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Pandeiro
The pandeiro () is a type of hand frame drum popular in Brazil. The pandeiro is used in a number of Brazilian music forms, such as samba, choro, coco, and capoeira music. The drumhead is tunable, and the rim holds metal jingles (''platinelas'') which are cupped, creating a crisper, drier and less sustained tone on the pandeiro than on the tambourine. It is held in one hand, and struck on the head by the other hand to produce the sound. Typical pandeiro patterns are played by alternating the thumb, fingertips, heel, and palm of the hand. A pandeiro can also be shaken to make sound, or one can run a finger along the head to produce a drum roll. Medieval instrument The term ''pandeiro'' was previously used to describe a square double-skinned frame drum, often with a bell inside; such an instrument is now known by the term '' adufe'' in Spain and Portugal. The term ''pandeiro'' (''pandero'' in Asturian) is still used in parts of Galicia, Asturias and Portugal to describe the squ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pandeiro
The pandeiro () is a type of hand frame drum popular in Brazil. The pandeiro is used in a number of Brazilian music forms, such as samba, choro, coco, and capoeira music. The drumhead is tunable, and the rim holds metal jingles (''platinelas'') which are cupped, creating a crisper, drier and less sustained tone on the pandeiro than on the tambourine. It is held in one hand, and struck on the head by the other hand to produce the sound. Typical pandeiro patterns are played by alternating the thumb, fingertips, heel, and palm of the hand. A pandeiro can also be shaken to make sound, or one can run a finger along the head to produce a drum roll. Medieval instrument The term ''pandeiro'' was previously used to describe a square double-skinned frame drum, often with a bell inside; such an instrument is now known by the term '' adufe'' in Spain and Portugal. The term ''pandeiro'' (''pandero'' in Asturian) is still used in parts of Galicia, Asturias and Portugal to describe the squ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pandeiro In Hands
The pandeiro () is a type of hand frame drum popular in Brazil. The pandeiro is used in a number of Brazilian music forms, such as samba, choro, coco, and capoeira music. The drumhead is tunable, and the rim holds metal jingles (''platinelas'') which are cupped, creating a crisper, drier and less sustained tone on the pandeiro than on the tambourine. It is held in one hand, and struck on the head by the other hand to produce the sound. Typical pandeiro patterns are played by alternating the thumb, fingertips, heel, and palm of the hand. A pandeiro can also be shaken to make sound, or one can run a finger along the head to produce a drum roll. Medieval instrument The term ''pandeiro'' was previously used to describe a square double-skinned frame drum, often with a bell inside; such an instrument is now known by the term ''adufe'' in Spain and Portugal. The term ''pandeiro'' (''pandero'' in Asturian) is still used in parts of Galicia, Asturias and Portugal to describe the squ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlinhos Pandeiro De Ouro
Carlinhos Pandeiro de Ouro Carlos de Oliveira, better known as Carlinhos Pandeiro de Ouro, is a Brazilian percussionist best known for playing the pandeiro, a tunable tambourine, played with a different technique than in North American music, and is one of the instrument's major proponents. Biography Carlinhos grew up in Rio de Janeiro in the 1940s, and was immersed in samba. Carlinhos took up the pandeiro at age seven, starting with one of his mother's cake pans. He visited the favelas to absorb samba styles, particularly at one of the greatest samba schools, GRES Estação Primeira de Mangueira. Carlinhos would join in during rehearsals, and he soon came to the attention of Mangueira's legendary singer, Jamelão, who invited Carlinhos to become a performing member of Mangueira, a high honor. Carlinhos's pandeiro playing became quite theatrical, with unprecedented juggling and stunts (known as ''malabarismo''). Soon Carlinhos was performing professionally, working with some of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samba
Samba (), also known as samba urbano carioca (''urban Carioca samba'') or simply samba carioca (''Carioca samba''), is a Brazilian music genre that originated in the Afro-Brazilian communities of Rio de Janeiro in the early 20th century. Having its roots in Brazilian folk traditions, especially those linked to the primitive rural samba of the colonial and imperial periods, it is considered one of the most important cultural phenomena in Brazil and one of the country's symbols. Present in the Portuguese language at least since the 19th century, the word "samba" was originally used to designate a "popular dance". Over time, its meaning has been extended to a "batuque-like circle dance", a dance style, and also to a "music genre". This process of establishing itself as a musical genre began in the 1910s and it had its inaugural landmark in the song " Pelo Telefone", launched in 1917. Despite being identified by its creators, the public, and the Brazilian music industry as "samb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Capoeira
Capoeira () is an Afro-Brazilian martial art that combines elements of dance, acrobatics, music and spirituality. Born of the melting pot of enslaved Africans, Indigenous Brazilians and Portuguese influences at the beginning of the 16th century, capoeira is a constantly evolving art form. It is known for its acrobatic and complex maneuvers, often involving hands on the ground and inverted kicks. It emphasizes flowing movements rather than fixed stances; the ''ginga'', a rocking step, is usually the focal point of the technique. Although debated, the most widely accepted origin of the word ''capoeira'' comes from the Tupi words ''ka'a'' ("forest") ''paũ'' ("round"), referring to the areas of low vegetation in the Brazilian interior where fugitive slaves would hide. A practitioner of the art is called a capoeirista (). Though often said to be a martial art disguised as a dance, capoeira served not only as a form of self defence, but also as a way to maintain spirituality and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcos Suzano
Marcos Suzano (born 1963) is a Brazilian percussionist, famous for playing with many Brazilian and international musicians, such as Gilberto Gil, Nando Reis and Titãs. He was born in Rio de Janeiro. Originally a rock fan, he experienced a carnaval bloco and became passionate about percussion thereafter. He quickly settled on the pandeiro as his primary instrument after witnessing the artistry of Jorginho do Pandeiro of the choro group Época de Ouro. By the 1990s, Marcos Suzano had become perhaps the most recorded and widely hailed percussionist in Brazil. His technical innovations on pandeiro include an active left hand, which simultaneously holds and flips the instrument, with a very rapid right-hand technique that emphasizes bass strokes from the fingertips as well as the thumb. He has researched African rhythms and freely mixes modern funk riffs with traditional Brazilian folk patterns. Discography As a leader *Olho de Peixe (with Lenine) (1993) *Sambatown (1996) *Flash ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choro
''Choro'' (, "cry" or "lament"), also popularly called ''chorinho'' ("little cry" or "little lament"), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as ''chorões''. Choro instruments Originally ''choro'' was played by a trio of flute, guitar and cavaquinho (a small chordophone with four strings). Other instruments commonly played in choro are the mandolin, clarinet, saxophone, trumpet and trombone. These melody instruments are backed by a rhythm section composed of 6-string guitar, 7-string guitar (playing bass lines) and light percussion, such as a pandeiro. The cavaquinho appears sometimes as a melody instrumen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Milt Holland
Milton Holland (born Milton Olshansky; February 7, 1917 – November 4, 2005) was an American drummer, percussionist, ethnomusicologist, and writer in the Los Angeles music scene. He pioneered the use of African, South American, and Indian percussion styles in jazz, pop and film music, traveling extensively in those regions to collect instruments and learn styles of playing them. Early life Holland was born Milton Olshansky in Chicago, Illinois, where he attended Theodore Roosevelt High School. His first instrument was the violin. He pursued a passion for percussion, playing in clubs and shows and on CBS Radio in Chicago. By the age of twelve, he was playing at speakeasies for the likes of Al Capone. Career In the early 1940s, Holland toured and recorded with The Raymond Scott Orchestra. He studied tabla at University of California, Los Angeles and from 1963 through 1978 with tabla master Chatur Lal, Ramnad Easwaran and others. He traveled through India extensively in the ea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tambourine
The tambourine is a musical instrument in the percussion family consisting of a frame, often of wood or plastic, with pairs of small metal jingles, called " zills". Classically the term tambourine denotes an instrument with a drumhead, though some variants may not have a head. Tambourines are often used with regular percussion sets. They can be mounted, for example on a stand as part of a drum kit (and played with drum sticks), or they can be held in the hand and played by tapping or hitting the instrument. Tambourines come in many shapes with the most common being circular. It is found in many forms of music: Turkish folk music, Greek folk music, Italian folk music, French folk music, classical music, Persian music, samba, gospel music, pop music, country music, and rock music. History The origin of the tambourine is unknown, but it appears in historical writings as early as 1700 BC and was used by ancient musicians in West Africa, the Middle East, Greece and In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cyro Baptista
Cyro Baptista (born December 23, 1950) is a Brazilian percussionist in jazz and world music. He creates many of the percussion instruments he plays. Career Born in São Paulo, Brazil, Baptista arrived in the U.S. in 1980 with a scholarship to Creative Music Studio in Woodstock, New York. During the 1980s, he worked on films with John Zorn and appeared on Zorn's albums in the 1990s. Also in the '90s, he appeared on albums by Marisa Monte, Holly Cole, and Cassandra Wilson. In 1997 he released his first solo album, ''Vira Loucos'', with cover versions of music by Heitor Villa-Lobos. The album was recorded with Marc Ribot and Nana Vasconcelos and released by Avant, a label owned by Zorn. He was a member of Zorn's band Dreamers. He recorded with pianist Herbie Hancock on his album ''Possibilities''. He recorded and performed worldwide with Hancock's Grammy award-winning ''Gershwin's World''. He toured with Yo-Yo Ma's Brazil Project and appeared on the '' Obrigado Brazil'', wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coco (music)
Coco is an African-influenced musical rhythm that originated in northern Brazil. "Coco" may also refer to the style of dance performed to the music, a kind of stomping. Coco is also alternatively known as "embolada" (another slang word, meaning "entangling", referring to the fast, slurred, machine-gun style of singing). Coco is often performed with a repetitive musical beat and call and response singing, reminiscent of Capoeira music. The music is commonly performed at traditional parties in the Northeast, such as weekend street parties and Carnival. The characteristic sound of coco arises from four instruments commonly used in its performance: the ganzá, surdo, pandeiro, and triangle. Performers also often wear wooden clogs, the stomping of which adds a fifth percussive element. The name "Coco" (Portuguese for "coconut") is a common Northeastern Brazilian slang for head, referring to the fact that song lyrics are often improvised. Origins The origins of coco are as obscure a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Brazil
The music of Brazil encompasses various regional musical styles influenced by European, American, African and Amerindian forms. Brazilian music developed some unique and original styles such as forró, repente, coco de roda, axé, sertanejo, samba, bossa nova, MPB, música nativista, pagode, tropicália, choro, maracatu, embolada (coco de repente), frevo, brega, modinha and Brazilian versions of foreign musical styles, such as rock, pop music, soul, hip-hop, disco music, country music, ambient, industrial and psychedelic music, rap, classical music, fado, and gospel. Samba has become the most known form of Brazilian music worldwide, especially because of the country's carnival, although bossa nova, which had Antônio Carlos Jobim as one of its most acclaimed composers and performers, have received much attention abroad since the 1950s, when the song " Desafinado", interpreted by João Gilberto, was first released. The first four winners of the Shell Brazilian Musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
