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Taepyeongso
The ''taepyeongso'' (), also called ''hojok'', ''hojeok'' 호적 號笛/wikt:胡, 胡wikt:笛, 笛, ''nallari'', or ''saenap'', wikt:嗩, 嗩wikt:吶, 吶, is a Korean double reed wind instrument in the shawm or oboe family. It is possibly descended from the Persian ''sorna'' and is closely related to the Chinese ''suona''. It has a conical wooden body made from ''Yuzu, yuja'' (citron), ''daechu'' (jujube), or yellow mulberry wood, with a metal mouthpiece and cup-shaped metal bell. It originated during the Goryeo, Goryeo period (918–1392). The loud and piercing sound it produces has kept it confined mostly to Korean folk music (especially "farmer's band music") and to marching bands, the latter performed for royalty in the genre known as ''daechwita''. It is, however, also used sparingly in other genres, including Confucian, Buddhist and Shamanist ritual musics, neo-traditional/fusion music and kpop, included in works such as "Lalalay" by Sunmi (2019). The volume is large and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yuzu
Yuzu (''Citrus'' × ''junos'', from Japanese language, Japanese or ; ) is a citrus fruit and plant in the family Rutaceae of China, Chinese origin. Yuzu has been cultivated mainly in East Asia, though it has also recently been grown in New Zealand, Australia, Spain, Italy, and France. It is believed to have originated in central China as an F1 hybrid of the ( zh, t=莽山野橘) subspecies of mandarin orange and the ichang papeda. and Supplement Description This fruit resembles a yellow clementine with uneven skin and can be either yellow or green depending on the degree of ripeness. ''Yuzu'' fruits, which are very aromatic, typically range between in diameter but can be as large as a regular grapefruit (up to , or larger). Yuzu forms an upright shrub or small tree, which commonly has many large thorns. Leaves are notable for a large, leaf-like Petiole (botany), petiole, resembling those of the related makrut lime and ichang Papeda (citrus), papeda, and are heavily sce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lalalay
"Lalalay" (, stylized in all caps) is a song recorded by South Korean singer Sunmi, released on August 27, 2019, by Makeus Entertainment as a single. Sunmi wrote and co-produced the song with Frants. Background and composition The song was announced and confirmed by Sunmi on August 17, 2019, through a promotional poster on various social media accounts. "Lalalay" runs for two minutes and fifty-four seconds. It was written by Sunmi and produced by her and Frants. Tamar Herman of ''Billboard'' describes the song as a "Latin pop and dancehall elements with traditional Korean sounds, incorporating the traditional Korean horn instrument known as a taepyeongso The ''taepyeongso'' (), also called ''hojok'', ''hojeok'' 호적 號笛/wikt:胡, 胡wikt:笛, 笛, ''nallari'', or ''saenap'', wikt:嗩, 嗩wikt:吶, 吶, is a Korean double reed wind instrument in the shawm or oboe family. It is possibly desce ...." Music video The music video was directed by Choi Yongseok ( Lumpens). ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Reed
A double reed is a type of reed used to produce sound in various wind instruments. In contrast with a single reed instrument, where the instrument is played by channeling air against one piece of cane which vibrates against the mouthpiece and creates a sound, a double reed features two pieces of cane vibrating against each other. This means, for instruments with the double reed fully exposed, that the air flow can be controlled by the embouchure from the top, bottom and sides of the reed. The term ''double reeds'' can also refer collectively to the class of instruments which use double reeds. Structure and dimensions The size and shape of the reed depend on the type of double-reed instrument which is of two groups, conical and cylindrical. Even within families of instruments, for example, the oboe family, the reed for the oboe is quite different from that for the cor anglais (English horn). Oboe reeds are usually 7 mm (0.3 in) in width, while bassoon reeds are wider, from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daechwita
''Daechwita'' () is a genre of Korean traditional music consisting of military music played by wind and percussion instruments, generally performed while marching or as a static performance. Instrumentation Instruments used include '' nabal'' (brass horn), '' nagak'' (seashell horn), and ''taepyeongso'' (shawm), with '' jing'' (gong), ''jabara'' ( cymbals), Ulla (xylophone), and ''yonggo'' (; drum painted with dragon designs and played with hard mallets). This style of Korean military music is often used in the reenactment of the Guard Changing Ceremony at Seoul's Gyeongbokgung Palace, as well as in Deoksugung Palace. Special daechwitas today is under the service of the Ministry of National Defense Traditional Band and the Traditional Guard Unit, 3rd Infantry Division, Republic of Korea Army, and are the only ones that also has the '' Ulla'' (small tuned gongs), '' Pungmul-buk'' and '' Galgo'' in its instrumentation. This is the same case for traditional Korean bands ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pungmul
''Pungmul'' (; ) is a Traditional music of Korea#Folk music, Korean folk music tradition that includes drumming, dance, dancing, and singing. Most performances are outside, with dozens of players all in constant motion. ''Pungmul'' is rooted in the ''dure'' (collective labor) farming culture. It was originally played as part of farm work, on Culture of Korea#Festivals of the lunar calendar, rural holidays, at other village community-building events, and to accompany Korean shamanism, shamanistic rituals, mask dance dramas, and other types of performance. During the late 1960s and 1970s it expanded in meaning and was actively Pungmul as Protest, used in political protest during the pro-democracy movement, although today it is most often seen as a Performing arts, performing art. Based on 1980s research, this kind of music was extensively studied in Chindo Island. Older scholars often describe this tradition as ''nongak'' (), a term meaning "farmers' music" whose usage arose during t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suona
The ''suona,'' also called ''dida,'' laba or ''haidi'', is a traditional double-reeded Chinese musical instrument. The ''suona's'' basic design originated in ancient Iran, then called " Sorna". It appeared in China around the 3rd century and it's also popular in parts of northern and southern China, including Shandong, Henan, Hebei, Shanxi, Shaanxi, Gansu, Northeast China, Guangdong, Fujian, and other regions. It has a distinctively loud and high-pitched sound, and was used frequently in Chinese traditional music ensembles, particularly in those that perform outdoors. It was an important instrument in the folk music of northern China, particularly in provinces of Shandong and Henan, where it has long been used for festival and military purposes. It is still being used, in combination with sheng mouth organs, gongs, drums, and sometimes other instruments in weddings and funeral processions. Such wind and percussion ensembles are called ''chuida'' () or ''guchui'' (; this name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Farmer's Band Music
''Pungmul'' (; ) is a Korean folk music tradition that includes drumming, dancing, and singing. Most performances are outside, with dozens of players all in constant motion. ''Pungmul'' is rooted in the ''dure'' (collective labor) farming culture. It was originally played as part of farm work, on rural holidays, at other village community-building events, and to accompany shamanistic rituals, mask dance dramas, and other types of performance. During the late 1960s and 1970s it expanded in meaning and was actively used in political protest during the pro-democracy movement, although today it is most often seen as a performing art. Based on 1980s research, this kind of music was extensively studied in Chindo Island. Older scholars often describe this tradition as ''nongak'' (), a term meaning "farmers' music" whose usage arose during the colonial era (1910–1945). The Cultural Heritage Administration of South Korea uses this term in designating the folk tradition as an Impo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hanja
Hanja (; ), alternatively spelled Hancha, are Chinese characters used to write the Korean language. After characters were introduced to Korea to write Literary Chinese, they were adapted to write Korean as early as the Gojoseon period. () refers to Sino-Korean vocabulary, which can be written with Hanja, and () refers to Classical Chinese writing, although ''Hanja'' is also sometimes used to encompass both concepts. Because Hanja characters have never undergone any major reforms, they more closely resemble traditional Chinese and kyūjitai, traditional Japanese characters, although the stroke orders for certain characters are slightly different. Such examples are the characters and , as well as and . Only a small number of Hanja characters were modified or are unique to Korean, with the rest being identical to the traditional Chinese characters. By contrast, many of the Chinese characters currently in use in mainland China, Malaysia and Singapore have been simplified Chin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sunmi
Lee Sun-mi (; born Sun Mi, May 2, 1992), known mononymously as Sunmi, is a South Korean singer, dancer, songwriter and record producer. She debuted in 2007 as a member of South Korean girl group Wonder Girls and left the group in 2010 to pursue her studies. After a three-year hiatus, Sunmi resumed her career as a soloist with her 2013 debut extended play, ''Full Moon'', spawning the number two singles " 24 Hours" and " Full Moon" on the national Gaon Digital Chart. In 2015, Sunmi was announced to be resuming promotion with the Wonder Girls and remained with the group until their disbandment in 2017. She subsequently left JYP Entertainment and joined Makeus Entertainment (now known as Abyss Company), releasing the hit single " Gashina". Her second extended play, ''Warning'', was released in 2018 and produced two other hit singles: " Heroine" and " Siren". Early life Sunmi was born on May 2, 1992, in Iksan, North Jeolla, South Korea. She attended Hwangnam Elementary School, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Center For The Traditional Korean Performing Arts
The National Gugak Center (), located in Seoul, South Korea, is the primary institution of learning for Korean traditional music (), including both Korean court music, court music and Korean folk music, folk music. It was founded in 1951 through a merger of Korean musical organizations. It is dedicated to "preserving and promoting traditional Korean music." Through academic courses, private study, ensembles, research, and performances, it preserves Korea's ancient musical traditions, including the ancient court ritual music called ''aak'' as well as the ritual music performed for the Jongmyo (Seoul), Jongmyo (royal ancestral shrine) and the Munmyo (Korean Confucianism, Confucian shrine). Historical musical organizations While Korean court music dates back to the music institute of the Silla kingdom in the 7th century, the present is the direct successor to the Jangakwon music institution of the Joseon Dynasty. Jangakwon went through various name changes until 1945: *Janga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gyeongbokgung
Gyeongbokgung () is a former royal palace in Seoul, South Korea. Established in 1395, it was the first royal palace of the Joseon dynasty, and is now one of the most significant tourist attractions in the country. The palace was among the first landmarks to be established in Seoul. It flourished under the 1418–1450 reign of Sejong the Great. With assistance from various government offices, Sejong invented the native Korean script Hangul at the palace. In 1592, amidst the Imjin War, the palace was completely burned down. Plans to repair the palace fell through amidst funding shortages after the war. It would not be restored until the late 19th century, during the reign of the penultimate monarch Gojong. In 1910, Japan colonized Korea. As the palace was a symbol of the Korean monarchy's authority, Japan systematically demolished and altered it. Almost all of its around 500 structures were sold off and shipped elsewhere. In their place, modern-style buildings like the Governme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Xianjiang
Xinjiang,; , SASM/GNC: previously romanized as Sinkiang, officially the Xinjiang Uygur Autonomous Region (XUAR), is an autonomous region of the People's Republic of China (PRC), located in the northwest of the country at the crossroads of Central Asia and East Asia. Being the largest province-level division of China by area and the 8th-largest country subdivision in the world, Xinjiang spans over and has about 25 million inhabitants. Xinjiang borders the countries of Afghanistan, India, Kazakhstan, Kyrgyzstan, Mongolia, Pakistan, Russia, and Tajikistan. The rugged Karakoram, Kunlun and Tian Shan mountain ranges occupy much of Xinjiang's borders, as well as its western and southern regions. The Aksai Chin and Trans-Karakoram Tract regions are claimed by India but administered by China. "divided between India and CHINA" Xinjiang also borders the Tibet Autonomous Region and the provinces of Gansu and Qinghai. The most well-known route of the historic Silk Road ran through ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
