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Poleyn
The poleyn or genouillere was a component of Medieval and Renaissance armor that protected the knee. During the transition from mail armor to plate armor, this was among the earliest plate components to develop. They first appeared around 1230 and remained in use until 1650 when firearms made them obsolete. The specifics of poleyn design varied considerably over that period. The earliest poleyns were strapped over mail chausses. Fourteenth century and early fifteenth century poleyns usually attached to padded leggings or plate cuisses. During the fifteenth century poleyns developed an articulated construction that attached to the cuisses and schynbalds or greaves. A characteristic of late fifteenth century Gothic plate armor was a projection that guarded the side of the knee. Gallery File:Villard de Honnecourt.jpg, An early example of poleyns worn over chausses, from an illustration by Villard de Honnecourt (1230). File:Ludwig III in der Schlacht von Kulm.jpg, Ludwig III we ...
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Chausses
Chausses (; ) were a Medieval term for leggings, which was also used for leg armour; routinely made of mail and referred to as mail chausses. They generally extended well-above the knee, covering most of the leg. Mail Chausses were the standard type of metal leg armour in Europe from the 11th to the 14th century. Chausses offered flexible protection that was effective against slashing weapons. However, the wearer still felt the full force of crushing blows. One of the first depictions of mail chausses is in the Bayeux tapestry of 1066–1083, with William the Conqueror and several other Normans wearing them. The vast majority of the Norman troops used no leg armour at all in the Battle of Hastings in 1066. Chausses became more common as the 12th century progressed and by 1200 nearly all knights and men-at-arms were outfitted with them. From about 1200 onward, padded, quilted breeches would be worn over the upper leg mail chausse. This type of armour was known as the '' gamboi ...
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Plate Armor
Plate armour is a historical type of personal body armour made from bronze, iron, or steel plates, culminating in the iconic suit of armour entirely encasing the wearer. Full plate steel armour developed in Europe during the Late Middle Ages, especially in the context of the Hundred Years' War, from the coat of plates worn over mail suits during the 14th century. In Europe, plate armour reached its peak in the late 15th and early 16th centuries. The full suit of armour, also referred to as a panoply, is thus a feature of the very end of the Middle Ages and the Renaissance period. Its popular association with the " medieval knight” is due to the specialised jousting armour which developed in the 16th century. Full suits of Gothic plate armour were worn on the battlefields of the Burgundian and Italian Wars. The most heavily armoured troops of the period were heavy cavalry, such as the gendarmes and early cuirassiers, but the infantry troops of the Swiss mercenaries and t ...
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Plate Armour
Plate armour is a historical type of personal body armour made from bronze, iron, or steel plates, culminating in the iconic suit of armour entirely encasing the wearer. Full plate steel armour developed in Europe during the Late Middle Ages, especially in the context of the Hundred Years' War, from the coat of plates worn over mail suits during the 14th century. In Europe, plate armour reached its peak in the late 15th and early 16th centuries. The full suit of armour, also referred to as a panoply, is thus a feature of the very end of the Middle Ages and the Renaissance period. Its popular association with the " medieval knight” is due to the specialised jousting armour which developed in the 16th century. Full suits of Gothic plate armour were worn on the battlefields of the Burgundian and Italian Wars. The most heavily armoured troops of the period were heavy cavalry, such as the gendarmes and early cuirassiers, but the infantry troops of the Swiss mercenaries and ...
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Cuisses
Cuisses (; ; ) are a form of medieval armour worn to protect the thigh. The word is the plural of the French word ''cuisse'' meaning 'thigh'. While the skirt of a maille shirt or tassets of a cuirass could protect the upper legs from above, a thrust from below could avoid these defenses. Thus, cuisses were worn on the thighs to protect from such blows. Padded cuisses made in a similar way to a gambeson were commonly worn by knights in the 12th and 13th centuries, usually over chausses, and may have had poleyns directly attached to them. Whilst continental armours typically had cuisses that did not protect the back of the thigh, English cuisses were typically entirely encapsulating, due to the English preference for foot combat over the mounted cavalry charges favoured by continental armies. Cuisses could also be made of brigandine A brigandine is a form of body armour from the Middle Ages. It is a garment typically made of heavy cloth, canvas, or leather, lined internally ...
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Right Poleyn (Knee Defense) From An Armor Of Claude Gouffier (1501–1570) MET LC-1994 390-004
Rights are legal, social, or ethical principles of freedom or entitlement; that is, rights are the fundamental normative rules about what is allowed of people or owed to people according to some legal system, social convention, or ethical theory. Rights are of essential importance in such disciplines as law and ethics, especially theories of justice and deontology. Rights are fundamental to any civilization and the history of social conflicts is often bound up with attempts both to define and to redefine them. According to the ''Stanford Encyclopedia of Philosophy'', "rights structure the form of governments, the content of laws, and the shape of morality as it is currently perceived". Definitional issues One way to get an idea of the multiple understandings and senses of the term is to consider different ways it is used. Many diverse things are claimed as rights: There are likewise diverse possible ways to categorize rights, such as: There has been considerable debate a ...
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Medieval
In the history of Europe, the Middle Ages or medieval period lasted approximately from the late 5th to the late 15th centuries, similar to the post-classical period of global history. It began with the fall of the Western Roman Empire and transitioned into the Renaissance and the Age of Discovery. The Middle Ages is the middle period of the three traditional divisions of Western history: classical antiquity, the medieval period, and the modern period. The medieval period is itself subdivided into the Early, High, and Late Middle Ages. Population decline, counterurbanisation, the collapse of centralized authority, invasions, and mass migrations of tribes, which had begun in late antiquity, continued into the Early Middle Ages. The large-scale movements of the Migration Period, including various Germanic peoples, formed new kingdoms in what remained of the Western Roman Empire. In the 7th century, North Africa and the Middle East—most recently part of the Easte ...
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Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history The history of Europe is traditionally divided into four time periods: prehistoric Europe (prior to about 800 BC), classical antiquity (800 BC to AD 500), the Middle Ages (AD 500 to AD 1500), and the modern era (since AD 1500). The first early ... marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the Early modern period, early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval a ...
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Transitional Armour
{{Unreferenced stub, auto=yes, date=April 2016 Transitional armour describes the armour used in Europe around the 14th century, as body armour moved from simple mail hauberks to full plate armour. The couter was added to the hauberk to better protect the elbows, and splinted armour and the coat of plates provided increased protection for other areas. Armourers in general began experimenting with various forms of rigid defense. They worked in a variety of materials, including wrought iron, latten, leather, cloth and even bone to substitute rigid materials for mail as the knight's harness progressed. Toward the end of the century and into the following one, updates to armour took place at an accelerated rate. The use of multiple materials is the key stylistic element of the period. For instance, a set of transitional style arm defenses could employ steel pauldrons, leather rerebraces, steel elbow cops and leather vambraces. These items would be strapped with leather and might h ...
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Chainmail
Chain mail (properly called mail or maille but usually called chain mail or chainmail) is a type of armour consisting of small metal rings linked together in a pattern to form a mesh. It was in common military use between the 3rd century BC and the 16th century AD in Europe, and longer in Asia and North Africa. A coat of this armour is often called a hauberk, and sometimes a byrnie. History The earliest examples of surviving mail were found in the Carpathian Basin at a burial in Horný Jatov, Slovakia dated at 3rd century BC, and in a chieftain's burial located in Ciumești, Romania. Its invention is commonly credited to the Celts,
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Schynbalds
Schynbalds were an early experiment in plate armour for the lower leg. Schynbalds were metal plates strapped over chausses. Each schynbald was a single piece of steel that covered the front and outside of the shin. Schynbalds did not enclose the lower leg: hence, they were not true greaves. Schynbalds first appeared in the 1230s or 1250s and remained in use during the fourteenth and fifteenth centuries.Gravett, Christopher. ''English Medieval Knight 1200-1300''. Oxford: Osprey Pub, 2002. Print. Complete suits of armor survive only from the latter part of the schynbald era. In fifteenth century Gothic armour they were strapped not to mail but to fastenings on a padded undergarment. By the early fifteenth century greaves had supplanted schynbalds in white armour White armour, or ''alwyte armour'', was a form of plate armour worn in the Late Middle Ages characterized by full-body steel plate without a surcoat. Around 1420 the surcoat, or "coat of arms" as it was known in Engl ...
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Greave
A greave (from the Old French ''greve'' "shin, shin armour") or jambeau is a piece of armour that protects the leg. Description The primary purpose of greaves is to protect the tibia from attack. The tibia, or shinbone, is very close to the skin, and is therefore extremely vulnerable to just about any kind of attack. Furthermore, a successful attack on the shin results in that leg being rendered useless, greatly hampering one's ability to maneuver in any way. Greaves were used to counteract this. They usually consisted of a metal exterior with an inner padding of felt. The felt padding was particularly important because, without it, any blow would transfer directly from the metal plating to the shin. History Ancient Greece and Rome The reference to greaves (Ancient Greek: κνημίδες) exists in various texts of classical antiquity, including '' The Shield of Heracles'', ''The Iliad'' and ''The Odyssey'', ''The Bibliotheca of Pseudo-Apollodorus'', and ''The Aeneid''. In the ...
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Villard De Honnecourt
Villard de Honnecourt (''Wilars dehonecort'', ''Vilars de Honecourt'') was a 13th-century artist from Picardy in northern France. He is known to history only through a surviving portfolio or "sketchbook" containing about 250 drawings and designs of a wide variety of subjects. Life Nothing is known of Villard apart from what can be gleaned from his surviving "sketchbook." Based on the large number of architectural designs in the portfolio, it was traditionally thought that Villard was a successful, professional, itinerant architect and engineer. This view is sometimes contested today, as there is no evidence of him ever working as an architect and the drawings contain some inaccuracies. However, Honnecourt compiled a manual that gave precise instructions for executing specific objects with explanatory drawings. In his writings he fused principles passed on from ancient geometry, medieval studio techniques, and contemporary practices. The author includes sections on technical pro ...
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