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Prolation
''Prolation'' is a term used in the theory of the mensural notation of medieval and Renaissance music to describe its rhythmic structure on a small scale, as opposed to ''tempus'', which described a larger scale. The term "prolation" is derived from the Latin ''prolatio'' ("enlargement"/"prolongation"), first used by Philippe de Vitry in describing Ars Nova, a musical style that came about in 14th-century France. Prolation, together with tempus, corresponds roughly to the concept of time signature in modern music. Prolation describes whether a semibreve (whole note) is equal in length to two minims (half notes) (''minor prolation'' or ''imperfect prolation''; in Latin ''"prolatio minor"'') or, like a tuplet, three minims (''major prolation'' or ''perfect prolation''; in Latin ''"prolatio maior"''). Tempus similarly describes the relationship between the breve and semibreve. These may be compared to the additive rhythm and divisive rhythm, rhythmic divisions and rhythmic groupings ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mensural Notation
Mensural notation is the musical notation system used for European vocal polyphonic music from the later part of the 13th century until about 1600. The term "mensural" refers to the ability of this system to describe precisely measured rhythmic durations in terms of numerical proportions between note values. Its modern name is inspired by the terminology of medieval theorists, who used terms like ''musica mensurata'' ("measured music") or ''cantus mensurabilis'' ("measurable song") to refer to the rhythmically defined polyphonic music of their age, as opposed to ''musica plana'' or ''musica choralis'', i.e., Gregorian plainchant. Mensural notation was employed principally for compositions in the tradition of vocal polyphony, whereas plainchant retained its own, older system of neume notation throughout the period. Besides these, some purely instrumental music could be written in various forms of instrument-specific tablature notation. Mensural notation grew out of an earlier, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medieval Music
Medieval music encompasses the sacred and secular music of Western Europe during the Middle Ages, from approximately the 6th to 15th centuries. It is the first and longest major era of Western classical music and followed by the Renaissance music; the two eras comprise what musicologists generally term as early music, preceding the common practice period. Following the traditional division of the Middle Ages, medieval music can be divided into Early (500–1150), High (1000–1300), and Late (1300–1400) medieval music. Medieval music includes liturgical music used for the church, and secular music, non-religious music; solely vocal music, such as Gregorian chant and choral music (music for a group of singers), solely instrumental music, and music that uses both voices and instruments (typically with the instruments accompanying the voices). Gregorian chant was sung by monks during Catholic Mass. The Mass is a reenactment of Christ's Last Supper, intended to provide a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Music
Renaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines. Rather than starting from the early 14th-century '' ars nova'', the Trecento music was treated by musicology as a coda to Medieval music and the new era dated from the rise of triadic harmony and the spread of the ' ''contenance angloise'' ' style from Britain to the Burgundian School. A convenient watershed for its end is the adoption of basso continuo at the beginning of the Baroque period. The period may be roughly subdivided, with an early period corresponding to the career of Guillaume Du Fay (c. 1397–1474) and the cultivation of cantilena style, a middle dominated by Franco-Flemish School and the four-part textures favored by Johannes Ockeghem (1410's or 20's – 1497) and Josquin des Prez (late 1450's – 1521), and culminating during the Counter-Reformation in the florid counterpoint of Palest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Additive Rhythm And Divisive Rhythm
In music, the terms ''additive'' and ''divisive'' are used to distinguish two types of both rhythm and meter: * A divisive (or, alternately, multiplicative) rhythm is a rhythm in which a larger period of time is divided into smaller rhythmic units or, conversely, some integer unit is regularly multiplied into larger, equal units. * This can be contrasted with additive rhythm, in which larger periods of time are constructed by concatenating (joining end to end) a series of units into larger units of unequal length, such as a meter produced by the regular alternation of and . When applied to meters, the terms ''perfect'' and ''imperfect'' are sometimes used as the equivalents of ''divisive'' and ''additive'', respectively . For example, 4 may be evenly divided by 2 or reached by adding 2 + 2. In contrast, 5 is only evenly divisible by 5 and 1 and may be reached by adding 2 or 3. Thus, (or, more commonly, ) is divisive while is additive. The terms ''additive'' and ''divisive'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marchetto Da Padova
Marchetto da Padova (Marchettus of Padua; fl. 1305 – 1319) was an Italian music theorist and composer of the late medieval era. His innovations in notation of time-values were fundamental to the music of the Italian ars nova, as was his work on defining the modes and refining tuning. In addition, he was the first music theorist to discuss chromaticism. Life Most likely he was born in Padua. Little is known about his life, but he is recorded as being music teacher for the choirboys at the cathedral in Padua in 1305 and 1306, and he left Padua in 1308 to work in other cities in the Veneto and the Romagna. His two major treatises seem to have been written between 1317 and 1319, shortly before Philippe de Vitry produced his '' Ars nova'' (c. 1322), which gave its name to the music of the age. Marchetto indicated in the treatises themselves that he wrote them at Cesena and Verona. There are no other reliable records of his life, although his fame was evidently widespread, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of The Trecento
The Trecento was a period of vigorous activity in Italy in the arts, including painting, architecture, literature, and music. The music of the Trecento paralleled the achievements in the other arts in many ways, for example, in pioneering new forms of expression, especially in secular song in the vernacular language, Italian. In these regards, the music of the Trecento may seem more to be a Renaissance phenomenon; however, the predominant musical language was more closely related to that of the late Middle Ages, and musicologists generally classify the Trecento as the end of the medieval era. ''Trecento'' means "three hundred" in Italian but is usually used to refer to the 1300s. However, the greatest flowering of music in the Trecento happened late in the century, and the period is usually extended to include music up to around 1420. History Background and early history (to 1330) Very little Italian music remains from the 13th century, so the immediate antecedents of the music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Triplet (music)
In music, a tuplet (also irrational rhythm or groupings, artificial division or groupings, abnormal divisions, irregular rhythm, gruppetto, extra-metric groupings, or, rarely, contrametric rhythm) is "any rhythm that involves dividing the beat into a different number of equal subdivisions from that usually permitted by the time-signature (e.g., triplets, duplets, etc.)" This is indicated by a number, or sometimes two indicating the fraction involved. The notes involved are also often grouped with a bracket or (in older notation) a slur. The most common type of tuplet is the triplet. Terminology The modern term 'tuplet' comes from a rebracketing of compound words like quintu(s)-(u)plet and sextu(s)-(u)plet, and from related mathematical terms such as "tuple", "-uplet" and "-plet", which are used to form terms denoting multiplets (''Oxford English Dictionary'', entries "multiplet", "-plet, ''comb. form''", "-let, ''suffix''", and "-et, ''suffix''1"). An alternative modern term, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dotted Note
In Western musical notation, a dotted note is a note with a small dot written after it. In modern practice, the first dot increases the duration of the basic note by half (the original note with an extra beam) of its original value. This means that a dotted note is equivalent to writing the basic note tied to a note of half the value – for instance, a dotted half note is equivalent to a half note tied to a quarter note. Subsequent dots add progressively halved value, as shown in the example to the right. Though theoretically possible, a note with more than three dots is highly uncommon; only quadruple dots have been attested. If the original note is considered as being of length 1, then a quintuple dot would only be 1/32 longer than the quadruple dotted note. The difficulty may be seen by comparing dotted notation to tied notation: a quarter note () is equivalent to 2 tied eighth notes (), a dotted quarter = 3 tied eighth notes, double dotted = 7 tied sixteenth notes (), tr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Note Value
In music notation, a note value indicates the relative duration of a note, using the texture or shape of the ''notehead'', the presence or absence of a ''stem'', and the presence or absence of ''flags/ beams/hooks/tails''. Unmodified note values are fractional powers of two, for example one, one-half, one fourth, etc. A rest indicates a silence of an equivalent duration. List Shorter notes can be created theoretically ''ad infinitum'' by adding further flags, but are very rare. Variations The breve appears in several different versions, as shown at right. The first two are commonly used; the third is a stylistic alternative. Sometimes the longa or breve is used to indicate a very long note of indefinite duration, as at the end of a piece (e.g. at the end of Mozart's Mass KV 192). A single eighth note, or any faster note, is always stemmed with flags, while two or more are usually beamed in groups.Gerou, Tom (1996). ''Essential Dictionary of Music Notation'', p.211. Alfred. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tuplet
In music, a tuplet (also irrational rhythm or groupings, artificial division or groupings, abnormal divisions, irregular rhythm, gruppetto, extra-metric groupings, or, rarely, contrametric rhythm) is "any rhythm that involves dividing the beat into a different number of equal subdivisions from that usually permitted by the time-signature (e.g., triplets, duplets, etc.)" This is indicated by a number, or sometimes two indicating the fraction involved. The notes involved are also often grouped with a bracket or (in older notation) a slur. The most common type of tuplet is the triplet. Terminology The modern term 'tuplet' comes from a rebracketing of compound words like quintu(s)-(u)plet and sextu(s)-(u)plet, and from related mathematical terms such as "tuple", "-uplet" and "-plet", which are used to form terms denoting multiplets (''Oxford English Dictionary'', entries "multiplet", "-plet, ''comb. form''", "-let, ''suffix''", and "-et, ''suffix''1"). An alternative modern term, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breve
A breve (, less often , neuter form of the Latin "short, brief") is the diacritic mark ˘, shaped like the bottom half of a circle. As used in Ancient Greek, it is also called , . It resembles the caron (the wedge or in Czech, in Slovak) but is rounded, in contrast to the angular tip of the caron. In many forms of Latin, ˘ is used for a shorter, softer variant of a vowel, such as "Ĭ", where the sound is nearly identical to the English /i/. (See: Latin IPA) Length The breve sign indicates a short vowel, as opposed to the macron ¯, which indicates long vowels, in academic transcription. It is often used that way in dictionaries and textbooks of Latin, Ancient Greek, Tuareg and other languages. However, there is a frequent convention of indicating only the long vowels. It is then understood that a vowel with no macron is short. If the vowel length is unknown, a breve as well as a macron are used in historical linguistics (Ā̆ ā̆ Ē̆ ē̆ Ī̆ ī̆ Ō̆ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minim (music)
''Half Note'' is a live album by saxophonist Clifford Jordan which was recorded in 1974 and first released on the SteepleChase label in 1985. accessed April 9, 2014 Reception In his review on , Scott Yanow notes that this is "An good example of Jordan's music"Track listing ''All compositions by Clifford Jordan except as indicated'' # "Holy Land" (Cedar Walton) - 8:41 # "The Glass Bead Games" - 5:38 # " St. Thomas" ( |
