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Triple Metre
Triple metre (or Am. triple meter, also known as triple time) is a musical metre characterized by a ''primary'' division of 3 beats to the bar, usually indicated by 3 (simple) or 9 ( compound) in the upper figure of the time signature, with , and being the most common examples. In these signatures, beats form groups of three, establishing a triple meter feel in the music or song. The upper figure being divisible by three does not of itself indicate triple metre; for example, a time signature of usually indicates compound duple metre, and similarly usually indicates compound quadruple metre. Shown below are a simple and a compound triple drum pattern. \new Staff \new Staff Stylistic differences In popular music, the metre is most often quadruple,Schroedl, Scott (2001). ''Play Drums Today!'', p. 42. Hal Leonard. . but this does not mean that triple metre does not appear. In jazz, this and other more adventurous metres have become more common since Dave Brubeck's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metre (music)
In music, metre (British spelling) or meter (American spelling) refers to regularly recurring patterns and accents such as bars and beats. Unlike rhythm, metric onsets are not necessarily sounded, but are nevertheless implied by the performer (or performers) and expected by the listener. A variety of systems exist throughout the world for organising and playing metrical music, such as the Indian system of '' tala'' and similar systems in Arabic and African music. Western music inherited the concept of metre from poetry, where it denotes the number of lines in a verse, the number of syllables in each line, and the arrangement of those syllables as long or short, accented or unaccented. The first coherent system of rhythmic notation in modern Western music was based on rhythmic modes derived from the basic types of metrical unit in the quantitative metre of classical ancient Greek and Latin poetry. Later music for dances such as the pavane and galliard consisted of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Waltz
The waltz ( , meaning "to roll or revolve") is a ballroom dance, ballroom and folk dance, in triple (3/4 time, time), performed primarily in closed position. Along with the ländler and allemande, the waltz was sometimes referred to by the generic term German Dance in publications during the late 18th and early 19th centuries. History There are many references to a sliding or gliding dance, including ''volte'', that would evolve into the waltz that date from 16th-century Europe, including the representations of the Printmaking, printmaker Sebald Beham, Hans Sebald Beham. The French philosopher Michel de Montaigne wrote of a dance he saw in 1580 in Augsburg, where the dancers held each other so closely that their faces touched. Kunz Haas (of approximately the same period) wrote, "Now they are dancing the godless ''Weller'' or ''Spinner''."Nettl, Paul. "Birth of the Waltz." In ''Dance Index'' vol 5, no. 9. 1946 New York: Dance Index-Ballet Caravan, Inc. pages 208, 211 "The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yoruba Music
Yoruba music is the pattern/style of music practiced by the Yoruba people of Nigeria, Togo, and Benin. It is perhaps best known for its extremely advanced drumming tradition and techniques, especially using the gongon hourglass shape tension drums. Yoruba folk music became perhaps the most prominent kind of West African music in Afro-Latin and Caribbean musical styles; it left an especially important influence on the music used in Santería practice and the music of Cuba. The Yoruba people of south-western Nigeria are also one of the most socially diverse groups on the African continent. A major feature that sets them apart from other groups in Nigeria is their accomplishment in the arts and entertainment industry, especially in music. ''Jùjú'', ''fùjì'', ''àpàlà'' and ''sákárà'' music are among the popular genres of music that originated among the Yoruba people. How and when these forms of music emerged in the Nigerian music scene has remained a puzzle to historians. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Broken Beat
Broken beat (sometimes referred to as "bruk") is an electronic dance music genre that emerged in the late 1990s and is characterized by syncopated beats and frenetic, choppy rhythms, often alongside female vocals and elements inspired by 1970s jazz-funk. It has been heavily influenced by styles such as house, drum and bass, hip hop, techno, acid jazz, and R&B. The eclectic style generally avoided rigid four-on-the-floor rhythms and could make use of samplers, analogue synths, and live instrumentation. History Broken beat first appeared in the late 1990s and was pioneered by Bugz in the Attic, IG Culture, and the release of the 4hero album '' Two Pages'' was influential on the emerging sound and scene. John Bush from AllMusic called it "about as fusion-soaked as it gets." Appearing in the western parts of London, the genre is also referred to as "West London", mainly because Goya Music's offices were in London's Ladbroke Grove, W11, as were most of the participating artists' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gqom
Gqom () (igqomu (), gqom tech, sgubhu, 3-step or G.Q.O.M) is an African electronic dance music genre and subgenre of house music, that emerged in the early 2010s from Durban, South Africa, pioneered and innovated by Record producer, music producers Naked Boyz, Rudeboyz, Sbucardo, Griffit Vigo, Nasty Boyz, DJ Lag, Menzi Shabane, Distruction Boyz and Citizen Boy. Unlike other South African electronic music, traditional gqom is typified by minimal, raw and repetitive sound with heavy bass but without the Four on the floor (music), four-on-the-floor rhythm pattern. Music industry personnel who were pivotal in accelerating the genre's international acclaim in the genre's initial developmental phases included the likes of South African rapper Okmalumkoolkat, Italian record label Gqom Oh owner Nane Kolè, as well as other South Africans, including event curator and public relations liaison Cherish Lala Mankai, Afrotainment record label owner DJ Tira, Babes Wodumo, Mampintsha and Busisw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
DJ Lag
Lwazi Asanda Gwala, better known as DJ Lag, is a South African DJ and record producer. He is regarded as one of the pioneers of gqom, a genre of electronic dance music that emerged in the early 2010s in Durban, South Africa. In 2019, DJ Lag notably collaborated with Tierra Whack, Beyoncé, Moonchild Sanelly, Nija, Yemi Alade and Busiswa on a track called "My Power" on Beyoncé's album, '' The Lion King: The Gift''. Early life With aspirations of becoming a soccer player growing up in Durban, Lag suffered an ankle injury which derailed his pursuits. His cousin, a rapper within the Durban hip hop scene at the time, then introduced him to FL Studio, on which he taught himself to produce. Following this, he began to explore DJing. He went on to play his first gig at Durban's club Uhuru during a high school graduation event while he was in 10th grade. Gwala completed his matric at Wyebank Secondary School located in Wyebank, KwaZulu-Natal. Career Releasing his first EP on WhatsA ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gqom
Gqom () (igqomu (), gqom tech, sgubhu, 3-step or G.Q.O.M) is an African electronic dance music genre and subgenre of house music, that emerged in the early 2010s from Durban, South Africa, pioneered and innovated by Record producer, music producers Naked Boyz, Rudeboyz, Sbucardo, Griffit Vigo, Nasty Boyz, DJ Lag, Menzi Shabane, Distruction Boyz and Citizen Boy. Unlike other South African electronic music, traditional gqom is typified by minimal, raw and repetitive sound with heavy bass but without the Four on the floor (music), four-on-the-floor rhythm pattern. Music industry personnel who were pivotal in accelerating the genre's international acclaim in the genre's initial developmental phases included the likes of South African rapper Okmalumkoolkat, Italian record label Gqom Oh owner Nane Kolè, as well as other South Africans, including event curator and public relations liaison Cherish Lala Mankai, Afrotainment record label owner DJ Tira, Babes Wodumo, Mampintsha and Busisw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Batá Drum
The Batá drum is a double-headed hourglass drum with one end larger than the other. The percussion instrument is still used for its original purpose as it is one of the most important drums in the Yoruba land and used for traditional and religious activities among the Yoruba of western Nigeria. Batá drums have been used in the religion known as Santería in Cuba since the 1800s, and in Puerto Rico and the United States since the 1950s. Today, they are also used for semi-religious musical entertainment in Nigeria and in secular, popular music. The early function of the batá was as a drum of different gods, of royalty, of ancestors and a drum of politicians, impacting all spheres of life in Yoruba land. Bata drums are made by fastening skin of goats with wires on a hollowed wood body. Bata drums are made from a solid wood log from the oma tree. The drum’s shells are carved by hands and assembled in traditionally. The drums are assembled without any metal parts, the playing h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Folklore
Folklore is the body of expressive culture shared by a particular group of people, culture or subculture. This includes oral traditions such as Narrative, tales, myths, legends, proverbs, Poetry, poems, jokes, and other oral traditions. This also includes material culture, such as traditional building styles common to the group. Folklore also encompasses customary lore, taking actions for folk beliefs, including folk religion, and the forms and rituals of celebrations such as Christmas, weddings, folk dances, and Rite of passage, initiation rites. Each one of these, either singly or in combination, is considered a Cultural artifact, folklore artifact or Cultural expressions, traditional cultural expression. Just as essential as the form, folklore also encompasses the transmission of these artifacts from one region to another or from one generation to the next. Folklore is not something one can typically gain from a formal school curriculum or study in the fine arts. Instead, thes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afro (genre)
Afro is a genre of Cuban popular music with African themes which gained prominence during the afrocubanismo movement in the early 20th century. It originated in the late 19th century Cuban blackface theatre, where some elements from Afro-Cuban music traditions such as Santería and Palo were incorporated into a secular context. As a result, black themes were occasionally portrayed in a stereotypical and derogatory manner. Nonetheless, many afros accurately depicted the working-class life of black communities in Cuba. Afros are sung in a creolized form of Spanish, often similar to bozal. In the 1940s and 1950s, the genre reached its peak of popularity often mixing with son cubano giving rise to the hybrid style known as afro-son (or son-afro). Compositions not based on the son structure were often labelled as ''canción afro'' (afro-song) or ''canción de cuna afro'' (afro-lullaby); the latter became a popular form, especially due to the popularity of Ernesto Grenet's "''Drume neg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Star-Spangled Banner
"The Star-Spangled Banner" is the national anthem of the United States. The lyrics come from the "Defence of Fort M'Henry", a poem written by American lawyer Francis Scott Key on September 14, 1814, after he witnessed the bombardment of Fort McHenry by the British Royal Navy during the Battle of Baltimore in the War of 1812. Key was inspired by the large Flag of the United States, U.S. flag, with 15 stars and 15 stripes, known as the Star-Spangled Banner (flag), Star-Spangled Banner, flying triumphantly above the fort after the battle. The poem was set to the music of a popular Music of the United Kingdom, British song written by John Stafford Smith for the Anacreontic Society, a social club in London. Smith's song, "To Anacreon in Heaven" (or "The Anacreontic Song"), with various lyrics, was already popular in the United States. This setting, renamed "The Star-Spangled Banner", soon became a popular patriotic song. With a Range (music), range of 19 semitones, it is known for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hymn To Liberty
The "Hymn to Liberty", also known as the "Hymn to Freedom", is a Greek poem written by Dionysios Solomos in 1823 and set to music by Nikolaos Mantzaros in 1828. Consisting of 158 stanzas in total, its two first stanzas officially became the national anthem of Greece in 1864 and Cyprus in 1966. History Dionysios Solomos wrote "Hymn to Liberty" in 1823 in Zakynthos, and one year later it was printed in Messolonghi. In October 1824 it was published in London by the Philhellenic Committee, and an Italian translation was published in the Messolonghi newspaper '' Ellinika Chronika'' at about the same time. It was set to music in 1828 by the Corfiot operatic composer Nikolaos Mantzaros, who composed a choral versions, in 24 parts, and dedicated it to the first King of Greece, Otto. Otto awarded Mantzaros with the Silver Cross of the Order of the Redeemer as a token of appreciation, but during Otto's reign (1832–1862), an anthem based on God Save the King was used, with a tex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
