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Tone (literature)
In literature, the tone of a literary work expresses the writer's attitude toward or feelings about the subject matter and audience. The concept of a work's tone has been argued in the academic context as involving a critique of one's innate emotions: the creator or creators of an artistic piece deliberately push one to rethink the emotional dimensions of one's own life due to the creator or creator's psychological intent, which whoever comes across the piece must then deal with. As the nature of commercial media and other such artistic expressions have evolved over time, the concept of an artwork's tone requiring analysis has been applied to other actions such as film production. For example, an evaluation of the " French New Wave" occurred during the spring of 1974 in the pages of '' Film Quarterly'', which had studied particular directors such as Jean-Luc Godard and François Truffaut. The journal noted "the passionate concern for the status of... emotional life" th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Truffaut (1963)
François Roland Truffaut ( , ; ; 6 February 1932 – 21 October 1984) was a French filmmaker, actor, and critic. He is widely regarded as one of the founders of the French New Wave. He came under the tutelage of film critic Andre Bazin as a young man and was hired to write for Bazin's ''Cahiers du Cinéma'', where he became a proponent of the auteur, ''auteur'' theory, which posits that a film's director is its true author. ''The 400 Blows'' (1959), starring Jean-Pierre Léaud as Truffaut's alter-ego Antoine Doinel, was a defining film of the New Wave. Truffaut supplied the story for another milestone of the movement, Breathless (1960 film), ''Breathless'' (1960), directed by his ''Cahiers'' colleague Jean-Luc Godard. His other notable films include ''Shoot the Piano Player'' (1960), ''Jules and Jim'' (1962), ''The Soft Skin'' (1964), ''Two English Girls'' (1971) and ''The Last Metro'' (1980). Truffaut's Day for Night (film), ''Day for Night'' (1973) earned him the BAFTA Awa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diction
Diction ( (nom. ), "a saying, expression, word"), in its original meaning, is a writer's or speaker's distinctive vocabulary choices and style of expression in a piece of writing such as a poem or story.Crannell (1997) ''Glossary'', p. 406 In its common meaning, it is the distinctiveness of speech: the art of speaking so that each word is clearly heard and understood to its fullest complexity and extremity, and concerns pronunciation and tone, rather than word choice and style. This is more precisely and commonly expressed with the term enunciation or with its synonym, articulation.Crannell (1997) Part II, Speech, p. 84 Diction has multiple concerns, of which register, the adaptation of style and formality to the social context, is foremost. Literary diction analysis reveals how a passage establishes tone and characterization, e.g. a preponderance of verbs relating physical movement suggests an active character, while a preponderance of verbs relating states of mind portrays an i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Point Of View (literature)
Narration is the use of a written or spoken commentary to convey a story to an audience. Narration is conveyed by a narrator: a specific person, or unspecified literary voice, developed by the creator of the story to deliver information to the audience, particularly about the plot: the series of events. Narration is a required element of all written stories (novels, short stories, poems, memoirs, etc.), presenting the story in its entirety. It is optional in most other storytelling formats, such as films, plays, television shows and video games, in which the story can be conveyed through other means, like dialogue between characters or visual action. The narrative mode, which is sometimes also used as synonym for narrative technique, encompasses the set of choices through which the creator of the story develops their narrator and narration: * ''Narrative point of view, perspective,'' or ''voice'': the choice of grammatical person used by the narrator to establish whether ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motif (narrative)
A motif ( ) is any distinctive feature or idea that recurs across a story; often, it helps develop other narrative elements such as theme or mood. A narrative motif can be created through the use of imagery, structural components, language, and other elements throughout literature. The flute in Arthur Miller's play '' Death of a Salesman'' is a recurrent sound motif that conveys rural and idyllic notions. Another example from modern American literature is the green light found in the novel '' The Great Gatsby'' by F. Scott Fitzgerald. Narratives may include multiple motifs of varying types. In Shakespeare's play ''Macbeth'', he uses a variety of narrative elements to create many different motifs. Imagistic references to blood and water are continually repeated. The phrase "fair is foul, and foul is fair" is echoed at many points in the play, a combination that mixes the concepts of good and evil. The play also features the central motif of the washing of hands, on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Imagery
Imagery is visual symbolism, or figurative language that evokes a mental image or other kinds of sense impressions, especially in a literary work, but also in other activities such as. Imagery in literature can also be instrumental in conveying tone. Forms There are five major types of sensory imagery, each corresponding to a sense, feeling, action, or reaction: * ''Visual imagery'' pertains to graphics, visual scenes, pictures, or the sense of sight. *''Auditory imagery'' pertains to sounds, noises, music, or the sense of hearing. (This kind of imagery may come in the form of onomatopoeia Onomatopoeia (or rarely echoism) is a type of word, or the process of creating a word, that phonetics, phonetically imitates, resembles, or suggests the sound that it describes. Common onomatopoeias in English include animal noises such as Oin ...). *''Olfactory imagery'' pertains to odors, aromas, scents, or the sense of smell. *''Gustatory imagery'' pertains to flavors or the sense o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grammatical Voice
In linguistics, grammaticality is determined by the conformity to language usage as derived by the grammar of a particular speech variety. The notion of grammaticality rose alongside the theory of generative grammar, the goal of which is to formulate rules that define well-formed, grammatical sentences. These rules of grammaticality also provide explanations of ill-formed, ungrammatical sentences. In theoretical linguistics, a speaker's judgement on the well-formedness of a linguistic 'string'—called a grammaticality judgement—is based on whether the sentence is interpreted in accordance with the rules and constraints of the relevant grammar. If the rules and constraints of the particular lect are followed, then the sentence is judged to be grammatical. In contrast, an ungrammatical sentence is one that violates the rules of the given language variety. Linguists use grammaticality judgements to investigate the syntactic structure of sentences. Generative linguists are larg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Argumentation
An argument is a series of sentences, statements, or propositions some of which are called premises and one is the conclusion. The purpose of an argument is to give reasons for one's conclusion via justification, explanation, and/or persuasion. Arguments are intended to determine or show the degree of truth or acceptability of another statement called a conclusion. The process of crafting or delivering arguments, argumentation, can be studied from three main perspectives: the logical, the dialectical and the rhetorical perspective. In logic, an argument is usually expressed not in natural language but in a symbolic formal language, and it can be defined as any group of propositions of which one is claimed to follow from the others through deductively valid inferences that preserve truth from the premises to the conclusion. This logical perspective on argument is relevant for scientific fields such as mathematics and computer science. Logic is the study of the forms ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Smirk
A smirk is a smile evoking insolence, scorn, or offensive smugness, falling into the category of what Desmond Morris described as Deformed-compliment Signals. A smirk may also be an affected, ingratiating smile, as in Mr Bennet's description of Pride and Prejudice, Mr Wickham as making smirking love to all his new in-laws in the novel ''Pride and Prejudice''. Etymology The word derives from Old English ''smearcian'', via Middle English ''smirken''. It is from the same root as '':wikt:smile, smile'', from Proto-Germanic ''*smar-'', but with a velar root extension '':wikt:-k#English, -k-'' (with intensive or frequentative function) particular to English also found in '':wikt:talk, talk'' (from the root of '':wikt:tell, tell'') and '':wikt:stalk, stalk'' (from the root of '':wikt:steal, steal'') etc. The sic meaning of a mocking or unpleasant, malicious smile or grin develops in Early Modern English, but until the 18th century, it could still be used in the generic sense "to smile ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Syntax
In linguistics, syntax ( ) is the study of how words and morphemes combine to form larger units such as phrases and sentences. Central concerns of syntax include word order, grammatical relations, hierarchical sentence structure (constituency), agreement, the nature of crosslinguistic variation, and the relationship between form and meaning (semantics). Diverse approaches, such as generative grammar and functional grammar, offer unique perspectives on syntax, reflecting its complexity and centrality to understanding human language. Etymology The word ''syntax'' comes from the ancient Greek word , meaning an orderly or systematic arrangement, which consists of (''syn-'', "together" or "alike"), and (''táxis'', "arrangement"). In Hellenistic Greek, this also specifically developed a use referring to the grammatical order of words, with a slightly altered spelling: . The English term, which first appeared in 1548, is partly borrowed from Latin () and Greek, though the L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emotion
Emotions are physical and mental states brought on by neurophysiology, neurophysiological changes, variously associated with thoughts, feelings, behavior, behavioral responses, and a degree of pleasure or suffering, displeasure. There is no scientific consensus on a definition. Emotions are often reciprocal determinism, intertwined with mood (psychology), mood, temperament, personality psychology, personality, disposition, or creativity. Research on emotion has increased over the past two decades, with many fields contributing, including psychology, medicine, history, sociology of emotions, computer science and philosophy. The numerous attempts to explain the origin, functional accounts of emotion, function, and other aspects of emotions have fostered intense research on this topic. Theorizing about the evolutionary origin and possible purpose of emotion dates back to Charles Darwin. Current areas of research include the neuroscience of emotion, using tools like positron ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Supernatural
Supernatural phenomena or entities are those beyond the Scientific law, laws of nature. The term is derived from Medieval Latin , from Latin 'above, beyond, outside of' + 'nature'. Although the corollary term "nature" has had multiple meanings since the ancient world, the term "supernatural" emerged in the Middle Ages and did not exist in the ancient world. The supernatural is featured in folklore and religious contexts, but can also feature as an explanation in more secular contexts, as in the cases of superstitions or belief in the paranormal. The term is attributed to non-physical entity, non-physical entities, such as angels, demons, gods and ghost, spirits. It also includes claimed abilities embodied in or provided by such beings, including Magic (supernatural), magic, telekinesis, levitation (paranormal), levitation, precognition and extrasensory perception. The supernatural is hypernymic to religion. Religions are standardized supernaturalist worldviews, or at least m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horror (genre)
Horror may refer to: Arts, entertainment, and media Genres *Horror fiction, a genre of fiction ** Psychological horror, a subgenre of horror fiction ** Christmas horror, a subgenre of horror fiction ** Analog horror, a subgenre of horror fiction ** Erotic horror, a subgenre of horror fiction ** Space horror, a subgenre of horror fiction **Folk horror, a subgenre of horror fiction ** Japanese horror, Japanese horror fiction **Korean horror, Korean horror fiction *Horror film, a film genre ** Art horror, a subgenre of horror film ** Body horror, a subgenre of horror film ** Comedy horror, a subgenre of horror film ** Erotic horror film, a subgenre of horror film ** Slasher film, a subgenre of horror film ** Splatter film, a subgenre of horror film ** Supernatural horror film, a subgenre of horror film ** Psychological horror film, a subgenre of horror film **Postmodern horror, a subgenre of horror film ** Indonesian horror, Indonesian horror film ** Thai horror, Thai horror film * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
