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The Film-Makers' Cooperative
The Film-Makers' Cooperative (a.k.a. The New American Cinema Group, Inc.) is an artist-run, non-profit organization founded in 1961 in New York City by Jonas Mekas, Andy Warhol, Shirley Clarke, Stan Brakhage, Jack Smith (film director), Jack Smith, Lionel Rogosin, Gregory Markopoulos, Lloyd Williams (filmmaker), Lloyd Michael Williams, and other filmmakers, for the distribution, education, and exhibition of avant-garde films and alternative media. History In the fall of 1960, Jonas Mekas and Lewis Allen organized several meetings with independent filmmakers in New York City that culminated on September 28, 1960, with the group officially declaring themselves the "New American Cinema Group." On January 7, 1961, at a contentious meeting of the Group, Amos Vogel attempted to stonewall the formation of the distribution center, claiming that his own Cinema 16 organization should be the only distributor of experimental films. However, Vogel was shouted down after it was pointed out th ...
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Nonprofit Organization
A nonprofit organization (NPO), also known as a nonbusiness entity, nonprofit institution, not-for-profit organization, or simply a nonprofit, is a non-governmental (private) legal entity organized and operated for a collective, public, or social benefit, as opposed to an entity that operates as a business aiming to generate a Profit (accounting), profit for its owners. A nonprofit organization is subject to the non-distribution constraint: any revenues that exceed expenses must be committed to the organization's purpose, not taken by private parties. Depending on the local laws, charities are regularly organized as non-profits. A host of organizations may be non-profit, including some political organizations, schools, hospitals, business associations, churches, foundations, social clubs, and consumer cooperatives. Nonprofit entities may seek approval from governments to be Tax exemption, tax-exempt, and some may also qualify to receive tax-deductible contributions, but an enti ...
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Robert Frank
Robert Frank (November 9, 1924 – September 9, 2019) was a Swiss American photographer and documentary filmmaker. His most notable work, the 1958 book titled ''The Americans'', earned Frank comparisons to a modern-day de Tocqueville for his fresh and nuanced outsider's view of American society. Critic Sean O'Hagan, writing in ''The Guardian'' in 2014, said ''The Americans'' "changed the nature of photography, what it could say and how it could say it. nbsp;... it remains perhaps the most influential photography book of the 20th century." Frank later expanded into film and video and experimented with manipulating photographs and photomontage. Background and early photography career Frank was born in Zürich, Switzerland, the son of Rosa (Zucker) and Hermann Frank. His family was Jewish. According to Frank, his mother, Rosa (other sources give her name as Regina), had a Swiss passport, while his father, Hermann originating from Frankfurt, Germany, had become stateless ...
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Ed Halter
Ed Halter is a film programmer, writer, and founder of Light Industry, a microcinema in Brooklyn, New York. He currently teaches at Bard College, where he is Critic in Residence. Criticism His writing has been featured in '' Artforum'', '' The Believer'', ''Bookforum'', ''Cinema Scope'', ''frieze'', ''Little Joe'', ''Mousse'', Rhizome, Triple Canopy, and '' Village Voice.'' Halter is interested in the intersection of video games, digital media, and American experimental film Experimental film or avant-garde cinema is a mode of filmmaking that does not apply standard cinematic conventions, instead adopting Non-narrative film, non-narrative forms or alternatives to traditional narratives or methods of working. Many e .... Books His first book '' From Sun Tzu to Xbox'' was released in 2006. He has edited the compilation ''Mass Effect: Art and the Internet in the Twenty First Century'' (2015), with Lauren Cornell. His edited volume ''From The Third Eye: The Evergreen Revi ...
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Philip Glass
Philip Glass (born January 31, 1937) is an American composer and pianist. He is widely regarded as one of the most influential composers of the late 20th century. Glass's work has been associated with minimal music, minimalism, being built up from repetitive Phrase (music), phrases and shifting layers. He described himself as a composer of "music with repetitive structures", which he has helped to evolve stylistically. Glass founded the Philip Glass Ensemble in 1968. He has written 15 operas, numerous chamber operas and musical theatre works, 14 symphony, symphonies, 12 concertos, nine string quartets, various other chamber music pieces, and many film scores. He has received nominations for four Grammy Awards, including two for Grammy Award for Best Contemporary Classical Composition, Best Contemporary Classical Composition for ''Satyagraha (opera), Satyagraha'' (1987) and ''String Quartet No. 2 (Glass), String Quartet No. 2'' (1988). He has received three Academy Award for Best ...
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Bradley Eros
Bradley Eros (born in 1952 in Fairfield, Illinois) is an experimental film director, actor, curator, poet, and performance artist who also makes Musique concrète sound collages, music videos, photographs, live projection performances, works on paper and art objects. His work has been presented in multiple screenings and exhibitions at the Museum of Modern Art, and the Whitney Museum of American Art, including the 2004 Whitney Biennial, and is in the permanent collection of the museum. He has also created dozens of ‘zines, posters, soundtracks and unique artist’s books. He is represented by Microscope Gallery in New York City and is known for his work in the field of ''contracted cinema''. Life and work Among his first projects following his relocation from Illinois to NYC was a series of expanded cinema films with (and performed live with) Aline Mare in a multi-media film and music partnership called ''Erotic Psyche''. In 1982 he helped organize (and appeared in) the C ...
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Deitch Projects
Jeffrey Deitch (pronounced ''DIE-tch'';Mike Boehm (January 12, 2010)''Los Angeles Times''. born July 9, 1952) is an American art dealer and curator. He is best known for his gallery Deitch Projects (1996–2010) and curating groundbreaking exhibitions such as ''Lives'' (1975) and ''Post Human'' (1992), the latter of which has been credited with introducing the concept of "posthumanism" to popular culture. In 2010, '' ArtReview'' named him as the twelfth most influential person in the international art world. Deitch has been closely associated with artists such as Andy Warhol, Jean-Michel Basquiat, and Jeff Koons. From 2010 to 2013, he served as director of the Museum of Contemporary Art, Los Angeles (MOCA). He currently owns and directs Jeffrey Deitch Gallery, an art gallery with locations in New York and Los Angeles. Early life and education Deitch was born on July 9, 1952, and grew up in Hartford, Connecticut, where his father ran a heating oil and coal company and his m ...
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Eduardo Darino
Eduardo Darino is a Uruguayan film producer, director, animator, and cartoonist. Born in Montevideo, Uruguay, he studied law at the Universidad de la Republica and came to New York in 1973 where he still resides. During his career he has drawn multiple cartoon characters, produced several films, and made multiple television series and documentaries both in Uruguay and the United States. Films in Uruguay In his early years Darino had no access to a camera, so, inspired by Norman McLaren, his first experiments with animation included scratching and painting on the film stock itself. Animation He participated actively in the Cine Club del Uruguay and taught himself how to make film. His earliest work, ''Creacion'' (1963), is the first animation to be created over stock film and hand-painted in Uruguay. It was screened at the Annecy International Animated Film Festival in France, receiving a Certificate. Darino's next films, ''El Idolo'', ''Sombras sin Luces'' and ''Sombras y ...
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Video On Demand
Video on demand (VOD) is a media distribution system that allows users to access videos, television shows and films Digital distribution, digitally on request. These multimedia are accessed without a traditional video playback device and a typical static broadcasting schedule, which was popular under traditional broadcast programming, instead involving newer modes of content consumption that have risen as Internet and IPTV technologies have become prominent, and culminated in the arrival of VOD and Over-the-top media service, over-the-top (OTT) media services on televisions and personal computers. Television VOD systems can streaming media, stream content, either through a traditional set-top box or through remote devices such as computers, tablets, and smartphones. VOD users may also permanently download content to a device such as a computer, digital video recorder (DVR) or, a portable media player for continued viewing. The majority of Cable television, cable and telephone comp ...
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London Film-Makers' Co-op
The London Film-makers' Co-operative, or LFMC, was a British film-making workshop founded in 1966. It was largely responsible for the rise of British avant-garde cinema in the later 1960s. Work produced by members of the LFMC in the late 1960s and early 1970s has been labelled Structural/Materialist Film. History The LFMC grew out of film screenings at the Better Books bookstore, part of the 1960s counter-culture in London, before moving to the original Arts Lab on Drury Lane. Then it shared offices with John 'Hoppy' Hopkins' BIT information service, before, with the breakaway group that formed the New Arts Lab, moving to the Camden-based Institute for Research in Art and Technology. With the end of IRAT's lease in 1971 the Co-op found a base in a long-term squat in a former dairy at 13a Prince of Wales Crescent in Kentish Town. From 1978 the LFMC Workshop, Distribution Archive and Cinema was based in Gloucester Avenue in Camden in a former British Rail Working Men’s Club ...
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Canyon Cinema
Canyon Cinema is an American nonprofit organization for distributing independent, avant-garde, and artist-made films. After starting in the 1960s as an exhibition program, it grew to include a nationwide newsletter and a distribution cooperative. Its exhibition activities were split off to form the San Francisco Cinematheque. History Canyon Cinema informally began in 1960 as an exhibition outlet in Canyon, California. Filmmaker Bruce Baillie got a projector and army surplus screen to put on shows in his backyard. Chick Strand and Ernest Callenbach became involved, and they began holding screenings around the Bay Area. Early programming included popular cinema, particularly from Castle Films, and avant-garde cinema but over time came to focus exclusively on the latter. Callenbach, an editor for ''Film Quarterly'', had the idea to publish a regular newsletter. The first issue of the ''News'' came in December 1962, and the publication later became the ''Cinemanews'' and the ' ...
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Underground Film
An underground film is a film that is out of the mainstream either in its style, genre or financing. Notable examples include John Waters' ''Pink Flamingos'', David Lynch's ''Eraserhead'', Andy Warhol's ''Blue Movie'', Rosa von Praunheim's ''Tally Brown, New York'', Frank Henenlotter's Basket Case (film), ''Basket Case'', Nikos Nikolaidis' Singapore Sling (1990 film), ''Singapore Sling'', Rinse Dreams' ''Café Flesh'', and Jörg Buttgereit's ''Nekromantik''. Definition and history The first printed use of the term "underground film" occurs in a 1957 essay by American film critic Manny Farber, "Underground Films." Farber uses it to refer to the work of directors who "played an anti-art role in Hollywood." He contrasts "such soldier-cowboy-gangster directors as Raoul Walsh, Howard Hawks, William Wellman," and others with the "less talented Vittorio De Sica, De Sicas and Fred Zinnemann, Zinnemanns [who] continue to fascinate the critics." However, as in "Underground Press", the ter ...
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Experimental Film
Experimental film or avant-garde cinema is a mode of filmmaking that does not apply standard cinematic conventions, instead adopting Non-narrative film, non-narrative forms or alternatives to traditional narratives or methods of working. Many experimental films, particularly early ones, relate to arts in other disciplines: painting, dance, literature and poetry, or arise from research and development of new technical resources. While some experimental films have been distributed through mainstream channels or even made within commercial studios, the vast majority have been produced on very low budgets with a minimal crew or a single person and are either self-financed or supported through small grants. Experimental filmmakers generally begin as amateurs, and some use experimental films as a springboard into commercial film-making or transition into academic positions. The aim of experimental filmmaking may be to render the personal vision of an artist, or to promote interest in ...
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