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Trill (music)
The trill (or shake, as it was known from the 16th until the early 20th century) is a musical ornament consisting of a rapid alternation between two adjacent notes, usually a semitone or tone apart, which can be identified with the context of the trillTaylor, Eric. ''The AB Guide to Music Theory: Part I'', p. 92. (compare mordent and tremolo). It is sometimes referred to by the German Triller, the Italian trillo, the French trille or the Spanish trino. A cadential trill is a trill associated with each cadence. A groppo or gruppo is a specific type of cadential trill which alternates with the auxiliary note directly above it and ends with a musical turn as additional ornamentation. A trill provides rhythmic interest, melodic interest, and—through dissonance—harmonic interest. Sometimes it is expected that the trill will end with a turn (by sounding the note below rather than the note above the principal note, immediately before the last sounding of the principa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Authentic Cadence
In Western musical theory, a cadence () is the end of a phrase in which the melody or harmony creates a sense of full or partial resolution, especially in music of the 16th century onwards.Don Michael Randel (1999). ''The Harvard Concise Dictionary of Music and Musicians'', pp. 105-106. . A harmonic cadence is a progression of two or more chords that concludes a phrase, section, or piece of music. A rhythmic cadence is a characteristic rhythmic pattern that indicates the end of a phrase. A cadence can be labeled "weak" or "strong" depending on the impression of finality it gives. While cadences are usually classified by specific chord or melodic progressions, the use of such progressions does not necessarily constitute a cadence—there must be a sense of closure, as at the end of a phrase. Harmonic rhythm plays an important part in determining where a cadence occurs. The word "cadence" sometimes slightly shifts its meaning depending on the context; for example, it ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Consonance And Dissonance
In music, consonance and dissonance are categorizations of simultaneous or successive sounds. Within the Western tradition, some listeners associate consonance with sweetness, pleasantness, and acceptability, and dissonance with harshness, unpleasantness, or unacceptability, although there is broad acknowledgement that this depends also on familiarity and musical expertise. The terms form a structural dichotomy in which they define each other by mutual exclusion: a consonance is what is not dissonant, and a dissonance is what is not consonant. However, a finer consideration shows that the distinction forms a gradation, from the most consonant to the most dissonant. In casual discourse, as German composer and music theorist Paul Hindemith stressed, : "The two concepts have never been completely explained, and for a thousand years the definitions have varied". The term ''sonance'' has been proposed to encompass or refer indistinctly to the terms ''consonance'' and ''dissonance''. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Klavierbüchlein Für Wilhelm Friedemann Bach
''Klavierbüchlein für Wilhelm Friedemann Bach'' (Bach's original spelling: ''Clavier-Büchlein vor Wilhelm Friedemann Bach'') is a collection of Keyboard instrument, keyboard music compiled by the Germany, German Baroque composer Johann Sebastian Bach for his eldest son Wilhelm Friedemann Bach, Wilhelm Friedemann. It is frequently referred to simply as ''Klavierbüchlein''. Johann Sebastian began compiling the collection in 1720. Most of the pieces included are better known as parts of ''The Well-Tempered Clavier'' and the Inventions and Sinfonias. The authorship of most other works is debated: particularly the famous ''Twelve Little Preludes, Little Preludes'' BWV 924–932 are sometimes attributed to Wilhelm Friedemann Bach. Contents The book begins with a preface that contains an explanation of clefs and a guide to playing Ornament (music), ornaments. The pieces of the collection are arranged by complexity, beginning with the most simple works. Of these, Applicatio in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Music
Baroque music ( or ) refers to the period or dominant style of Classical music, Western classical music composed from about 1600 to 1750. The Baroque style followed the Renaissance music, Renaissance period, and was followed in turn by the Classical period (music), Classical period after a short transition (the Galant music, galant style). The Baroque period is divided into three major phases: early, middle, and late. Overlapping in time, they are conventionally dated from 1580 to 1650, from 1630 to 1700, and from 1680 to 1750. Baroque music forms a major portion of the "Western art music, classical music" Western canon, canon, and continues to be widely studied, performed, and listened to. The term "baroque" comes from the Portuguese word ''barroco'', meaning "baroque pearl, misshapen pearl". Key List of Baroque composers, composers of the Baroque era include Johann Sebastian Bach, Antonio Vivaldi, George Frideric Handel, Georg Philipp Telemann, Domenico Scarlatti, Claudio Monte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hugo Riemann
Karl Wilhelm Julius Hugo Riemann (18 July 1849 – 10 July 1919) was a German musicologist and composer who was among the founders of modern musicology. The leading European music scholar of his time, he was active and influential as both a music theorist and music historian. Many of his contributions are now termed as Riemannian theory, a variety of related ideas on many aspects of music theory. Biography Riemann was born at Grossmehlra, Schwarzburg-Sondershausen. His first musical training came from his father Robert Riemann, a land owner, bailiff and, to judge from locally surviving listings of his songs and choral works, an active music enthusiast. Hugo Riemann was educated by Heinrich Frankenberger, the Sondershausen Choir Master, in Music theory. He was taught the piano by August Barthel and Theodor Ratzenberger (who had once studied under Liszt). He graduated from the gymnasiums at Sondershausen and Arnstadt. Riemann studied law and finally philosophy and histor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Donington
Robert Donington (4 May 1907 – 20 January 1990) was an English musicologist and instrumentalist. He was influential in the early music movement and in Wagner studies. Life and career Robert Donington was born on 4 May 1907 in Leeds, Englands, UK. was educated at St Paul's School, London, and studied at the University of Oxford. His expert knowledge of early instruments and the interpretation of pre-classical music owed much to a period of study with Arnold Dolmetsch at Haslemere, Surrey. He was appointed OBE in the 1979 Birthday Honours. He died in Firle, Sussex on 20 January 1990 at the age of 82. Selected publications Books * ''The Instruments of Music'' (1949). * ''Tempo and Rhythm in Bach's Organ Music'' (1960). * ''The Interpretation of Early Music'' (1963). * ''Wagner's Ring and its Symbols'' (1963). * ''String playing in baroque music'', with recorded illustrations by Yehudi Menuhin Yehudi Menuhin, Baron Menuhin (22 April 191612 March 1999), was an Americ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sequence (music)
In music, a sequence is the restatement (music), restatement of a motif (music), motif or longer melody, melodic (or harmony (music), harmonic) passage at a higher or lower pitch (music), pitch in the same voice.Benward and Saker (2003). ''Music: In Theory and Practice, Vol. I'', p.111-12. Seventh Edition. . It is one of the most common and simple methods of elaborating a melody in eighteenth and nineteenth century classical music (Classical period (music), Classical period and Romantic music). Characteristics of sequences: *Two segments, usually no more than three or four *Usually in only one direction: continually higher or lower *Segments continue by same interval distance It is possible for melody or harmony to form a sequence without the other participating. There are many types of sequences, each with a unique pattern. Listed below are some examples. Melodic sequences In a melody, a real sequence is a sequence where the subsequent segments are exact transposition (music) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Trill Instructions
The Baroque ( , , ) is a Western style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished from the early 17th century until the 1750s. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep color, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to the rest of Italy, France, Spain, and Portugal, then to Austria, southern Germany, Poland and Russia. By the 1730s, it had evolved into an even more flamboyant style, called ''rocaille'' or ''Rococo'', which appeared in France and Central Europe until the mid to late 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo
In musical terminology, tempo (Italian for 'time'; plural 'tempos', or from the Italian plural), measured in beats per minute, is the speed or pace of a given musical composition, composition, and is often also an indication of the composition's character or atmosphere. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and, if a specific metrical pace is desired, is usually measured in beat (music), beats per minute (bpm or BPM). In modern classical compositions, a "metronome mark" in beats per minute, indicating only measured speed and not any form of expression, may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in bpm. Tempo (the underlying pulse of the music) is one of the three factors that give a piece of music its texture (music), texture. The others are meter (music), meter, which is indicated by a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accidental (music)
In musical notation, an accidental is a symbol that indicates an alteration of a given Pitch (music), pitch. The most common accidentals are the Flat (music), flat () and the Sharp (music), sharp (), which represent alterations of a semitone, and the Natural (music), natural (), which cancels a sharp or flat. Accidentals alter the pitch of individual Degree (music), scale tones in a given key signature; the sharps or flats in the key signature itself are not called accidentals. An accidental applies to the note that immediately follows it and to subsequent instances of that note in the same Bar (music), measure, unless it is canceled by another accidental. A sharp raises a note's pitch by a semitone and a flat lowers it by a semitone. Double flats () or sharps () may also be used, altering the unmodified note by two semitones. If a note with an accidental is Tie (music), tied, the accidental continues to apply, even if the note it is tied to is in the next measure. If a note has a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
European Classical Music
Classical music generally refers to the art music of the Western world, considered to be #Relationship to other music traditions, distinct from Western folk music or popular music traditions. It is sometimes distinguished as Western classical music, as the term "classical music" can also be applied to List of classical and art music traditions, non-Western art musics. Classical music is often characterized by formality and complexity in its musical form and Harmony, harmonic organization, particularly with the use of polyphony. Since at least the ninth century, it has been primarily a written tradition, spawning a sophisticated music notation, notational system, as well as accompanying literature in music analysis, analytical, music criticism, critical, Music history, historiographical, musicology, musicological and Philosophy of music, philosophical practices. A foundational component of Western culture, classical music is frequently seen from the perspective of individual or com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Music
Baroque music ( or ) refers to the period or dominant style of Classical music, Western classical music composed from about 1600 to 1750. The Baroque style followed the Renaissance music, Renaissance period, and was followed in turn by the Classical period (music), Classical period after a short transition (the Galant music, galant style). The Baroque period is divided into three major phases: early, middle, and late. Overlapping in time, they are conventionally dated from 1580 to 1650, from 1630 to 1700, and from 1680 to 1750. Baroque music forms a major portion of the "Western art music, classical music" Western canon, canon, and continues to be widely studied, performed, and listened to. The term "baroque" comes from the Portuguese word ''barroco'', meaning "baroque pearl, misshapen pearl". Key List of Baroque composers, composers of the Baroque era include Johann Sebastian Bach, Antonio Vivaldi, George Frideric Handel, Georg Philipp Telemann, Domenico Scarlatti, Claudio Monte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
