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The Jam
The Jam were an English rock band formed in 1972 in Woking, Surrey, consisting of Paul Weller, Bruce Foxton and Rick Buckler. They released 18 consecutive top 40 singles in the United Kingdom, from their debut in 1977 to their break-up in December 1982, including four number one hits. As of 2007, " That's Entertainment" and " Just Who Is the 5 O'Clock Hero?" remain the best-selling import singles of all time in the UK. They released one live album and six studio albums, the last of which, '' The Gift'', reached number one on the UK Albums Chart. When the group disbanded in 1982, their first 15 singles were re-released and all placed within the top 100. The band drew upon a variety of stylistic influences over the course of their career, including 1970s punk and new wave and 1960s beat music, soul and rhythm and blues. The trio were known for their melodic pop songs, their distinctly English take on social commentary, and their mod image. The band launched the career of ...
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Bruce Foxton
Bruce Douglas Foxton (born 1 September 1955) is an English singer, songwriter and musician. Foxton's music career spans more than 40 years. He came to prominence in the late 1970s as bassist and backing vocalist of mod revival band the Jam. He occasionally performed the lead vocals, such as on the songs "Carnaby Street", " News of the World", " David Watts" and " Smithers-Jones". After the band's break-up, he pursued a brief solo career releasing one studio album, '' Touch Sensitive'', in 1984. The album's single " Freak" became a UK Top 20 hit in 1983. He played in several bands, including Sharp with former Jam member Rick Buckler, before joining Stiff Little Fingers in 1990. After leaving SLF in 2007, Foxton joined Rick Buckler and members of his tribute band, the Gift, to tour under the name From the Jam until the end of his guitar playing career in 2025. Early life and education Bruce Douglas Foxton was born the youngest of three boys on 1 September 1955, in Woking, Su ...
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Newcastle Upon Tyne
Newcastle upon Tyne, or simply Newcastle ( , Received Pronunciation, RP: ), is a City status in the United Kingdom, cathedral city and metropolitan borough in Tyne and Wear, England. It is England's northernmost metropolitan borough, located on the River Tyne's northern bank opposite Gateshead to the south. It is the most populous settlement in the Tyneside conurbation and North East England. Newcastle developed around a Roman Empire, Roman settlement called Pons Aelius. The settlement became known as ''Monkchester'' before taking on the name of The Castle, Newcastle, a castle built in 1080 by William the Conqueror's eldest son, Robert Curthose. It was one of the world's largest ship building and repair centres during the Industrial Revolution. Newcastle was historically part of the county of Northumberland, but governed as a county corporate after 1400. In 1974, Newcastle became part of the newly-created metropolitan county of Tyne and Wear. The local authority is Newcastle Ci ...
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Mod (subculture)
Mod, from the word ''modernist'', is a subculture that began in late 1950s London and spread throughout Great Britain, eventually influencing fashions and trends in other countries. It continues today on a smaller scale. Focused on music and fashion, the subculture has its roots in a small group of stylish London-based young men and women in the late 1950s who were termed ''modernists'' because they listened to modern jazz. Elements of the mod subculture include fashion (often tailor-made suits), music (including soul, rhythm and blues and ska, but mainly jazz). They rode motor scooters, usually Lambrettas or Vespas. In the mid-1960s, members of the subculture listened to rock groups with rhythm and blues (R&B) influences, such as the Who and Small Faces. The original mod scene was associated with amphetamine-fuelled all-night jazz dancing at clubs. During the early to mid-1960s, as the mod movement grew and spread throughout Britain, certain elements of the mod scene be ...
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Rhythm And Blues
Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated within African American communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to African Americans, at a time when "rocking, jazz based music ... [with a] heavy, insistent beat" was starting to become more popular. In the commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of a piano, one or two guitars, bass, drums, one or more saxophones, and sometimes background vocalists. R&B lyrical themes often encapsulate the African-American history and experience of pain and the quest for freedom and joy, as well as triumphs and failures in terms of societal racism, oppression, relationships, economics, and aspirations. The term "rhythm and blues" has undergone a number of shifts in meaning. In the early 1950s, it was frequently applied to blues records. Starting i ...
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Soul Music
Soul music is a popular music genre that originated in African-American culture, African-American African-American neighborhood, communities throughout the United States in the late 1950s and early 1960s. Catchy rhythms, stressed by handclaps and extemporaneous body movements, are an important hallmark of soul. Other characteristics are a Call and response (music), call and response between the lead and Backing vocalist, backing vocalists, an especially tense vocal sound, and occasional Musical improvisation, improvisational additions, twirls, and auxiliary sounds. Soul music is known for reflecting African-American identity and stressing the importance of African-American culture. Soul has its roots in African-American gospel music and rhythm and blues, and primarily combines elements of gospel, R&B and jazz. The genre emerged from the power struggle to increase black Americans' awareness of their African ancestry, as a newfound consciousness led to the creation of music ...
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Beat Music
Beat music, British beat, or Merseybeat is a British popular music Music genre, genre that developed around Liverpool in the late 1950s and early 1960s. The genre melded influences from British rock and roll, British and Music of the United States, American rock and roll, rhythm and blues, skiffle, traditional pop, and music hall. It rose to mainstream popularity in the United Kingdom and Europe by 1963 before spreading to North America in 1964 with the British Invasion. The beat style shaped popular music and youth culture through 1960s movements such as garage rock, folk rock and psychedelic music. Origin The exact origins of the terms 'beat music' and 'Merseybeat' are uncertain. "Beat" alludes to the driving rhythms adopted from rock and roll, R&B, and soul music—not the Beat Generation literary movement of the 1950s. As the initial wave of rock and roll subsided in the later 1950s, "big beat" music, later shortened to "beat", became a live dance alternative to the ballade ...
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New Wave Music
New wave is a music genre that encompasses pop music, pop-oriented styles from the 1970s through the 1980s. It is considered a lighter and more melodic "broadening of Punk subculture, punk culture". It was originally used as a catch-all for the various styles of music that emerged after punk rock. Later, critical consensus favored "new wave" as an umbrella term involving many contemporary popular music styles, including synth-pop, alternative dance and post-punk. The main new wave movement coincided with late 1970s punk and continued into the early 1980s. The common characteristics of new wave music include a humorous or quirky pop approach, angular guitar riffs, jerky rhythms, the use of electronics, and a distinctive visual style in fashion. In the early 1980s, virtually every new pop and rock act – and particularly those that employed synthesizers – were tagged as "new wave" in the United States. Although new wave shares punk's do-it-yourself philosophy, the musician ...
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Punk Rock
Punk rock (also known as simply punk) is a rock music genre that emerged in the mid-1970s. Rooted in 1950s rock and roll and 1960s garage rock, punk bands rejected the corporate nature of mainstream 1970s rock music. They typically produced short, fast-paced songs with hard-edged melodies and singing styles with stripped-down instrumentation. Punk rock lyrics often explore anti-establishment and Anti-authoritarianism, anti-authoritarian themes. Punk embraces a DIY ethic; many bands self-produce recordings and distribute them through independent record label, independent labels. The term "punk rock" was previously used by American Music criticism, rock critics in the early 1970s to describe the mid-1960s garage bands. Certain late 1960s and early 1970s Detroit acts, such as MC5 and Iggy and the Stooges, and other bands from elsewhere created out-of-the-mainstream music that became highly influential on what was to come. Glam rock in the UK and the New York Dolls from New York ha ...
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UK Albums Chart
The Official Albums Chart is the United Kingdom's industry-recognised national record chart for album, albums. Entries are ranked by sales and audio streaming. It was published for the first time on 22 July 1956 and is compiled every week by the Official Charts Company (OCC) on Fridays (previously Sundays). It is broadcast on BBC Radio 1 (top 5) and found on the OCC website as a Top 100 or on ''UKChartsPlus'' as a Top 200, with positions continuing until all sales have been tracked in data only available to industry insiders. However, even though number 100 was classed as a hit album (as in the case of ''The Guinness Book of British Hit Albums'') in the 1980s until January 1989, since the compilations were removed, this definition was changed to Top 75 with follow-up books such as ''The Virgin Book of British Hit Albums'' only including this data. As of 2021, Since 1983, the OCC generally provides a public charts for hits and weeks up to the Top 100. Business customers can require a ...
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The Gift (The Jam Album)
''The Gift'' is the sixth and final studio album by the English rock band the Jam. It was originally released on 12 March 1982 by Polydor as the follow-up to the Jam's critically and commercially successful studio album '' Sound Affects'' (1980). The songs were largely recorded during 1981 to 1982, at George Martin's AIR Studios, assisted by Peter Wilson. Generally regarded as the culmination of the smoother sound of the band's later work, it was one of their most successful studio albums, reaching No. 1 in the UK Albums Chart. The song "Carnation" was later covered by Liam Gallagher of Oasis in collaboration with Steve Cradock of Ocean Colour Scene (OCS). A 2-disc deluxe edition of ''The Gift'' was released in 2012 to mark the 30th anniversary of the album's release. Music and lyrics The album moves away from the simpler musical forms of '' In the City'' and '' This Is the Modern World'' (both 1977) as well as the more melodic '' All Mod Cons'' (1978), '' Setting Sons' ...
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British Hit Singles & Albums
''British Hit Singles & Albums'' (originally known as ''The Guinness Book of British Hit Singles'' and ''The Guinness Book of British Hit Albums'') was a music reference work, reference book originally published in the United Kingdom by the publishing arm of the Guinness breweries, Guinness Superlatives. Later editions were published by HIT Entertainment (who had bought the Guinness World Records brand). It listed all the singles and albums featured in the Top 75 pop charts in the United Kingdom, UK. In 2004 the book became an amalgamation of two earlier Guinness publications, originally known as ''British Hit Singles'' and ''British Hit Albums''. The publication of this amalgamation ceased in 2006, with Guinness World Records being sold to Jim Pattison Group, The Jim Pattison Group, owner of ''Ripley's Believe It or Not!''. At this point, the Official UK Charts Company teamed up with Random House/Ebury Publishing to release a new version of the book under the Virgin Books bran ...
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Just Who Is The 5 O'Clock Hero?
"Just Who is the 5 O'Clock Hero?" is a song and single released by The Jam on 3 July 1982. It features on their sixth studio album '' The Gift''. It made number eight in the UK Singles Chart in July 1982. The single came with two B-sides – a version of "War" and an original Weller song, "The Great Depression". Song The song addresses those in 9 to 5 jobs as a nameless factory worker returns home to his wife wanting nothing but to sit and watch television before he has to go back to the 'lunch box and the worker/management rows'. The chorus focuses on the character having lived in the same street for years and highlights the futility of his life: 'as one life finishes the other one starts'- there has to be more to life than 'scrimping and saving and crossing off lists'. According to interviews with Weller (and the booklet accompanying the '' Direction Reaction Creation'' box-set) the point was not to ridicule or criticise the character (as he had Mr. Clean on '' All Mod Cons' ...
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