Silenus
In Greek mythology, Silenus (; , ) was a companion and tutor to the wine god Dionysus. He is typically older than the satyrs of the Dionysian retinue ('' thiasos''), and sometimes considerably older, in which case he may be referred to as a Papposilenus. ''Silen'' and its plural ''sileni'' refer to the mythological figure as a type that is sometimes thought to be differentiated from a satyr by having the attributes of a horse rather than a goat, though usage of the two words is not consistent enough to permit a sharp distinction. Silenus presides over other daimons and is related to musical creativity, prophetic ecstasy, drunken joy, drunken dances and gestures. In the decorative arts, a "silene" is a Silenus-like figure, often a "mask" (face) alone. Evolution The original Silenus resembled a folkloric man of the forest, with the ears of a horse and sometimes also the tail and legs of a horse. The later sileni were drunken followers of Dionysus, usually bald and fat with th ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Satyr
In Greek mythology, a satyr (, ), also known as a silenus or ''silenos'' ( ), and sileni (plural), is a male List of nature deities, nature spirit with ears and a tail resembling those of a horse, as well as a permanent, exaggerated erection. Early artistic representations sometimes include horse-like legs, but, by the sixth century BC, they were more often represented with human legs. Comically hideous, they have mane-like hair, bestial faces, and snub noses and they always are shown naked. Satyrs were characterized by their ribaldry and were known as lovers of wine, music, dancing, and women. They were companions of the god Dionysus and were believed to inhabit remote locales, such as woodlands, mountains, and pastures. They often attempted to seduce or rape nymphs and mortal women alike, usually with little success. They are sometimes shown masturbation, masturbating or engaging in bestiality. In classical Athens, satyrs made up the Greek chorus, chorus in a genre of play kn ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Dionysus
In ancient Greek religion and Greek mythology, myth, Dionysus (; ) is the god of wine-making, orchards and fruit, vegetation, fertility, festivity, insanity, ritual madness, religious ecstasy, and theatre. He was also known as Bacchus ( or ; ) by the Greeks (a name later adopted by the Ancient Rome, Romans) for a frenzy he is said to induce called ''baccheia''. His wine, music, and ecstatic dance were considered to free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful. His ''thyrsus'', a fennel-stem sceptre, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a weapon used to destroy those who oppose his Cult of Dionysus, cult and the freedoms he represents. Those who partake of his mysteries are believed to become possessed and empowered by the god himself. His origins are uncertain, and his cults took many forms; some are described by ancient sources as Thrace, Thracian, others as Greek. In O ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hermaphroditus
In Greek mythology, Hermaphroditus (; , ) was a child of Aphrodite and Hermes. According to Ovid, he was born a remarkably beautiful boy whom the naiad Salmacis attempted to rape and prayed to be united with forever. A god, in answer to her prayer, merged their two forms into one and transformed him into a hermaphrodite. His name is compounded of his parents' names, Hermes and Aphrodite. Because Hermaphroditus was a child of Hermes, and consequently a great-grandchild of Atlas (Hermes's mother Maia was the daughter of Atlas), he is sometimes called Atlantiades (). Symbolism Hermaphroditus, the two-sexed child of Aphrodite and Hermes (Venus and Mercury), had long been a symbol of androgyny or effeminacy, and was portrayed in Greco-Roman art as a female figure with male genitals. Theophrastus's account also suggests a link between Hermaphroditus and the institution of marriage. The reference to the fourth day of the month is telling (see Literature section below): this is the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Mende (Chalcidice)
Mende (), also Mendae or Mendai (Μένδαι), or Menda (Μένδα), or Mendis, was an ancient Greek city located on the western coast of the Pallene, Chalcidice, Pallene peninsula in Chalkidiki, facing the coast of Pieria (regional unit), Pieria across the narrow Thermaic Gulf and near the modern town of Kalandra. History Mende was probably built during the 9th century BC by Eretrian colonists. The city owes its name to the ''minthe'' plant, a species of Mentha, mint that still sprouts in the area. Mende's abundant lumber resources and possession of silver, gold and lead mines led to its rapid development. From the 6th century BC, it was one of the cities that controlled trade routes along the coast of Thrace; there were even confirmed dealings with the Greek colonies in Italy, especially concerning the export of the famous local wine ''Mendaeos oinos''. During the 5th century BC, Mende became one of the most important allies of Athens and joined the Delian League, paying ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Thiasos
In Greek mythology and religion, the ''thiasus'' was the ecstatic retinue of Dionysus, often pictured as inebriated revelers. Many of the myths of Dionysus are connected with his arrival in the form of a procession. The grandest such version was his triumphant return from "India", which influenced symbolic conceptions of the Roman triumph and was narrated in rapturous detail in Nonnus's ''Dionysiaca''. In this procession, Dionysus rides a chariot, often drawn by big cats such as tigers, leopards, or lions, or alternatively elephants or centaurs. The ''thiasos'' of the sea god Poseidon is depicted as a triumphal wedding procession with Amphitrite, attended by figures such as sea nymphs and hippocamps. In historical Greek society, ''thiasoi'' (: ) were religious organizations whose existence was protected by law. Dionysian ''thiasos'' The most significant members of the ''thiasus'' were the human female devotees, the maenads, who gradually replaced immortal nymphs. In Gree ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Greek God
In ancient Greece, deities were regarded as immortal, anthropomorphic, and powerful. They were conceived of as individual persons, rather than abstract concepts or notions, and were described as being similar to humans in appearance, albeit larger and more beautiful. The emotions and actions of deities were largely the same as those of humans; they frequently engaged in sexual activity, and were jealous and amoral. Deities were considered far more knowledgeable than humans, and it was believed that they conversed in a language of their own. Their immortality, the defining marker of their godhood, meant that they ceased aging after growing to a certain point. In place of blood, their veins flowed with ichor, a substance which was a product of their diet, and conferred upon them their immortality. Divine power allowed the gods to intervene in mortal affairs in various ways: they could cause natural events such as rain, wind, the growing of crops, or epidemics, and were able to dict ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Pholus (mythology)
In Greek mythology, Pholus () was a wise centaur and friend of Heracles who lived in a cave on or near Mount Pelion. Biography It is well known that Chiron, the famously civilized centaur, had origins which differed from those of the other centaurs. Chiron was the son of Cronus and a minor goddess Philyra, which accounted for his exceptional intelligence and honor, whereas the other centaurs were bestial and brutal, being the descendants of Centaurus who is the result of the unholy rape of a minor cloud-goddess that resembled Hera by the mortal king Ixion. Where Chiron was immortal and could die only voluntarily, the other centaurs were mortal like men and animals. Pholus, like Chiron, was civilized, and indeed in art sometimes shared the "human-centaur" form in which Chiron was usually depicted (that is, he was a man from head to toe, but with the center and hindparts of a horse attached to his buttocks). This form was of course used to differentiate Chiron and Pholus from all ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Priapus
In Greek mythology, Priapus (; ) is a minor rustic fertility god, protector of livestock, fruit plants, gardens, and male genitalia. Priapus is marked by his oversized, permanent erection, which gave rise to the medical term priapism. He became a popular figure in Roman erotic art and Latin literature, and is the subject of the often humorously obscene collection of verse called the '' Priapeia''. Mythology Relationship with other deities Priapus was described in varying sources as the son of Aphrodite by Dionysus; as the son of Dionysus and Chione; as perhaps the father or son of Hermes; or as the son of Zeus or Pan. According to legend, Hera cursed him with inconvenient impotence (he could not sustain an erection when the time came for sexual intercourse), ugliness and foul-mindedness while he was still in Aphrodite's womb, in revenge for the hero Paris having the temerity to judge Aphrodite more beautiful than Hera. In another account, Hera's anger and curse were becaus ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hellenistic Art
Hellenistic art is the art of the Hellenistic period generally taken to begin with the death of Alexander the Great in 323 BC and end with the Roman Greece, conquest of the Greek world by the Romans, a process well underway by 146 BC, when the Greek mainland was taken, and essentially ending in 30 BC with the conquest of Ptolemaic Kingdom, Ptolemaic Egypt following the Battle of Actium. A number of the best-known works of Greek sculpture belong to this period, including ''Laocoön and His Sons'', ''Dying Gaul'', ''Venus de Milo'', and the ''Winged Victory of Samothrace''. It follows the period of Ancient Greek art, Classical Greek art, while the succeeding Roman art, Greco-Roman art was very largely a continuation of Hellenistic trends. The term ''Hellenistic'' refers to the expansion of Greek influence and dissemination of its ideas following the death of Alexander – the "Hellenizing" of the world, with Koine Greek as a common language. The term is a modern invention; the Hell ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Pan (god)
In ancient Greek religion and Greek mythology, mythology, Pan (; ) is the god of the wild, shepherds and flocks, Pastoral#Pastoral music, rustic music and impromptus, and companion of the nymphs. He has the hindquarters, legs, and horns of a goat, in the same manner as a faun or satyr. With his homeland in rustic Arcadia (ancient region), Arcadia, he is also recognized as the god of fields, groves, wooded glens, and often affiliated with sex; because of this, Pan is connected to fertility and the season of spring. In Religion in ancient Rome, Roman religion and myth, Pan was frequently identified with Faunus, a nature god who was the father of Bona Dea, sometimes identified as Fauna (goddess), Fauna; he was also closely associated with Silvanus (mythology), Silvanus, due to their similar relationships with woodlands, and Inuus, a vaguely-defined deity also sometimes identified with Faunus. In the eighteenth and nineteenth centuries, Pan became a significant figure in Romanticism, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Gaia (mythology)
In Greek mythology, Gaia (; , a poetic form of ('), meaning 'land' or 'earth'),, , . also spelled Gaea (), is the personification of Earth. Gaia is the ancestral mother—sometimes parthenogenic—of all life. She is the mother of Uranus (Sky), with whom she conceived the Titans (themselves parents of many of the Olympian gods), the Cyclopes, and the Giants, as well as of Pontus (Sea), from whose union she bore the primordial sea gods. Her equivalent in the Roman pantheon was Terra.''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. Etymology The Greek name (''Gaia'' or ) is a mostly epic, collateral form of Attic (''Gē'' ), and Doric (''Ga'' ), perhaps identical to (''Da'' ), both meaning "Earth". Some scholars believe that the word is of uncertain origin. Beekes suggested a probable Pre-Greek origin. Robert S. P. Beekes, ''Etymological Dictionary of Greek'', Brill, 2009, pp. 269–270 (''s.v.'' "γῆ"). M.L. West derives the n ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Panthera
''Panthera'' is a genus within the family (biology), family Felidae, and one of two extant genera in the subfamily Pantherinae. It contains the largest living members of the cat family. There are five living species: the jaguar, leopard, lion, snow leopard and tiger. Numerous extinct species are also named, including the Panthera spelaea, cave lion and American lion. Etymology The word derives from Classical Latin , itself from the Ancient Greek (). Characteristics In ''Panthera'' species, the dorsal profile of the skull is flattish or evenly convex. The frontal interOrbit (anatomy), orbital area is not noticeably elevated, and the area behind the elevation is less steeply sloped. The basic Cranial cavity, cranial axis is nearly horizontal. The inner chamber of the Auditory bulla, bullae is large, the outer small. The partition between them is close to the external auditory meatus. The convexly rounded chin is sloping. All ''Panthera'' species have an incompletely ossified h ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |