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Quatrain
A quatrain is a type of stanza, or a complete poem, consisting of four Line (poetry), lines. Existing in a variety of forms, the quatrain appears in poems from the poetic traditions of various ancient civilizations including Persia, Ancient India, Ancient Greece, Ancient Rome, and Classical Chinese poetry forms, China, and continues into the 21st century, where it is seen in works published in many languages. This form of poetry has been continually popular in Iran since the medieval period, as Ruba'is form; an important faction of the vast repertoire of Persian language, Persian poetry, with famous poets such as Omar Khayyam and Mahsati Ganjavi of Seljuk Persia writing poetry only in this format. Michel de Nostredame (Nostradamus) used the quatrain form to deliver his famous "Les Propheties, prophecies" in the 16th century. There are fifteen possible rhyme schemes, but the most traditional and common are Chain rhyme, ABAA, Monorhyme, AAAA, Rhyme scheme, ABAB, and Enclosed rhym ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Omar Khayyam
Ghiyāth al-Dīn Abū al-Fatḥ ʿUmar ibn Ibrāhīm Nīshābūrī (18 May 1048 – 4 December 1131) (Persian language, Persian: غیاث الدین ابوالفتح عمر بن ابراهیم خیام نیشابورﻯ), commonly known as Omar Khayyam (), was a Persian poet and polymath, known for his contributions to Mathematics in medieval Islam, mathematics, Astronomy in the medieval Islamic world, astronomy, Iranian philosophy, philosophy, and Persian literature. He was born in Nishapur, Iran and lived during the Seljuk Empire, Seljuk era, around the time of the First Crusade. As a mathematician, he is most notable for his work on the classification and solution of cubic equations, where he provided a geometric formulation based on the intersection of conics. He also contributed to a deeper understanding of Euclid's parallel axiom. As an astronomer, he calculated the duration of the solar year with remarkable precision and accuracy, and designed the Jalali calendar, a solar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nostradamus
Michel de Nostredame (December 1503 – July 1566), usually Latinisation of names, Latinised as Nostradamus, was a French Astrology, astrologer, apothecary, physician, and reputed Oracle, seer, who is best known for his book ''Les Prophéties'' (published in 1555), a collection of 942 poetic quatrains allegedly predicting future events. Nostradamus's father's family had originally been Jewish, but had converted to Catholic Christianity a generation before Nostradamus was born. He studied at the University of Avignon, but was forced to leave after just over a year when the university closed due to an outbreak of the Bubonic plague, plague. He worked as an apothecary for several years before entering the University of Montpellier, hoping to earn a doctorate, but was almost immediately expelled after his work as an apothecary (a manual trade forbidden by university statutes) was discovered. He first married in 1531, but his wife and two children died in 1534 during another plag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poem
Poetry (from the Greek language, Greek word ''poiesis'', "making") is a form of literature, literary art that uses aesthetics, aesthetic and often rhythmic qualities of language to evoke meaning (linguistics), meanings in addition to, or in place of, Denotation, literal or surface-level meanings. Any particular instance of poetry is called a poem and is written by a poet. Poets use a variety of techniques called poetic devices, such as assonance, alliteration, Phonaesthetics#Euphony and cacophony, euphony and cacophony, onomatopoeia, rhythm (via metre (poetry), metre), and sound symbolism, to produce musical or other artistic effects. They also frequently organize these effects into :Poetic forms, poetic structures, which may be strict or loose, conventional or invented by the poet. Poetic structures vary dramatically by language and cultural convention, but they often use Metre (poetry), rhythmic metre (patterns of syllable stress or syllable weight, syllable (mora) weight ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahsati Ganjavi
Mahsati () was a medieval Persian female poet who was reportedly one of the first poets to compose '' ruba'iyat'' (quatrains) in her native language. Name Various interpretations of her name have been suggested based on the consonants ''mhsty'', such as Mahisti, Mahsiti or Mihisti. The most accurate interpretation is likely Mahsati, seemingly a combination of ''māh'' (moon) and the early Indian loanword ''satī'' (virtuous lady). Biography The historicity of Mahsati is problematic to determine. The modern historian Francois de Blois considers her to be a semi-legendary figure, adding that "we have no information whatsoever about the historical person who (apparently) lurks behind the legend." She seemingly lived between the early 11th and the middle of the 12th century. She may have been born in Ganja, but later authors also consider to have been from Nishapur, Badakhshan or Khujand. She was reportedly one of the first composers of '' ruba'iyat'' (quatrains) in Persian. Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elegy Written In A Country Churchyard
''Elegy Written in a Country Churchyard'' is a poem by Thomas Gray, completed in 1750 and first published in 1751. The poem's origins are unknown, but it was partly inspired by Gray's thoughts following the death of the poet Richard West in 1742. Originally titled ''Stanzas Wrote in a Country Church-Yard'', the poem was completed when Gray was living near the Church of St Giles, Stoke Poges. It was sent to his friend Horace Walpole, 4th Earl of Orford, Horace Walpole, who popularised the poem among London literary circles. Gray was eventually forced to publish the work on 15 February 1751 in order to preempt a magazine publisher from printing an unlicensed copy of the poem. The poem is an elegy in name but not in elegiac couplets, form; it employs a style similar to that of contemporary odes, but it embodies a meditation on death, and remembrance after death. The poem argues that the remembrance can be good and bad, and the narrator finds comfort in pondering the lives of the obs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ruba'i
A ''rubāʿī'' (, from Arabic ; plural: ) or ''chahārgāna(e)'' () is a poem or a verse of a poem in Persian poetry (or its derivative in English and other languages) in the form of a quatrain, consisting of four lines (four hemistichs). In classical Persian poetry, the ''ruba'i'' is written as a four-line (or two-couplet / two-distich) poem, with a rhyme-scheme AABA or AAAA. This is an example of a ''ruba'i'' from Rumi's '' Divan-e Shams'': : : : : :May the splendors of Salahuddin be roused, :And poured into the eyes and souls of the lovers. :May every soul that has become refined and has surpassed refinement :Be mingled with the dust of Salahuddin! Metre The usual metre of a Persian ''ruba'i'', which is used for all four lines of the above quatrain by Rumi, is, as follows: : – – u u – u – u – – u u – In the above scheme, quantitatively, "–" represents a long syllable, and "u" a short one. As variations of this scheme, any sequence of – u, excep ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Chinese Poetry Forms
Classical Chinese poetry forms are poetry forms or modes which typify the traditional Chinese poems written in Literary Chinese or Classical Chinese. Classical Chinese poetry has various characteristic forms, some attested to as early as the publication of the ''Classic of Poetry'', dating from a traditionally, and roughly, estimated time of around 10th–7th century BCE. The term "forms" refers to various formal and technical aspects applied to poems: this includes such poetic characteristics as meter (such as, line length and number of lines), rhythm (for example, presence of caesuras, end-stopping, and tone contour), and other considerations such as vocabulary and style. These forms and modes are generally, but not invariably, independent of the Classical Chinese poetry genres. Many or most of these were developed by the time of the Tang dynasty, and the use and development of Classical Chinese poetry and genres actively continued up until the May Fourth Movement, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iambic Pentameter
Iambic pentameter ( ) is a type of metric line used in traditional English poetry and verse drama. The term describes the rhythm, or meter, established by the words in each line. Meter is measured in small groups of syllables called feet. "Iambic" indicates that the type of foot used is the iamb, which in English is composed of an unstressed syllable followed by a stressed syllable (as in ''a-BOVE''). "Pentameter" indicates that each line has five metrical feet. Iambic pentameter is the most common meter in English poetry. It was first introduced into English by Chaucer in the 14th century on the basis of French and Italian models. It is used in several major English poetic forms, including blank verse, the heroic couplet, and some of the traditionally rhymed stanza forms. William Shakespeare famously used iambic pentameter in his plays and sonnets, John Milton in his ''Paradise Lost'', and William Wordsworth in '' The Prelude''. As lines in iambic pentameter usually c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enclosed Rhyme
Enclosed rhyme (or enclosing rhyme) is the rhyme scheme ABBA (that is, where the first and fourth lines, and the second and third lines rhyme). Enclosed-rhyme quatrains are used in introverted quatrains, as in the first two stanzas of Petrarchan sonnets. Example ::''(From John Milton: "Sonnet VII")'' "Exposure", by Wilfred Owen,Wilfred Owen"Poems by Wilfred Owen, Exposure" ''Project Gutenberg'', 1918 also has an example of enclosed rhyme. Each of the eight stanzas have the ABBA half rhyming sequence: References See also *Rhyme scheme {{DEFAULTSORT:Enclosed Rhyme Rhyme A rhyme is a repetition of similar sounds (usually the exact same phonemes) in the final Stress (linguistics), stressed syllables and any following syllables of two or more words. Most often, this kind of rhyming (''perfect rhyming'') is consciou ... Rhyme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanza
In poetry, a stanza (; from Italian ''stanza'', ; ) is a group of lines within a poem, usually set off from others by a blank line or indentation. Stanzas can have regular rhyme and metrical schemes, but they are not required to have either. There are many different forms of stanzas. Some stanzaic forms are simple, such as four-line quatrains. Other forms are more complex, such as the Spenserian stanza. Fixed verse poems, such as sestinas, can be defined by the number and form of their stanzas. The stanza has also been known by terms such as ''batch'', ''fit'', and ''stave''. The term ''stanza'' has a similar meaning to ''strophe'', though ''strophe'' sometimes refers to an irregular set of lines, as opposed to regular, rhymed stanzas. Even though the term "stanza" is taken from Italian, in the Italian language the word "strofa" is more commonly used. In music, groups of lines are typically referred to as '' verses''. The stanza in poetry is analogous with the paragrap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henric Piccardt (Landry)
Henric Piccardt (25 March 1636, – 6 May 1712, Harkstede) was an ambitious Dutch lawyer who made good at the court of young king Louis XIV of France in Paris where he became a published poet in French. Returning to the Netherlands, he rose to become syndic of the '' Ommelanden'' of Groningen and the untitled lord of the majestic manor at Slochteren, the Fraeylemaborg. Early life Piccardt hailed from ''Stad en Ommelanden'' – the city of Groningen and the semi-autonomous surrounding lands in the northern Netherlands. He was the son of Gualtherus Piccardt (1602–1678), the Protestant pastor of Woltersum, and his first wife Harmtien Hindriks Olinghe (c.1608–1641). He had a sister; his two brothers studied theology and entered the ministry. Henric chose to read law at the university of Groningen, soon moving on to the university of Franeker in Friesland (1657–1658). Here he gave an oration on eloquence and law on 14 December 1658, publishing it as his ''Oratio de eloque ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhyme Scheme
A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song. It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other. An example of the ABAB rhyming scheme, from "To Anthea, who may Command him Anything", by Robert Herrick: Function in writing These rhyme patterns have various effects, and can be used to: * Control flow: If every line has the same rhyme (AAAA), the stanza will read as having a very quick flow, whereas a rhyme scheme like ABCABC can be felt to unfold more slowly. * Structure a poem's message and thought patterns: For example, a simple couplet with a rhyme scheme of AABB lends itself to simpler direct ideas, because the resolution comes in the very next line. Essentially these couplets can be thought of as self-contained statements. This idea of rhyme schemes reflecting thought processes is often discussed particularly regarding sonnets. * Determine whether ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
