Quilt Block
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Quilt Block
In the textile arts, a motif (also called a block or square) is a smaller element in a much larger work. In knitting and crochet, motifs are made one at a time and joined together to create larger works such as afghan blankets or shawls. An example of a motif is the granny square. Motifs may be varied or rotated for contrast and variety, or to create new shapes, as with quilt blocks in quilts and quilting. Contrast with motif-less crazy quilting. Motifs can be any size, but usually all the motifs in any given work are the same size. The patterns and stitches used in a motif may vary greatly, but there is almost always some unifying element, such as texture, stitch pattern, or colour, which gives the finished piece more aesthetic appeal. Motifs may commemorate events or convey information or political slogans. For example, the individual blocks of the AIDS Memorial Quilt, the possible Quilts of the Underground Railroad, and the " 54-40 or Fight" quilt block.
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Black Swaan Eux Vertes
Black is a color which results from the absence or complete absorption of visible light. It is an achromatic color, without hue, like white and grey. It is often used symbolically or figuratively to represent darkness. Black and white have often been used to describe opposites such as good and evil, the Dark Ages versus Age of Enlightenment, and night versus day. Since the Middle Ages, black has been the symbolic color of solemnity and authority, and for this reason it is still commonly worn by judges and magistrates. Black was one of the first colors used by artists in Neolithic cave paintings. It was used in ancient Egypt and Greece as the color of the underworld. In the Roman Empire, it became the color of mourning, and over the centuries it was frequently associated with death, evil, witches, and magic. In the 14th century, it was worn by royalty, clergy, judges, and government officials in much of Europe. It became the color worn by English romantic poets, businessm ...
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Textile Arts
Textile arts are arts and crafts that use plant, animal, or synthetic fibers to construct practical or decorative objects. Textiles have been a fundamental part of human life since the beginning of civilization. The methods and materials used to make them have expanded enormously, while the functions of textiles have remained the same, there are many functions for textiles. Whether it be clothing or something decorative for the house/shelter. The history of textile arts is also the history of international trade. Tyrian purple dye was an important trade good in the ancient Mediterranean. The Silk Road brought Chinese silk to India, Africa, and Europe, and, conversely, Sogdian silk to China. Tastes for imported luxury fabrics led to sumptuary laws during the Middle Ages and Renaissance. The Industrial Revolution was shaped largely by innovation in textiles technology: the cotton gin, the spinning jenny, and the power loom mechanized production and led to the Luddite rebel ...
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Knitting
Knitting is a method by which yarn is manipulated to create a textile, or fabric. It is used to create many types of garments. Knitting may be done by hand or by machine. Knitting creates stitches: loops of yarn in a row, either flat or in ''the round'' (tubular). There are usually many ''active stitches'' on the knitting needle at one time. Knitted fabric consists of a number of consecutive rows of connected loops that intermesh with the next and previous rows. As each row is formed, each newly created loop is pulled through one or more loops from the prior row and placed on the ''gaining needle so'' that the loops from the prior row can be pulled off the other needle without unraveling. Differences in yarn (varying in fibre type, ''weight'', uniformity and ''twist''), needle size, and stitch type allow for a variety of knitted fabrics with different properties, including color, texture, thickness, heat retention, water resistance, and integrity. A small sample of kn ...
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Crochet
Crochet (; ) is a process of creating textiles by using a crochet hook to interlock loops of yarn, thread (yarn), thread, or strands of other materials. The name is derived from the French term ''crochet'', meaning 'hook'. Hooks can be made from a variety of materials, such as metal, wood, bamboo, or plastic. The key difference between crochet and knitting, beyond the implements used for their production, is that each stitch in crochet is completed before the next one is begun, while knitting keeps many stitches open at a time. Some variant forms of crochet, such as Tunisian crochet and broomstick lace, do keep multiple crochet stitches open at a time. Etymology The word crochet is derived from the Old French ''crochet'', a diminutive of ''croche'', in turn from the Germanic languages, Germanic ''croc'', both meaning "hook". It was used in 17th-century French lace-making, where the term ''crochetage'' designated a stitch used to join separate pieces of lace. The word ''crochet'' ...
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Afghan Blanket
An afghan is a blanket or shawl, usually knitted or crocheted. It is sometimes also called a "throw" of indeterminate size. Afghans are often used as bedspreads, or as a decoration on the back of couches or chairs. Etymology The word ''afghan'' refers to the people of Afghanistan. The use of ''afghan'' in the English language for a textile object goes back to at least 1831, when Thomas Carlyle mentioned "Afghaun shawls" in his ''Sartor Resartus''. By 1860, ''Afghan'' as a noun, not an adjective, denoted a type of handicrafted object shown at state fairs and other exhibitions, along with patchwork and knitted quilts A quilt is a multi-layered textile, traditionally composed of two or more layers of fabric or fiber. Commonly three layers are used with a filler material. These layers traditionally include a woven cloth top, a layer of batting or wadding, a ..., and was being mentioned in novels: Types and styles There are many styles of afghans: * Single-piece afghans are ...
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Granny Square
A granny square is a piece of square fabric produced in crochet by working in rounds from the center outward. Granny squares are traditionally handmade as crochet cannot be manufactured by machine. They resemble coarse lace. Although there is no theoretical limit to the maximum size of a granny square, crocheters usually create multiple small squares (called " motifs") and assemble the pieces to make clothing, purses, Afghan blankets, and other household textiles. Granny square apparel is a cyclical fashion that peaked in the 1970s. As '' Stitch 'n Bitch'' series author Debbie Stoller describes: Although particular color and pattern schemes for granny squares change with time, this class of motif is a staple among crocheters. Multicolor granny squares are an effective way to use up small amounts of yarn left over from other projects and basic granny square motifs do not require advanced skills to execute. History The earliest known example of a traditional granny sq ...
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Quilt
A quilt is a multi-layered textile, traditionally composed of two or more layers of fabric or fiber. Commonly three layers are used with a filler material. These layers traditionally include a woven cloth top, a layer of batting or wadding, and a woven back combined using the techniques of quilting. This is the process of sewing on the face of the fabric, and not just the edges, to combine the three layers together to reinforce the material. Stitching patterns can be a decorative element. A single piece of fabric can be used for the top of a quilt (a "whole-cloth quilt"), but in many cases the top is created from smaller fabric pieces joined, or patchwork. The pattern and color of these pieces creates the design. Quilts may contain valuable historical information about their creators, "visualizing particular segments of history in tangible, textured ways." In the twenty-first century, quilts are frequently displayed as non-utilitarian works of art but historically quilts were ...
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Quilting
Quilting is the term given to the process of joining a minimum of three layers of fabric together either through stitching manually using a needle and thread, or mechanically with a sewing machine or specialised longarm quilting system. An array of stitches is passed through all layers of the fabric to create a three dimensional padded surface. The three layers are typically referred to as the top fabric or quilt top, batting or insulating material and the backing. Quilting varies from a purely functional fabric joinery technique to highly elaborate, decorative three dimensional surface treatments. A wide variety of textile products are traditionally associated with quilting that includes bed coverings, soft home furnishings, garments and costumes, wall hangings, artistic objects and cultural artefacts. A wide range of effects can be employed by the quilter that contribute to the final surface quality and utility of the quilted material. The quilter controls these effect ...
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Crazy Quilting
The term "crazy quilting" is often used to refer to the Textile arts, textile art of crazy patchwork and is sometimes used interchangeably with that term. Crazy quilting does not actually refer to a specific kind of quilting (the needlework which binds two or more layers of Cloth, fabric together), but a specific kind of patchwork lacking repeating Motif (textile arts), motifs and with the seams and patches heavily embellished. A crazy quilt rarely has the internal layer of batting that is part of what defines quilting as a textile technique. Embellishing Crazy quilts differ from "regular" quilts in other ways as well. Because the careful geometric design of a quilt block is much less important in crazy quilts, the quilters are able to employ much smaller and more irregularly shaped pieces of fabric. In comparison to standard quilts, crazy quilts are far more likely to use exotic pieces of fabric, such as velvet, satin, tulle (netting), tulle, or silk, and embellishments such as ...
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AIDS Memorial Quilt
The NAMES Project AIDS Memorial Quilt, often abbreviated to AIDS Memorial Quilt or AIDS Quilt, is an enormous memorial to celebrate the lives of people who have died of AIDS-related causes. Weighing an estimated 54 tons, it is the largest piece of community folk art in the world as of 2020. It was conceived in 1985, during the early years of the AIDS pandemic, when social stigma prevented many AIDS victims from receiving funerals. It has been displayed on the Mall in Washington, D.C. several times. In 2020, it returned to the AIDS Memorial in San Francisco, and can also be seen virtually. History and structure The idea for the NAMES Project Memorial Quilt was conceived on November 27, 1985, by AIDS activist Cleve Jones during the annual candlelight march, in remembrance of the 1978 assassinations of San Francisco Supervisor Harvey Milk and Mayor George Moscone. For the march, Jones had people write the names of loved ones that were lost to AIDS-related causes on signs, and the ...
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Quilts Of The Underground Railroad
Quilts of the Underground Railroad describes a controversial belief that quilts were used to communicate information to African slaves about how to escape to freedom via the Underground Railroad. It has been disputed by a number of historians. Books that emphasize quilt use In ''Stitched from the Soul'' (1990), Gladys-Marie Fry asserted that quilts were used to communicate safe houses and other information about the Underground Railroad, which was a network through the United States and into Canada of "conductors", meeting places, and safe houses for the passage of African Americans out of slavery. The theory that quilts and songs were used to communicate information about the Underground Railroad, though is disputed among historians. Even so, escaping slavery was generally an act of "complex, sophisticated and covert systems of planning". The 1999 book ''Hidden in Plain View'', by Raymond Dobard, Jr., an art historian, and Jacqueline Tobin, a college instructor in Colorado, explo ...
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Oregon Boundary Dispute
The Oregon boundary dispute or the Oregon Question was a 19th-century territorial dispute over the political division of the Pacific Northwest of North America between several nations that had competing territorial and commercial aspirations in the region. Expansionist competition into the region began in the 18th century, with participants including the Russian Empire, Great Britain, Spain, and the United States. After the War of 1812, the Oregon dispute took on increased importance for diplomatic relations between the British Empire and the fledgling American republic. In the mid-1820s, the Russians signed the Russo-American Treaty of 1824 and the Russo-British Treaty of 1825, and the Spanish signed the Adams–Onís Treaty of 1819, by which Russia and Spain formally withdrew their respective territorial claims in the region, and the British and the Americans acquired residual territorial rights in the disputed area. But the question of sovereignty over a portion of the North ...
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