacta of (at least) sestinas and pastorelas. They were always opinionated, being either highly complimentary or, more often, oozing with vitriol; however, these features are not unique to the sirventes, so a piece can be positively identified as one only if its nature is explicitly stated in the text (which it often is) or the original piece it is based on has been preserved (which is also often the case: for a parody to work, it had to targe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trobar Clus
''Trobar clus'' (), or closed form, was a complex and obscure style of poetry used by troubadours for their more discerning audiences, and it was only truly appreciated by an elite few. It was developed extensively by Marcabru and Arnaut Daniel, but by 1200 its inaccessibility had led to its disappearance. Among the imitators of Marcabru were Alegret and Marcoat, who claimed himself to write ''vers contradizentz'' (contradictory verses), indicative of the incomprehensibility of the ''trobar clus'' style. Below is a sample of the style from Marcoat's '' sirventes'' ''Mentre m'obri eis huisel'', wherein the poet himself remarks on his ''moz clus'' (closed words): :''Mon ''serventes'' no val plus, :''que faitz es de bos moz clus'' :''apren lo, Domeing Sarena.''Chambers, 91. Among the late twelfth-century practitionars of ''trobar clus'' was Peire d'Alvernhe, an imitator of Marcabru, while Raimbaut d'Aurenga of the '' trobar ric'' style was influenced by Marcoat. The only trobairit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trope (music)
A trope or tropus may refer to a variety of different concepts in medieval, 20th-, and 21st-century music. The term ''trope'' derives from the Greek (''tropos''), "a turn, a change", related to the root of the verb (''trepein''), "to turn, to direct, to alter, to change". The Latinised form of the word is ''tropus''. In music, a trope is adding another section, or trope to a plainchant or section of plainchant, thus making it appropriate to a particular occasion or festival. Medieval music From the 9th century onward, trope refers to additions of new music to pre-existing chants in use in the Western Christian Church. Three types of addition are found in music manuscripts: # new melismas without text (mostly unlabelled or called "trope" in manuscripts) # addition of a new text to a pre-existing melisma (more often called ''prosula'', ''prosa'', ''verba'' or ''versus'') # new verse or verses, consisting of both text and music (mostly called trope, but also ''laudes'' o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phonetic Change
A sound change, in historical linguistics, is a change in the pronunciation of a language. A sound change can involve the replacement of one speech sound (or, more generally, one phonetic feature value) by a different one (called phonetic change) or a more general change to the speech sounds that exist (phonological change), such as the merger of two sounds or the creation of a new sound. A sound change can eliminate the affected sound, or a new sound can be added. Sound changes can be environmentally conditioned if the change occurs in only some sound environments, and not others. The term "sound change" refers to diachronic changes, which occur in a language's sound system. On the other hand, " alternation" refers to changes that happen synchronically (within the language of an individual speaker, depending on the neighbouring sounds) and do not change the language's underlying system (for example, the ''-s'' in the English plural can be pronounced differently depending on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Late Latin
Late Latin ( la, Latinitas serior) is the scholarly name for the form of Literary Latin of late antiquity.Roberts (1996), p. 537. English dictionary definitions of Late Latin date this period from the , and continuing into the 7th century in the Iberian Peninsula. This somewhat ambiguously defined version of Latin was used between the eras of Classical Latin and Medieval Latin. Scholars do not agree exactly when Classical Latin should end or Medieval Latin should begin. Being a written language, Late Latin is not the same as Vulgar Latin. The latter served as ancestor of the Romance languages. Although Late Latin reflects an upsurge of the use of Vulgar Latin vocabulary and constructs, it remains largely classical in its overall features, depending on the author who uses it. Some Late Latin writings are more literary and classical, but others are more inclined to the vernacular. Also, Late Latin is not identical to Christian patristics, patristic Latin, used in the theology, theo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wace
Wace ( 1110 – after 1174), sometimes referred to as Robert Wace, was a Medieval Norman poet, who was born in Jersey and brought up in mainland Normandy (he tells us in the ''Roman de Rou'' that he was taken as a child to Caen), ending his career as Canon of Bayeux. Life All that is known of Wace's life comes from autobiographical references in his poems. He neglected to mention his birthdate; some time between 1099 and 1111 is the most commonly accepted period for his birth. The name ''Wace'', used in Jersey until the 16th century, appears to have been his only name; surnames were not universally used at that time. It was quite a common first name in the Duchy of Normandy, derived from the Germanic personal name ''Wasso''. The spelling and the pronunciation of this name were rendered different ways in the texts, according to the place where the copyists were from. In the various versions of the ''Roman de Rou'', his name appears five times as ''Wace'', then ''Gace'' (once ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nominative
In grammar, the nominative case ( abbreviated ), subjective case, straight case or upright case is one of the grammatical cases of a noun or other part of speech, which generally marks the subject of a verb or (in Latin and formal variants of English) the predicate noun or predicate adjective, as opposed to its object or other verb arguments. Generally, the noun "that is doing something" is in the nominative, and the nominative is often the form listed in dictionaries. Etymology The English word ''nominative'' comes from Latin ''cāsus nominātīvus'' "case for naming", which was translated from Ancient Greek ὀνομαστικὴ πτῶσις, ''onomastikḗ ptôsis'' "inflection for naming", from ''onomázō'' "call by name", from ''ónoma'' "name". Dionysius Thrax in his The Art of Grammar refers to it as ''orthḗ'' or ''eutheîa'' "straight", in contrast to the oblique or "bent" cases. Characteristics The reference form (more technically, the ''least mark ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oblique Case
In grammar, an oblique ( abbreviated ; from la, casus obliquus) or objective case (abbr. ) is a nominal case other than the nominative case, and sometimes, the vocative. A noun or pronoun in the oblique case can generally appear in any role except as subject, for which the nominative case is used. The term ''objective case'' is generally preferred by modern English grammarians, where it supplanted Old English's dative and accusative. When the two terms are contrasted, they differ in the ability of a word in the oblique case to function as a possessive attributive; whether English has an oblique rather than an objective case then depends on how " proper" or widespread one considers the dialects where such usage is employed. An oblique case often contrasts with an unmarked case, as in English oblique ''him'' and ''them'' versus nominative ''he'' and ''they''. However, the term ''oblique'' is also used for languages without a nominative case, such as ergative–absolutive la ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cercamon
Cercamon (, fl. 1135-1145) was one of the earliest troubadours. His true name and other biographical data are unknown. He was apparently a Gascony-born jester of sorts who spent most of his career in the courts of William X of Aquitaine and perhaps of Eble III of Ventadorn. He was the inventor of the ''planh'' (the Provençal dirge), of the ''tenso'' (a sort of rhymed debate in which two poets write one stanza each) and perhaps of the ''sirventes''. Most of the information about Cercamon's life is nothing but rumour and conjecture; some of his contemporaries credit him as Marcabru's mentor, and some circumstantial evidence points to his dying on crusade as a follower of Louis VII of France. About seven of his lyrics survive, but not a single melody; the works that most contributed to his fame among his contemporaries, his '' pastorelas'' or pastourelles, are lost. ''Cercamon'' means "world searcher" in medieval Occitan Occitan may refer to: * Something of, from, or related ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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