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Renvers
Haunches-in, also called travers or ''tête au mur'' ("head to the wall" in French), is a lateral movement used in the dressage discipline of horse training. It has a close cousin, haunches-out, renvers, or ''croupe au mur'' ("rump to the wall"), that is slightly more difficult. Both movements are ''four-track'', meaning they produce four lines of hoof prints in the sand, as opposed to the usual two seen if the horse is straight and to the ''three-track'' shoulder-in. In haunches-in, the horse bends its hindquarters slightly to the inside of the arena, away from the arena wall, so that the horse is ''bent in the direction of movement''. The front legs and shoulders should not move from the original track. This produces the four tracks, with the outer track made by the outside foreleg, the second track by the inside foreleg, the third track by the outside hind leg, and the inside track made by the inside hind leg. In haunches-out (renvers), the horse is similarly bent in the dire ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haunches-in
Haunches-in, also called travers or ''tête au mur'' ("head to the wall" in French), is a lateral movement used in the dressage discipline of horse training. It has a close cousin, haunches-out, renvers, or ''croupe au mur'' ("rump to the wall"), that is slightly more difficult. Both movements are ''four-track'', meaning they produce four lines of hoof prints in the sand, as opposed to the usual two seen if the horse is straight and to the ''three-track'' shoulder-in. In haunches-in, the horse bends its hindquarters slightly to the inside of the arena, away from the arena wall, so that the horse is ''bent in the direction of movement''. The front legs and shoulders should not move from the original track. This produces the four tracks, with the outer track made by the outside foreleg, the second track by the inside foreleg, the third track by the outside hind leg, and the inside track made by the inside hind leg. In haunches-out (renvers), the horse is similarly bent in the direc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lateral Movement
Lateral movements or lateral flexions within equestrianism, have a specific meaning, used to refer to movements made by a horse where the animal is moving in a direction other than straight forward. They are used both in training and in competition, vary in difficulty, and are used in a progressive manner, according to the training and physical limitations of the animal. Uses Lateral movements are important tools to help with training problems, as they encourage better balance, suppleness, and response to the riding aids. When performed correctly, they ask the horse to move their legs further under their body, thus increasing impulsion and improving movement, and can help build muscle evenly on both sides. They are also required in some competition, such as dressage and reining. Additionally, they may have a practical purpose, such as allowing the rider to easily open a gate, or to ask the horse to move sideways to avoid an obstacle. Common problems Incorrectly ridden lateral move ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dressage
Dressage ( or ; a French term, most commonly translated to mean "training") is a form of horse riding performed in exhibition and competition, as well as an art sometimes pursued solely for the sake of mastery. As an equestrian sport defined by the International Equestrian Federation, dressage is described as "the highest expression of horse training" where "horse and rider are expected to perform from memory a series of predetermined movements." Competitions are held at all levels from amateur to the Olympic Games and World Equestrian Games. Its fundamental purpose is to develop, through standardized progressive training methods, a horse's natural athletic ability and willingness to perform, thereby maximizing its potential as a riding horse. At the peak of a dressage horse's gymnastic development, the horse responds smoothly to a skilled rider's minimal aids. The rider is relaxed and appears effort-free while the horse willingly performs the requested movement. The discip ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Collection (horse)
{{Unreferenced, date=June 2009 Collection occurs when a horse's center of gravity is shifted backwards. Energy is directed in a more horizontal trajectory with less forward movement (limbs generate higher vertical impulses). Biomechanical markers include: increased flexion in the lumbo-sacral joint, stifle, and hocks of the horse; increased engagement of the thoracic sling muscles resulting in the withers rising relative to the horse's scapula; and reduced ranges of limb protraction–retraction. Collection in riding Collection is also an important ingredient in riding, if the rider wishes to perform more advanced movements or jumping. It not only allows the horse to move more easily and athletically, but also helps prevent wear-and-tear on the front legs. Through training, the horse learns to collect itself when requested to do so by the rider. The observer receives the impression of great strength held under perfect control. The most readily apparent form of collection can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Impulsion
Impulsion is the movement of a horse when it is going forward with controlled power. Related to the concept of collection, impulsion helps a horse effectively use the power in its hindquarters. To achieve impulsion, a horse is not using speed, but muscular control; the horse exhibits a relaxed spinal column, which allows its hindquarters to come well under its body and "engage" so that they can be used in the most effective manner to move the horse forward at any speed. The concept and term was first written about by practitioners of dressage, but an ability to move with impulsion is a desired goal in most other equestrian disciplines. Impulsion occurs when a horse is under human control and is one of the desired goals in horse training, but it may sometimes be exhibited by a horse in a free and natural state. Impulsion allows any horse gait to be more elastic and light, and also provides the animal with the power needed to perform complex movements, including the piaffe an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Riding Aids
Riding aids are the cues a rider gives to a horse to communicate what they want the animal to do. Riding aids are broken into the ''natural aids'' and the ''artificial aids''. Natural aids These are the aids which the rider possesses on their body, and should be used for the majority of the cues to the horse. Overuse of any aid can be detrimental to the training of the horse, but in general harsh or rough hands are considered the worst crime a rider can commit using the natural aids. The natural aids include: *Leg *Hand *Seat *Voice It is important to remember that the aids are used in a spectrum, from very light to very powerful, depending on the response desired. A very sensitive horse may readily jump forward from light touch of the leg, while a horse that is habituated to leg pressure may require a kick to get the same response. Additionally, an aid from canter to walk, for example, will use slightly more restraining aid on a particular horse than that horse would need going ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Half-pass
The half-pass is a lateral movement seen in dressage, in which the horse moves forward and sideways at the same time. Unlike the easier leg-yield, the horse is bent in the direction of travel, slightly around the rider's inside leg. The outside hind and forelegs should cross over the inside legs, with the horse's body parallel to the arena wall and his forehand leading. The horse should remain forward, balanced, and bent, moving with cadence. The inside hind leg remains engaged throughout the half-pass, and the horse should not lose its rhythm. The half-pass is a variation of haunches-in (travers), executed on a diagonal line instead of along the wall. At higher levels it is used to perform a counter-change of hand, combining more than two half-passes with changes of direction in a zig-zag pattern. Vs. the leg-yield The half-pass requires more balance, engagement, and collection from a horse than the leg-yield. This is because the horse is slightly bent in the direction of movem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turn On The Haunches
The turn of the haunches is a lateral movement performed at the halt and walk, used in horse training. It requires the horse, while bent in the direction of the turn, to move his forehand around his hindquarters so that he makes a very small circle with the inside foreleg. The horse should pivot around a hind-leg, as seen in the spin. Additionally, the horse should continue to display basic requirements of dressage, such as an even and regular rhythm, relaxation, acceptance of the aids, balance, and freedom of movement. Uses The main purpose of the turn on the haunches is to introduce collection to the horse, as a movement to build collection, and as a stepping stone to the move advanced pirouette. It may also be used as a training movement to help with other problems, such as transitions into the canter, when used right before the transition. For the dressage horse, the movement is first asked for in the second level tests. The turn on the haunches is also important for jumping h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spanish Riding School
The Spanish Riding School (german: Spanische Hofreitschule) is an Austrian institution dedicated to the preservation of classical dressage and the training of Lipizzaner horses, based in Vienna, Austria, whose performances in the Hofburg are also a tourist attraction. The leading horses and riders of the school also periodically tour and perform worldwide. It is one of the "Big Four", the most prestigious classical riding academies in the world, alongside the Cadre Noir, the Portuguese School of Equestrian Art, and the Royal Andalusian School. Location The Spanish Riding School is located between Michaelerplatz and Josefsplatz inside the Hofburg in central Vienna. Performances take place in the Winter Riding School, built between 1729 and 1735. The Winter Riding School is a sunlight-flooded hall, mainly white with some beige and light grey, with a portrait of Emperor Charles VI above the royal box and opposite the entrance (to which the riders always salute before they ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leg-yield
The leg-yield is a lateral movement in which a horse travels both forward and sideways at the same time. The horse is fairly straight through his body in the leg-yield, although he may have a slight bend opposite to the direction of travel. It is one of the "three initial movements leading up to true lateral work", the others being the turn on the forehand and the shoulder-fore.Cf. Loriston-Clarke, p. 77. - Davison, p. 53, calls it "the first preliminary lateral exercise". Difference from the half-pass The leg-yield and half-pass are sometimes confused because they are both movements in which the horse goes forward and sideways. However, the half-pass is quite a bit more advanced, requiring greater balance, engagement, and collection from the horse. In the leg-yield, the horse is fairly straight or bent slightly away from the direction of travel. In the half-pass, the horse is bent ''towards'' the direction of travel, which is physically much more difficult for the horse. Uses an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shoulder-in
The shoulder-in is a lateral movement in dressage used to supple and balance the horse and encourage use of its hindquarters. It is performed on three tracks, where the horse is bent around the rider's inside leg so that the horse's inside hind leg and outside foreleg travel on the same line. For some authors it is a "key lesson" of dressage, performed on a daily basis. History In the seventeenth century, Antoine de Pluvinel used the basic shoulder-in exercise to increase the horse's suppleness and to get the animal used to the aids, especially the leg aids. He felt the exercise helped to make the horse obedient. Independently, the Duke of Newcastle developed the exercise. In the eighteenth century, the French riding master Francois Robichon de la Gueriniere adapted the movement for use on straight lines. Performance In the shoulder-in, the shoulder of the horse is brought to the inside, creating a 30-degree-angle with the rail, with the neck bent only the slightest amount, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Riding Figures
Riding figures are prescribed paths a horse is ridden on in a riding arena, usually for training purposes. Figures may also be performed out in a field or other open area, but a riding arena provides markers that can help indicate the correctness in the size or shape of a figure. Purposes of ring figures Ring figures are a valuable training aid, giving the rider feedback as to his horse's training and weaknesses. A poorly executed ring figure may point out where the rider is lacking in control, and areas in which the horse needs additional training. For example, when riding down the diagonal, a rider may struggle to keep his horse on the correct path, suggesting issues with straightness. A poorly performed 20-meter circle may indicate that the horse is not truly between the aids, perhaps falling out through a shoulder, or that the rider is sitting crookedly. Figures are required components of dressage tests, are used in reining competition, and may also be asked for in equitation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
