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Sentimental Comedy
Sentimental comedy is an 18th-century dramatic genre which sprang up as a reaction to the immoral tone of English Restoration plays. In sentimental comedies, middle-class protagonists triumphantly overcome a series of moral trials. These plays aimed to produce tears rather than laughter and reflected contemporary philosophical conceptions of humans as inherently good but capable of being led astray by bad example. By appealing to his noble sentiments, a man could be reformed and set back on the path of virtue. While the plays contained characters whose natures seemed overly virtuous and whose problems were too easily resolved, they were accepted by audiences as truthful representations of the human predicament. Elements of the genre The characters in sentimental comedy are either strictly good or bad. Heroes have no faults or bad habits, villains are thoroughly evil or morally degraded. The authors' purpose was to show the audience the innate goodness of people and that through moral ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlotte Goodall As Sir Harry Wildair
Charlotte ( ) is the most populous city in the U.S. state of North Carolina. Located in the Piedmont region, it is the county seat of Mecklenburg County. The population was 874,579 at the 2020 census, making Charlotte the 16th-most populous city in the U.S., the seventh most populous city in the South, and the second most populous city in the Southeast behind Jacksonville, Florida. The city is the cultural, economic, and transportation center of the Charlotte metropolitan area, whose 2020 population of 2,660,329 ranked 22nd in the U.S. Metrolina is part of a sixteen-county market region or combined statistical area with a 2020 census-estimated population of 2,846,550. Between 2004 and 2014, Charlotte was ranked as the country's fastest-growing metro area, with 888,000 new residents. Based on U.S. Census data from 2005 to 2015, Charlotte tops the U.S. in millennial population growth. It is the third-fastest-growing major city in the United States. Residents are referred t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Farquhar
George Farquhar (1677The explanation for the dual birth year appears in Louis A. Strauss, ed., A Discourse Upon Comedy, The Recruiting Officer, and The Beaux’ Stratagem by George Farquhar' (Boston: D.C. Heath & Co., 1914), p. v. Strauss notes that "Our sole source of information as to the time of his birth is the entry of his matriculation in the register of Trinity College" on 17 July 1694, where "His age is given as 17." Earlier biographers took this to mean Farquhar was in his 17th year—hence born in 1678—and Strauss favors this date. But later writers, such as William Myers, ed., George Farquhar: The Recruiting Officer and Other Plays'' (Oxford: Oxford University Press, 1995), p. vii, give the dual year, and John Ross, ed., ''George Farquhar: The Recruiting Officer (New Mermaids),'' 2nd ed., (London: A&C Black, 1991), p. xiii, gives a birthdate of "''ca.'' 1677" for the playwright. – 29 April 1707) was an Irish dramatist. He is noted for his contributions to late R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aristotle
Aristotle (; grc-gre, Ἀριστοτέλης ''Aristotélēs'', ; 384–322 BC) was a Greek philosopher and polymath during the Classical period in Ancient Greece. Taught by Plato, he was the founder of the Peripatetic school of philosophy within the Lyceum and the wider Aristotelian tradition. His writings cover many subjects including physics, biology, zoology, metaphysics, logic, ethics, aesthetics, poetry, theatre, music, rhetoric, psychology, linguistics, economics, politics, meteorology, geology, and government. Aristotle provided a complex synthesis of the various philosophies existing prior to him. It was above all from his teachings that the West inherited its intellectual lexicon, as well as problems and methods of inquiry. As a result, his philosophy has exerted a unique influence on almost every form of knowledge in the West and it continues to be a subject of contemporary philosophical discussion. Little is known about his life. Aristotle was born in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Beaumarchais
Pierre-Augustin Caron de Beaumarchais (; 24 January 1732 – 18 May 1799) was a French polymath. At various times in his life, he was a watchmaker, inventor, playwright, musician, diplomat, spy, publisher, horticulturist, arms dealer, satirist, financier and revolutionary (both French and American). Born a Parisian watchmaker's son, Beaumarchais rose in French society and became influential in the court of Louis XV as an inventor and music teacher. He made a number of important business and social contacts, played various roles as a diplomat and spy, and had earned a considerable fortune before a series of costly court battles jeopardized his reputation. An early French supporter of American independence, Beaumarchais lobbied the French government on behalf of the American rebels during the American War of Independence. Beaumarchais oversaw covert aid from the French and Spanish governments to supply arms and financial assistance to the rebels in the years before France's for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domestic Tragedy
In English drama, a domestic tragedy is a tragedy in which the tragic protagonists are ordinary middle-class or working-class individuals. This subgenre contrasts with classical and Neoclassical tragedy, in which the protagonists are of kingly or aristocratic rank and their downfall is an affair of state as well as a personal matter. These plays were in particular contrast to De casibus tragedy like De casibus virorum illustrium by Giovanni Boccaccio The Ancient Greek theorist Aristotle had argued that tragedy should concern only great individuals with great minds and souls, because their catastrophic downfall would be more emotionally powerful to the audience; only comedy should depict middle-class people. Domestic tragedy breaks with Aristotle's precepts, taking as its subjects merchants or citizens whose lives have less consequence in the wider world. In Britain, the first domestic tragedies were written in the English Renaissance; one of the first was ''Arden of Faversham'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Denis Diderot
Denis Diderot (; ; 5 October 171331 July 1784) was a French philosopher, art critic, and writer, best known for serving as co-founder, chief editor, and contributor to the ''Encyclopédie'' along with Jean le Rond d'Alembert. He was a prominent figure during the Age of Enlightenment. Diderot initially studied philosophy at a Jesuit college, then considered working in the church clergy before briefly studying law. When he decided to become a writer in 1734, his father disowned him. He lived a bohemian existence for the next decade. In the 1740s he wrote many of his best-known works in both fiction and non-fiction, including the 1748 novel ''The Indiscreet Jewels''. In 1751, Diderot co-created the ''Encyclopédie'' with Jean le Rond d'Alembert. It was the first encyclopedia to include contributions from many named contributors and the first to describe the mechanical arts. Its secular tone, which included articles skeptical about Biblical miracles, angered both religious and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Royal, Drury Lane
The Theatre Royal, Drury Lane, commonly known as Drury Lane, is a West End theatre and Grade I listed building in Covent Garden, London, England. The building faces Catherine Street (earlier named Bridges or Brydges Street) and backs onto Drury Lane. The building is the most recent in a line of four theatres which were built at the same location, the earliest of which dated back to 1663, making it the oldest theatre site in London still in use. According to the author Peter Thomson, for its first two centuries, Drury Lane could "reasonably have claimed to be London's leading theatre". For most of that time, it was one of a handful of patent theatres, granted monopoly rights to the production of "legitimate" drama in London (meaning spoken plays, rather than opera, dance, concerts, or plays with music). The first theatre on the site was built at the behest of Thomas Killigrew in the early 1660s, when theatres were allowed to reopen during the English Restoration. Initially ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Short View Of The Immorality And Profaneness Of The English Stage
In March 1698, Jeremy Collier published his anti-theatre pamphlet, ''A Short View of the Immorality and Profaneness of the English Stage''; in the pamphlet, Collier attacks a number of playwrights: William Wycherley, John Dryden, William Congreve, John Vanbrugh, and Thomas D'Urfey. Collier attacks rather recent, rather popular comedies from the London stage; he accuses the playwrights of profanity, blasphemy, indecency, and undermining public morality through the sympathetic depiction of vice. Description Collier begins his pamphlet with this conclusion: " thing has gone farther in Debauching the Age than the Stage Poets, and Play-House" (Collier A2). He goes on, in great detail—despite the title—to give his evidence. For Collier, the immorality of the title stems from Restoration comedy's lack of poetic justice. With his exhaustively thorough readings—in a sense, pre-close reading close readings—he condemns the characters of Restoration comedies as impious and wicked and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jeremy Collier
Jeremy Collier (; 23 September 1650 – 26 April 1726) was an English theatre critic, non-juror bishop and theologian. Life Born Jeremiah Collier, in Stow cum Quy, Cambridgeshire, Collier was educated at Caius College, University of Cambridge, receiving the BA (1673) and MA (1676). A supporter of James II, he refused, as a nonjuror (see Nonjuring schism) to take the oath of allegiance to William III and Mary II after the Glorious Revolution. Furthering his obvious disapproval of the new monarchs, he publicly absolved two Jacobites who had conspired to assassinate the King and Queen. In 1713 he was consecrated a non-juror bishop by George Hickes and two Scottish bishops, Archibald Campbell and James Gadderar. Works Collier was the primus of the nonjuring line and a strong supporter of the four usages. (see Nonjuring schism) In the years following the Revolution he wrote a series of tracts questioning the legitimacy of the new monarchs and the deprival of the Non-juror bis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comédie Larmoyante
Comédie larmoyante () was a genre of French drama of the 18th century. In this type of sentimental comedy, the impending tragedy was resolved at the end, amid reconciliations and floods of tears. Plays of this genre that ended unhappily nevertheless allowed the audience to see that a "moral triumph" had been earned for the suffering heroes and heroines. Thomas Heywood's masterpiece, ''A Woman kilde with kindnesse'' (acted 1603; printed 1607), can be considered a forerunner of this genre. In Pierre-Claude Nivelle de La Chaussée's ''Mélanide'', the genre is fully developed. Comedy was no longer to provoke laughter, but tears. The innovation consisted in destroying the sharp distinction then existing between tragedy and comedy in French literature. Indications of this change had been already offered in the work of Marivaux, and La Chaussée's plays led naturally to the domestic drama of Diderot and of Sedaine. Louis-Sébastien Mercier considered himself a support ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre-Claude Nivelle De La Chaussée
Pierre-Claude Nivelle de La Chaussée (14 February 1692 in Paris – 14 May 1754 in Paris) was a French dramatist who blurred the lines between comedy and tragedy with his ''comédie larmoyante''. In 1731 he published an ''Epître de Clio'', a didactic poem in defense of Leriget de la Faye in his dispute with Antoine Houdar de la Motte, who had maintained that verse was useless in tragedy. La Chaussée was forty years old before he produced his first play, ''La Fausse Antipathie'' (1734). His second play, ''Le Préjugé à la mode'' (1735) turns on the fear of incurring ridicule felt by a man in love with his own wife, a prejudice dispelled in France, according to La Harpe, by La Chaussée's comedy. ''L'École des amis'' (1737) followed, and, after an unsuccessful attempt at tragedy in ''Maximinien'', he returned to comedy in ''Mélanide'' (1741). ''Mélanide'' fully develops the type known as ''comédie larmoyante''. Comedy was no longer to provoke laughter, but tears. The inno ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Whitehead (poet)
William Whitehead (baptized 12 February 1715 – 14 April 1785) was an English poet and playwright. He became Poet Laureate in December 1757 after Thomas Gray declined the position. Life The son of a baker, Whitehead was born in Cambridge and through the patronage of Henry Bromley, afterwards Baron Montfort, was admitted to Winchester College aged fourteen. He entered Clare College, Cambridge on a Pyke scholarship in 1735, and became a fellow in 1742 (resigning this in 1746), and admitted Master of Arts in 1743. At Cambridge, Whitehead published an epistle ''On the Danger of writing Verse'' and some other poems, notably an heroic epistle, ''Ann Boleyn to Henry the Eighth'' (1743), and a didactic ''Essay on Ridicule'', also (1743). In 1745 Whitehead became the tutor of George Villiers, Viscount Villiers, son of William Villiers, 3rd Earl of Jersey, and took up his residence in London. There he produced two tragedies: ''The Roman Father'' and ''Creusa, Queen of Athens''. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
