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Rocaille
Rocaille ( , ) was a French style of exuberant decoration, with an abundance of curves, counter-curves, undulations and elements modeled on nature, that appeared in furniture and interior decoration during the early reign of Louis XV of France. It was a reaction against the heaviness and formality of the Louis XIV style. It began in about 1710, reached its peak in the 1730s, and came to an end in the late 1750s, replaced by Neoclassicism. It was the beginning of the French Baroque movement in furniture and design, and also marked the beginning of the Rococo movement, which spread to Italy, Bavaria and Austria by the mid-18th century. Overview Rocaille was exuberant and inspired by nature like Rococo, but, unlike Rococo, it was usually symmetrical and not overloaded with decoration. It took its name from the mixture of rock, seashell and plaster that was used to create a picturesque effect in grottos during the Renaissance, and from the name of a seashell-shaped ornament whi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rococo
Rococo (, also ), less commonly Roccoco or Late Baroque, is an exceptionally ornamental and theatrical style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and '' trompe-l'Å“il'' frescoes to create surprise and the illusion of motion and drama. It is often described as the final expression of the Baroque movement. The Rococo style began in France in the 1730s as a reaction against the more formal and geometric Louis XIV style. It was known as the "style Rocaille", or "Rocaille style". It soon spread to other parts of Europe, particularly northern Italy, Austria, southern Germany, Central Europe and Russia. It also came to influence the other arts, particularly sculpture, furniture, silverware, glassware, painting, music, and theatre. Although originally a secular style primarily used for interiors of private residences, the Rococo had a spiritual aspect to it which led to its widespread us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Claude Duplessis
Jean-Claude Chambellan Duplessis (1699 — 1774), called Duplessis père to distinguish him from his son, Jean-Claude-Thomas Chambellan Duplessis (c. 1730 — 1783), was a goldsmith, sculptor and ceramics modeller, bronze-founder and decorative designer working in the Rococo manner. He served as artistic director of the Vincennes porcelain manufactory and its successor at Sèvres from 1748 to his death in 1774 and as royal goldsmith (''orfèvre du Roi'') from 1758 to 1774. He was born in Turin, as Giovanni Claudio Ciambellano. His earliest work in Turin was carried out for the Prince de Carignan and other members of the house of Savoy. He arrived in Paris in the suite of Victor Amadeus I, Prince of Carignan who ran away to Paris in 1718 and set up an extravagant establishment at the Hôtel de Soissons. When Carignan returned to Turin, Duplessis placed himself under the protection of Marc-René de Voyer de Paulmy d'Argenson (1722–1787), who obtained for him workshop lodgings in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolas Pineau
Nicolas Pineau (1684–1754) was a French carver and ornamental designer, one of the leaders who initiated the exuberant style of the French ''rocaille'' or Rococo. He worked in St. Petersburg and Paris. Pineau, the son of the carver Jean-Baptiste Pineau (died 1694), who appears in the Bâtiments du Roi accounts for Versailles and elsewhere from 1680, was the outstanding talent among those designers and craftsmen who accompanied Alexandre Le Blond to St. Petersburg in 1716. His Russian contracts were for designing and carving "doors, chimney pieces, frames, table frames and other ornaments and designs". Le Blond's premature death in 1719 left Pineau the leading French decorative artist in Russia, called upon for a variety of decorations and even to give architectural designs. His chief work in Russia is the design and carving of the Grand Cabinet of Peter the Great in Peterhof, which the Tsar showed, newly complete, in August 1721. Unlike many works by French artists abroad, its d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Rus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juste-Aurèle Meissonnier
Juste-Aur̬le Meissonier (1695 Р31 July 1750) was a French goldsmith, sculptor, painter, architect, and furniture designer. He was born in Turin, but became known as a worker in Paris, where he died. His Italian origin and training were probably responsible for the extravagance of his decorative style. He shared, and perhaps distanced, the meretricious triumphs of Oppenord and Germain, since he dealt with the Rococo in its most daring and flamboyant developments. Rarely does he leave a foot or two of undecorated space; Meissonier carried the style of his day to its extreme and thus achieved great popularity. Like the Scottish brothers Adam at a later day he not only as architect built houses, but as painter and decorator covered their internal walls; he designed the furniture and the candlesticks, the silver and the decanters for the table; he was as ready to produce a snuff-box as a watch case or a sword hilt. Not only in France, but for the nobility of Poland, Portuga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gilles-Marie Oppenordt
Gilles-Marie Oppenordt (27 July 1672 – 13 March 1742) was a celebrated French designer at the ''Bâtiments du Roi'', the French royal works, and one of the initiators of the Rocaille and Rococo styles, nicknamed "the French Borromini".Gietmann 1911. He specialized in interior architecture and decoration, though he has been connected with the furniture of Charles Cressent. His surname has also been spelled Oppenord and Oppenort. Biography Gilles-Marie Oppenordt was born in Paris. His father Alexandre-Jean Oppenord (1639–1713) was an ''ébéniste'', born Cander-Johan Oppen Oordt at Guelders, one of numerous cabinet-makers from the Low Countries who were drawn to Paris by the opportunity of patronage; the elder Oppenord was naturalized in 1679, when he was a ''menuisier en ebène'' ("furniture-maker in ebony") at the Manufacture Royale des Gobelins; in 1684 the elder Oppenord was appointed an ''ébéniste du Roi'', with official lodgings in the Galeries du Louvre that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Commode MET DP105696
A commode is any of many pieces of furniture. The ''Oxford English Dictionary'' has multiple meanings of "commode". The first relevant definition reads: "A piece of furniture with drawers and shelves; in the bedroom, a sort of elaborate chest of drawers (so in French); in the drawing room, a large (and generally old-fashioned) kind of chiffonier." The drawing room is itself a term for a formal reception room, and a chiffonier is, in this sense, a small sideboard dating from the early 19th century. Another meaning attested is a washstand, a piece of furniture equipped with basin, jug, and towel rail, and often with space to store the chamber pot behind closed doors. A washstand in the bedroom pre-dates indoor bathrooms and running water. In British English, "commode" is the standard term for a commode chair, often on wheels, enclosing a chamber pot—as used in hospitals and assisted living homes. In the United States, a "commode" is now a colloquial synonym for a flush toilet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Armoire
A wardrobe or armoire or almirah is a standing closet used for storing clothes. The earliest wardrobe was a chest, and it was not until some degree of luxury was attained in regal palaces and the castles of powerful nobles that separate accommodation was provided for the apparel of the great. The name of wardrobe was then given to a room in which the wall-space was filled with closets and lockers, the drawer being a comparatively modern invention. From these cupboards and lockers the modern wardrobe, with its hanging spaces, sliding shelves and drawers, evolved slowly. Throughout the chronological changes in the form of the enclosure, it has more or less retained its preset function as a place to retain a king’s robe. The word has gained coinage over successive generations as an independent store for among others, preserving precious items for a ruler like gold, well highlighted in King Edward I of England's times. It is also a simple patio where clothes are hung from metal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michel Cresson
Michel may refer to: * Michel (name), a given name or surname of French origin (and list of people with the name) * MÃchel (nickname), a nickname (a list of people with the nickname, mainly Spanish footballers) * MÃchel (footballer, born 1963), Spanish former footballer and manager * ''Michel'' (TV series), a Korean animated series * German auxiliary cruiser ''Michel'' * Michel catalog, a German-language stamp catalog * St. Michael's Church, Hamburg or Michel * S:t Michel, a Finnish town in Southern Savonia, Finland People * Alain Michel (other), several people * Ambroise Michel (born 1982), French actor, director and writer. * André Michel (director), French film director and screenwriter * André Michel (lawyer), human rights and anti-corruption lawyer and opposition leader in Haiti * Anette Michel (born 1971), Mexican actress * Anneliese Michel (1952 - 1976), German Catholic woman undergone exorcism * Annett Wagner-Michel (born 1955), German Woman Internatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mathieu Criaerd
Mathieu Criaerd (1689–1776) was the most prominent of a large family of cabinetmakers (''ébénistes''), apparently of Flemish ancestry, who were working in Paris during the 18th century. He became a master in the Corporation des Menuisiers-Ébénistes 29 July 1738 and set up his workshop in the rue Traversière-Saint-Antoine, in the heart of the furniture-making district of Paris, using the stamp M CRIAERD. Through the '' marchand-mercier'' Thomas-Joachim Hébert, Criaerd scored an early triumph for them both in 1743, with a commode and corner cabinets (''encoignures'') en suite, that were delivered on 20 January by Hébert for the use of Louis XV's mistress Mme de Mailly in her Blue Room at the Château de Choisy; it was decorated in '' vernis Martin'' in blue and white, with ''chinoiserie'' motifs, as if it were entirely made of Chinese porcelain, and its mounts, rather than being gilded, were ''silvered''. Though in fact it was the painted decor that impressed, the sensat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ébéniste
''Ébéniste'' () is a loanword (from French) for a cabinet-maker, particularly one who works in ebony. Etymology and ambiguities As opposed to ''ébéniste'', the term ''menuisier'' denotes a woodcarver or chairmaker in French. The English equivalent for ''ébéniste'', "ebonist", is not commonly used. Originally, an ''ébéniste'' was one who worked with ebony, a favoured luxury wood for mid-17th century Parisian cabinets, originating in imitation of elite furniture being made in Antwerp. The word is 17th-century in origin. Early Parisian ''ébénistes'' often came from the Low Countries themselves; an outstanding example is Pierre Golle, who worked at the '' Gobelins manufactory'' making cabinets and table tops veneered with marquetry, the traditional enrichment of ''ébénisterie'', or "cabinet-work". History ''Ébénistes'' make case furniture, either veneered or painted. Under Parisian guild regulations the application of painted varnishes, generically called ''vernis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Caffieri
Jacques Caffieri (25 August 1678, Paris – 25 November 1755, Paris) was a French sculptor, working for the most part in bronze. Life Jacques Caffiéri was the fifth son of Philippe Caffieri (1634-1716), the founder of this family of artists. Jacques was received a ''maître fondeur-ciseleur'' by 1715, the date of his first known work, a design for a pall for the ''Corporation des Fondeurs-Ciseleurs'', one of two Parisian guilds that oversaw works cast in metal, from full-scale sculptures to gilt-bronze furniture mounts, wall-lights and candlesticks. As '' fondeurs-ciseleurs'', "casters and finishers", the renown of the Caffieri family has centred on Jacques, though later it is not easy to distinguish between Jacques' work and that of Jacques' son, the younger Philippe (1714–1777). Caffieri was attached as ''fondeur-ciseleur'' to the Bâtiments du Roi in 1736. A large proportion of his brilliant achievement as a designer and chaser in bronze and other metals was executed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
