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Timing (music)
Timing in music refers to the ability to "keep time" accurately and to synchronise to an ensemble, as well as to expressive timing—subtle adjustment of note or beat duration, or of tempo, for aesthetic effect. Research in music cognition has shown that time as a subjective structuring of events in music, differs from the concept of time in physics. Listeners to music do not perceive rhythm on a continuous scale, but recognise rhythmic categories that function as a reference relative to which the deviations in timing can be appreciated.Honing, H. (2002) ''Structure and interpretation of rhythm and timing'' in ''Dutch Journal of Music Theory (Tijdschrift voor Muziektheorie)''. vol 7(3), p. 227-23pdf/ref> Temporal patterns in music combine two different time scales—rhythmic durations such as half and quarter notes on the one hand, and on the other, the continuous timing variations that characterize an expressive musical performance. See also *Rhythm *Time signature A ...
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Expressive Timing
Expressive timing refers to the musical phenomenon whereby a performer introduces subtle temporal nuances to an otherwise metronomic ("perfectly" timed) interpretation. This is also referred to as ''microtiming'' or ''microrhythm''. For instance, a pianist might introduce a slight ritardando (not called for explicitly in the musical score) at the end of a phrase to convey a structural event (in this case, a phrase ending). Expressive timing has been shown to operate in different musical styles. In jazz, expressive timing plays an important role in how " swing" notes are timed. It has also been shown empirically that simple rhythms are often performed differently from how they are notated. This aspect of rhythm production is at odds with a feature of rhythm perception—namely, that rhythms made up of complex ratios are simplified by listeners to consist of simple ratios. For example, when presented with a sequence of sounds whose interonset intervals (IOIs) are 700 – 300 – 40 ...
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Musical Note
In music, notes are distinct and isolatable sounds that act as the most basic building blocks for nearly all of music. This musical analysis#Discretization, discretization facilitates performance, comprehension, and musical analysis, analysis. Notes may be visually communicated by writing them in musical notation. Notes can distinguish the general pitch class or the specific Pitch (music), pitch played by a pitched Musical instrument, instrument. Although this article focuses on pitch, notes for unpitched percussion instruments distinguish between different percussion instruments (and/or different manners to sound them) instead of pitch. Note value expresses the relative Duration (music), duration of the note in time. Dynamics (music), Dynamics for a note indicate how Loudness, loud to play them. Articulation (music), Articulations may further indicate how performers should shape the Envelope (music), attack and decay of the note and express fluctuations in a note's timbre and Pit ...
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Beat (music)
In music and music theory, the beat is the basic unit of time, the pulse (regularly repeating event), of the ''mensural level'' (or ''beat level''). The beat is often defined as the rhythm listeners would tap their toes to when listening to a piece of music, or the numbers a musician counts while performing, though in practice this may be technically incorrect (often the first multiple level). In popular use, ''beat'' can refer to a variety of related concepts, including pulse, tempo, meter, specific rhythms, and groove. Rhythm in music is characterized by a repeating sequence of stressed and unstressed beats (often called "strong" and "weak") and divided into bars organized by time signature and tempo indications. Beats are related to and distinguished from pulse, rhythm (grouping), and meter: Metric levels faster than the beat level are division levels, and slower levels are multiple levels. Beat has always been an important part of music. Some music genres such as ...
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Tempo
In musical terminology, tempo (Italian for 'time'; plural 'tempos', or from the Italian plural), measured in beats per minute, is the speed or pace of a given musical composition, composition, and is often also an indication of the composition's character or atmosphere. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and, if a specific metrical pace is desired, is usually measured in beat (music), beats per minute (bpm or BPM). In modern classical compositions, a "metronome mark" in beats per minute, indicating only measured speed and not any form of expression, may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in bpm. Tempo (the underlying pulse of the music) is one of the three factors that give a piece of music its texture (music), texture. The others are meter (music), meter, which is indicated by a ...
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Aesthetic
Aesthetics (also spelled esthetics) is the branch of philosophy concerned with the nature of beauty and taste, which in a broad sense incorporates the philosophy of art.Slater, B. H.Aesthetics ''Internet Encyclopedia of Philosophy,'' , accessed on 15 September 2024. Aesthetics examines values about, and critical judgments of, artistic taste and preference. It thus studies how artists imagine, create, and perform works of art, as well as how people use, enjoy, and criticize art. Aesthetics considers why people consider certain things beautiful and not others, as well as how objects of beauty and art can affect our moods and our beliefs. Aesthetics tries to find answers to what exactly is art and what makes good art. It considers what happens in our minds when we view visual art, listen to music, read poetry, enjoy delicious food, and engage in large artistic projects like creating and experiencing plays, fashion shows, films, and television programs. It can also focus on h ...
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Music Cognition
The psychology of music, or music psychology, is a branch of psychology, cognitive science, neuroscience, and/or musicology. It aims to explain and understand musical behaviour and experience, including the processes through which music is perceived, created, responded to, and incorporated into everyday life. Modern work in the psychology of music is primarily empirical; its knowledge tends to advance on the basis of interpretations of data collected by systematic observation of and interaction with human participants. In addition to its basic-science role in the cognitive sciences, the field has practical relevance for many areas, including music performance, composition, education, criticism, and therapy; investigations of human attitude, skill, performance, intelligence, creativity, and social behavior; and links between music and health. The psychology of music can shed light on non-psychological aspects of musicology and musical practice. For example, it contributes to musi ...
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Rhythm
Rhythm (from Greek , ''rhythmos'', "any regular recurring motion, symmetry") generally means a " movement marked by the regulated succession of strong and weak elements, or of opposite or different conditions". This general meaning of regular recurrence or pattern in time can apply to a wide variety of cyclical natural phenomena having a periodicity or frequency of anything from microseconds to several seconds (as with the riff in a rock music song); to several minutes or hours, or, at the most extreme, even over many years. The Oxford English Dictionary defines rhythm as ''"The measured flow of words or phrases in verse, forming various patterns of sound as determined by the relation of long and short or stressed and unstressed syllables in a metrical foot or line; an instance of this"''. Rhythm is related to and distinguished from pulse, meter, and beats: In the performance arts, rhythm is the timing of events on a human scale; of musical sounds and silences that occur ...
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Time Signature
A time signature (also known as meter signature, metre signature, and measure signature) is an indication in music notation that specifies how many note values of a particular type fit into each measure ( bar). The time signature indicates the meter of a musical movement at the bar level. In a music score the time signature appears as two stacked numerals, such as (spoken as ''four–four time''), or a time symbol, such as (spoken as ''common time''). It immediately follows the key signature (or if there is no key signature, the clef symbol). A mid-score time signature, usually immediately following a barline, indicates a change of meter. Most time signatures are either simple (the note values are grouped in pairs, like , , and ), or compound (grouped in threes, like , , and ). Less common signatures indicate complex, mixed, additive, and irrational meters. Time signature notation Most time signatures consist of two numerals, one stacked above the other: * ...
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