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Ragga
Raggamuffin music (or simply ragga) is a subgenre of dancehall and reggae music. The instrumentals primarily consist of electronic music with heavy use of sampling. Wayne Smith's " Under Mi Sleng Teng", produced by King Jammy in 1985 on a Casio MT-40 synthesizer, is a seminal ragga song. "Sleng Teng" boosted Jammy's popularity immensely, and other producers quickly released their own versions of the riddim, accompanied by dozens of different vocalists. Origins Ragga originated in Jamaica during the 1980s, at the same time that electronic dance music's popularity was increasing globally. Ragga spread to Europe, North America, and Africa, eventually spreading to Japan, India, and the rest of the world. Ragga heavily influenced early jungle music, and also spawned the syncretistic bhangragga style when fused with bhangra. In the 1990s, ragga and breakcore music fused, creating a style known as raggacore. The term "raggamuffin" is an intentional misspelling of " ragamu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raggacore
Breakcore is a style of electronic dance music that emerged from jungle, hardcore, and drum and bass in the mid-to-late 1990s. It is characterized by very complex and intricate breakbeats and a wide palette of sampling sources played at high tempos. History As the early days of "hardcore techno" or just "hardcore" began to settle in Europe, breakcore as a genre began to take more concrete forms in other parts of the world. Inspired by new labels such as Addict, from Milwaukee, US; Peace Off from Rennes, France; Sonic Belligeranza from Bologna, Italy; and Planet Mu, from London, it began to take a new shape, adding in more elements of mashup and IDM to the hardcore sounds. Each of these labels began to draw in aspects of their own social and aesthetic scenes, allowing for an even broader definition of what was possible in the music. In Europe, the breakcore genre was solidified by raves and club events such as Belgium's Breakcore Gives Me Wood, featuring local acts such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Jamaica
The music of Jamaica includes Jamaican folk music and many popular genres, such as mento, ska, rocksteady, reggae, dub music, dancehall, reggae fusion and related styles. Reggae is especially popular through the fame of Bob Marley. Jamaican music's influence on music styles in other countries includes the practice of toasting, which was brought to New York City and evolved into rapping. British genres such as Lovers rock, jungle music and grime are also influenced by Jamaican music. Mento Mento is a style of Jamaican music that predates and has greatly influenced ska and reggae music. Lord Flea and Count Lasher are two of the more successful mento artists. Well-known mento songs include Day-O, Jamaica Farewell and Linstead Market. Mento is often confused with Calypso music, a musical form from Trinidad and Tobago. Calypso and Soca As in many Anglo-Caribbean islands, the calypso music of Trinidad and Tobago has become part of the culture of Jamaica. Jamaica's own ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dancehall
Dancehall is a genre of Jamaican popular music that originated in the late 1970s. Initially, dancehall was a more sparse version of reggae than the roots reggae, roots style, which had dominated much of the 1970s.Barrow, Steve & Dalton, Peter (2004) "The Rough Guide to Reggae, 3rd edn.", Rough Guides, This music genre wasn't officially named until the 1980s, when the two words ''Dance'' and ''Hall'' (referring to the common venue) were joined to form ''Dancehall'', which was then promoted internationally for the first time. At that time digital instrumentation became more prevalent, changing the sound considerably, with digital dancehall (or "ragga") becoming increasingly characterized by faster rhythms. Key elements of dancehall music include its extensive use of Jamaican Patois rather than Jamaican English, Jamaican standard English and a focus on the track instrumentals (or "riddims"). Dancehall saw initial mainstream success in Jamaica in the 1980s; by the 1990s, it became i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daddy Freddy
S. Frederick Small (born 1965), better known as Daddy Freddy, is a Jamaican ragga vocalist. Early life Small was born in 1965, in Kingston, Jamaica, and grew up in the city's Trenchtown district.Huey, SteveDaddy Freddy Biography", Allmusic, retrieved 2011-02-14 His house was a few minutes walk from Coxsone Dodd's influential record studio Studio One. His neighbours were Jacob Miller and Ranking Joe. Ranking Joe took Freddy under his wing and taught him the basics skills of performing. Freddy's natural ability meant he was quickly enlisted to work with Lt. Stichie (of "Natty Dread" fame) and then later with Sugar Minott. It was performing on Minott's soundsystem that founded Freddy's fame in Jamaica. He recorded his first single, "Zoo Party", in 1985 for Studio One. Gaining fame He released his first album, ''Body Lasher'', in 1986, and that year had six top ten hits in Jamaica, including a number one with "Joker Lover", a collaboration with Pinchers. After successf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ragga Jungle
Jungle is a genre of electronic music that developed in the 1990s out of the UK rave scene and Jamaican sound system culture. Emerging from breakbeat hardcore, the style is characterised by rapid breakbeats, heavily syncopated percussive loops, samples, and synthesised effects, combined with the deep basslines, melodies, and vocal samples found in dub, reggae and dancehall, as well as hip hop and funk. Many producers frequently sampled the "Amen break" or other breakbeats from funk and jazz recordings. Jungle was a direct precursor to the drum and bass genre which emerged in the mid-1990s. Origins The breakbeat hardcore scene of the early 1990s was beginning to fragment by 1992 and 1993, with different influences becoming less common together in tracks. The piano and uplifting vocal style that was prevalent in breakbeat hardcore started to lay down the foundations of 4-beat/happy hardcore, whilst tracks with dark-themed samples and industrial-style stabs had emerged from late 199 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oldschool Jungle
Jungle is a genre of electronic music that developed in the 1990s out of the UK rave scene and Jamaican sound system culture. Emerging from breakbeat hardcore, the style is characterised by rapid breakbeats, heavily syncopated percussive loops, samples, and synthesised effects, combined with the deep basslines, melodies, and vocal samples found in dub, reggae and dancehall, as well as hip hop and funk. Many producers frequently sampled the "Amen break" or other breakbeats from funk and jazz recordings. Jungle was a direct precursor to the drum and bass genre which emerged in the mid-1990s. Origins The breakbeat hardcore scene of the early 1990s was beginning to fragment by 1992 and 1993, with different influences becoming less common together in tracks. The piano and uplifting vocal style that was prevalent in breakbeat hardcore started to lay down the foundations of 4-beat/happy hardcore, whilst tracks with dark-themed samples and industrial-style stabs had emerged from late ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhangra (music)
Bhangra () is a type of non-traditional music of Punjab originating from the Punjab region. Over the years, bhangra has evolved and gained popularity not only in South Asia but also around the world. It has become a significant part of the cultural identity of the Punjabi diaspora in countries like Australia, the United Kingdom, Canada, and the United States. Prior to this musical fusion, bhangra existed only as a Bhangra (dance), dance form in the native Punjab. This Punjabi music was unique in that it was not traditional nor did it seek any authenticity. While the traditional folk music of Punjab has a set of melodies that are used by various singers, bhangra was a form of strict "band culture" in that new melodies were composed for each song. Therefore, the musicians were as important as the singers. Origins The roots of modern bhangra music date back to the Sikh Punjabi community in Punjab during the 1960s. An early pop music and modern recording group of this type of mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Dance Music
Electronic dance music (EDM), also referred to as dance music or club music, is a broad range of percussive electronic music genres originally made for nightclubs, raves, and List of electronic dance music festivals, festivals. It is generally produced for gapless playback, playback by DJs who create seamless selections of tracks, called a DJ mix, by segueing from one recording to another. EDM producers also perform their music live in a concert or festival setting in what is sometimes called a live PA. Since its inception EDM has expanded to include a wide range of subgenres. In the late 1980s and early 1990s, following the emergence of Rave music, raving, pirate radio, Party crews, underground festivals, and an upsurge of interest in club culture, EDM achieved mainstream popularity in Europe. However, rave culture was not as broadly popular in the United States; it was not typically seen outside of the regional scenes in New York City, Florida, the Midwest, and California. Alt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
