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Punk Jazz
Punk jazz is a genre of music that combines elements of jazz, especially improvisation, with the instrumentation and performance style of punk rock. The term was first used to describe James Chance and the Contortions' 1979 album '' Buy''. Punk jazz is closely related to free jazz, no wave, and loft jazz, and has since significantly inspired post-hardcore and alternative hip hop. Notable proponents of the genre include John Zorn, Arto Lindsay, Elliott Sharp, and James Chance, among others. History 1970s–1980s The first band to approach the genre were The Stooges, more specifically on three songs from their second album, '' Fun House'': "1970", "Fun House", and "L.A. Blues". Those songs featured saxophone played by Steve Mackay, and were released in 1970, several years before the genre expanded. Late 1970s New York no wave bands broke with blues rock-influenced punk in a style that instead combined elements such as free jazz noise, experimental drone rock, and oth ...
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Jaco Pastorius
John Francis Anthony Pastorius III, also known as Jaco Pastorius (; December 1, 1951 – September 21, 1987), was an American jazz bassist, composer, and producer. Widely regarded as one of the greatest and most influential bassists of all time, Pastorius recorded albums as a solo artist, band leader, and as a member of the jazz fusion group Weather Report from 1976 to 1981. He also collaborated with numerous artists, including Herbie Hancock, Pat Metheny and Joni Mitchell. His bass style was influenced by funk and employed the use of Fretless bass guitar, fretless bass, lyrical solos, bass Chord (music), chords and innovative use of harmonics. As of 2017, he was the only one of seven bassists inducted into the ''DownBeat'' Jazz Hall of Fame to have been known for their work on the electric bass, and he has been lauded as among the best bassists of all time. Pastorius suffered from Addiction, drug addiction and mental health issues and, despite his widespread acclaim, over the ...
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Buy (album)
''Buy'' is the debut studio album by American no wave band Contortions. It was released in 1979 through ZE Records following the band's inclusion on the 1978 compilation '' No New York''. Background Fashion designer and band manager Anya Phillips photographed Terence Sellers wearing an outfit designed by Phillips for the album's cover artwork.Reynolds p. 139 Critical reception For ''The Village Voice'', critic Robert Christgau stated that "in theory James White's music is better without the words: you get the jagged rhythms and tonic off-harmonies without being distracted by his 'ideas,'" but added that "in fact the music is so (deliberately) stunted it needs a voice for sonic muscle, and James's lyrics do have a certain petty honesty and jerk-off humor." ''All About Jazz'' critic Trevor MacLaren wrote that "through the anger and aggression Chance made a solid record that had a sound like nothing before or since," describing the album as "a great disc that sounds as origin ...
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Avant-garde
In the arts and literature, the term ''avant-garde'' ( meaning or ) identifies an experimental genre or work of art, and the artist who created it, which usually is aesthetically innovative, whilst initially being ideologically unacceptable to the artistic establishment of the time. The military metaphor of an ''advance guard'' identifies the artists and writers whose innovations in style, form, and subject-matter challenge the artistic and aesthetic validity of the established forms of art and the literary traditions of their time; thus, the artists who created the anti-novel and Surrealism were ahead of their times. As a stratum of the intelligentsia of a society, avant-garde artists promote progressive and radical politics and advocate for societal reform with and through works of art. In the essay "The Artist, the Scientist, and the Industrialist" (1825), Benjamin Olinde Rodrigues's political usage of ''vanguard'' identified the moral obligation of artists to "ser ...
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Experimental Rock
Experimental rock, also called avant-rock, is a subgenre of rock music that pushes the boundaries of common composition and performance technique or which experiments with the basic elements of the genre. Artists aim to liberate and innovate, with some of the genre's distinguishing characteristics being improvisational performances, avant-garde influences, odd instrumentation, opaque lyrics (or instrumentals), unorthodox structures and rhythms, and an underlying rejection of commercial aspirations. From its inception, rock music was experimental, but it was not until the late 1960s that rock artists began creating extended and complex compositions through advancements in multitrack recording. In 1967, the genre was as commercially viable as pop music, but by 1970, most of its leading players had incapacitated themselves in some form. In Germany, the krautrock subgenre merged elements of improvisation and psychedelic rock with electronic music, avant-garde and contemporary classi ...
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Blues Rock
Blues rock is a fusion music genre, genre and form of rock music, rock and blues music that relies on the chords/scales and instrumental improvisation of blues. It is mostly an electric ensemble-style music with instrumentation similar to electric blues and rock (electric guitar, electric bass guitar, drums, and sometimes with keyboards and harmonica). From its beginnings in the early to mid-1960s, blues rock has gone through several stylistic shifts and along the way it inspired and influenced hard rock, Southern rock, and early heavy metal music, heavy metal. Blues rock started with rock musicians in the United Kingdom and the United States performing American blues songs. They typically recreated electric Chicago blues songs, such as those by Willie Dixon, Muddy Waters, and Jimmy Reed, at faster tempos and with a more aggressive sound common to rock. In the UK, the style was popularized by groups such as the Rolling Stones, the Yardbirds, and the Animals, who put several blues ...
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Fun House (The Stooges Album)
''Fun House'' is the second studio album by American rock band the Stooges. It was released on July 7, 1970, by Elektra Records. Though initially commercially unsuccessful, ''Fun House'' has since developed a strong cult following. Like its predecessor (1969's ''The Stooges'') and successor (1973's '' Raw Power''), it is considered an integral work in the development of punk rock. Recording sessions In 1969, Elektra Records had released the Stooges' debut album to mixed reviews and limited commercial success. Elektra head Jac Holzman believed that the MC5, another Michigan-based band, had more commercial potential than the Stooges. Holzman asked former Kingsmen keyboardist Don Gallucci to produce the Stooges' second album. Having seen the group live, Gallucci told Holzman that the Stooges were an "interesting group, but I don't think you can get this feeling on tape". Holzman, however, had already reserved recording time for him with the band in Los Angeles. The album was re ...
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The Stooges
The Stooges or Iggy and the Stooges, originally billed as the Psychedelic Stooges, were an American rock band formed in Ann Arbor, Michigan, in 1967 by singer Iggy Pop, guitarist Ron Asheton, drummer Scott Asheton, and bassist Dave Alexander. Initially playing a raw, primitive style of rock and roll, the band sold few records in their original incarnation and gained a reputation for their confrontational performances, which often involved acts of self-mutilation by Iggy Pop. After releasing two albums – '' The Stooges'' (1969) and '' Fun House'' (1970) – the group disbanded briefly, and reformed with an altered lineup (with Ron Asheton replacing Dave Alexander on bass and James Williamson taking up guitar) to release a third album, '' Raw Power'' (1973), before breaking up again in 1974. The band reunited in 2003 with Ron Asheton moving back to guitar and Mike Watt on bass, and the addition of saxophonist Steve Mackay, who had played saxophone on ''Fun House''. Ron ...
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James White 1981 2
James may refer to: People * James (given name) * James (surname) * James (musician), aka Faruq Mahfuz Anam James, (born 1964), Bollywood musician * James, brother of Jesus * King James (other), various kings named James * Prince James (other) * Saint James (other) Places Canada * James Bay, a large body of water * James, Ontario United Kingdom * James College, a college of the University of York United States * James, Georgia, an unincorporated community * James, Iowa, an unincorporated community * James City, North Carolina * James City County, Virginia ** James City (Virginia Company) ** James City Shire * James City, Pennsylvania * St. James City, Florida Film and television * ''James'' (2005 film), a Bollywood film * ''James'' (2008 film), an Irish short film * ''James'' (2022 film), an Indian Kannada-language film * "James", a television episode of ''Adventure Time'' Music * James (band), a band from Manchester ** ''James'', U ...
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James Chance
James Chance, also known as James White (born James Siegfried, April 20, 1953 – June 18, 2024), was an American saxophonist, keyboard player, and singer. A key figure in no wave, Chance played a combination of improvisational jazz-like music and punk in the New York music scene from the late 1970s on, in such bands as Teenage Jesus and the Jerks, James Chance and the Contortions, James White and the Blacks (as he appeared in the film '' Downtown 81''), The Flaming Demonics, James Chance & the Sardonic Symphonics, James Chance and Terminal City, and James Chance and Les Contortions. Background James Siegfried was born in Milwaukee in 1953, growing up there and in the suburb of Brookfield, Wisconsin. Siegfried attended Michigan State University, then the Wisconsin Conservatory of Music in Milwaukee. There, he joined a band named Death, which performed covers of the Stooges and the Velvet Underground before moving toward original songs. Career At the end of 1975, Siegf ...
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Elliott Sharp
Elliott Sharp (born March 1, 1951) is an American contemporary classical music, contemporary classical composer, multi-instrumentalist, performer, author, and visual artist. A central figure in the Avant-garde music, avant-garde and experimental music scene in New York City since the late 1970s, Sharp has released over eighty-five Sound recording and reproduction, recordings ranging from Contemporary classical music, contemporary classical, avant-garde, free improvisation, jazz, experimental, and orchestral music to Noise music, noise, no wave, and electronic music. He pioneered the use of personal computers in live performance with his ''Virtual Stance'' project of the 1980s. He has used algorithms and fibonacci numbers in experimental composition since the 1970s, and has cited literature as an inspiration for his music and often favors improvisation.Ambrose, PElliott Sharp's Instrumental Vision The Morning News (online magazine), The Morning News, October 4, 2005Tessalation Ro ...
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Arto Lindsay
Arthur Morgan "Arto" Lindsay (born May 28, 1953) is an American guitarist, singer, record producer and experimental composer. He was a member of the pioneering 1970s no wave group DNA, which featured on the 1978 compilation '' No New York''. In the 1980s, he formed the group Ambitious Lovers. He also performed with the Golden Palominos and the Lounge Lizards. He has a distinctive soft voice and an often noisy, self-taught guitar style consisting almost entirely of unconventional extended techniques, described by Brian Olewnick as "studiedly naïve ... sounding like the bastard child of Derek Bailey". Music Although Lindsay was born in the United States, he grew up in Brazil. In the late 1970s, he helped form the no wave band DNA with Ikue Mori and Robin Crutchfield, although Tim Wright of Pere Ubu soon replaced Crutchfield. In 1978, DNA was featured on the four-band sampler '' No New York'' (produced by Brian Eno). In the early 1980s, Lindsay performed on early al ...
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John Zorn
John Zorn (born September 2, 1953) is an American composer, conducting, conductor, saxophonist, arrangement, arranger and record producer, producer who "deliberately resists category". His Avant-garde music, avant-garde and experimental music, experimental approaches to composition and improvisation are inclusive of jazz, rock music, rock, Jewish music, Hardcore punk, hardcore, Classical music, classical, Contemporary classical music, contemporary, Surf music, surf, Heavy metal music, metal, soundtrack, Ambient music, ambient, and world music.Milkowski, B."John Zorn: One Future, Two Views" (interview) in ''Jazz Times'', March 2000, pp. 28–35,118–121; accessed July 24, 2010. ''Rolling Stone'' noted that Zorn has operated almost entirely outside the mainstream, he's gradually asserted himself as one of the most influential musicians of our time".Steamer, H.‘He Made the World Bigger’: Inside John Zorn's Jazz-Metal Multiverse ''Rolling Stone'', June 22, 2020. Zorn engaged New ...
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