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Praetexta
The ''praetexta'' or ''fabula praetexta'' was a genre of Latin tragedy introduced at Rome by Gnaeus Naevius in the third century BC. It dealt with historical Roman figures, in place of the conventional Greek myths. Subsequent writers of ''praetextae'' included Ennius, Pacuvius and Lucius Accius. The name refers to the ''toga praetexta'', purple striped, that was the official dress of Roman magistrates and priests. It was mainly a Roman garment. The ''toga praetexta'' was also worn by Roman freeborn girls before they came of age. All Roman Republican tragedies are now lost. From the Imperial era only one play has survived, the ''Octavia''. See also *'' Fabula atellana'' *'' Fabula crepidata'' *''Fabula palliata'' *'' Fabula saltata'' *'' Fabula togata'' *Theatre of ancient Rome The architectural form of theatre in Rome has been linked to later, more well-known examples from the 1st century BC to the 3rd Century AD. The theatre of ancient Rome referred to a period of time in wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toga
The toga (, ), a distinctive garment of Ancient Rome, was a roughly semicircular cloth, between in length, draped over the shoulders and around the body. It was usually woven from white wool, and was worn over a tunic. In Roman historical tradition, it is said to have been the favored dress of Romulus, Rome's founder; it was also thought to have originally been worn by both sexes, and by the citizen-military. As Roman women gradually adopted the stola, the toga was recognized as formal wear for male Roman citizens. Women found guilty of adultery and women engaged in prostitution might have provided the main exceptions to this rule.. The type of toga worn reflected a citizen's rank in the civil hierarchy. Various laws and customs restricted its use to citizens, who were required to wear it for public festivals and civic duties. From its probable beginnings as a simple, practical work-garment, the toga became more voluminous, complex, and costly, increasingly unsuited to a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gnaeus Naevius
Gnaeus Naevius (; c. 270 – c. 201 BC) was a Roman epic poet and dramatist of the Old Latin period. He had a notable literary career at Rome until his satiric comments delivered in comedy angered the Metellus family, one of whom was consul. After a sojourn in prison he recanted and was set free by the tribunes (who had the tribunician power, in essence the power of habeas corpus). After a second offense he was exiled to Tunisia, where he wrote his own epitaph and committed suicide. His comedies were in the genre of Palliata Comoedia, an adaptation of Greek New Comedy. A soldier in the Punic Wars, he was highly patriotic, inventing a new genre called '' Praetextae Fabulae'', an extension of tragedy to Roman national figures or incidents, named after the '' Toga praetexta'' worn by high officials. Of his writings there survive only fragments of several poems preserved in the citations of late ancient grammarians ( Charisius, Aelius Donatus, Sextus Pompeius Festus, Aulus Gell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Republic
The Roman Republic ( ) was the era of Ancient Rome, classical Roman civilisation beginning with Overthrow of the Roman monarchy, the overthrow of the Roman Kingdom (traditionally dated to 509 BC) and ending in 27 BC with the establishment of the Roman Empire following the War of Actium. During this period, Rome's control expanded from the city's immediate surroundings to hegemony over the entire Mediterranean Sea, Mediterranean world. Roman society at the time was primarily a cultural mix of Latins (Italic tribe), Latin and Etruscan civilization, Etruscan societies, as well as of Sabine, Oscan, and Greek cultural elements, which is especially visible in the Ancient Roman religion and List of Roman deities, its pantheon. Its political organisation developed at around the same time as direct democracy in Ancient Greece, with collective and annual magistracies, overseen by Roman Senate, a senate. There were annual elections, but the republican system was an elective olig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragedy
A tragedy is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a tragic hero, main character or cast of characters. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain [that] awakens pleasure,” for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific Poetic tradition, tradition of drama that has played a unique and important role historically in the self-definition of Western culture, Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Classical Athens, Greeks and the Elizabethan era, Elizabethans, in one cultural form; Hellenistic civilization, Hellenes and Christians, in a common activity," as Raymond Williams puts it. Originating in the theatre of ancient Greece ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fabula Togata
A ''fabula togata'' is a Latin comedy in a Roman setting, in existence since at least the second century BC. Lucius Afranius and Titus Quinctius Atta are known to have written ''fabulae togatae''. It is also treated as an expression that functioned as the overall description of all Roman types of drama in accordance with a distinction between Roman ''toga'' and ''pallium''. There are recorded sources that cite how this drama could be obscene and moralistic. By mid-second century BC the ''fabula togata'' had become one of the two types of drama that constituted a bifurcated Roman comedy along with ''fabula palliata''. The ''fabula togata'' was distinguished from the ''palliata'' primarily by its use of Roman or Italian characters, transferring the comic situations of the bourgeois ''palliata'' to the lower-class citizens of the country towns of Italy. The ''palliata'' was based on originals of Greek New Comedy, tragedies from Attic sources as well as the grand dramatization of Ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ennius
Quintus Ennius (; ) was a writer and poet who lived during the Roman Republic. He is often considered the father of Roman poetry. He was born in the small town of Rudiae, located near modern Lecce (ancient ''Calabria'', today Salento), a town founded by the Messapians, and could speak Greek as well as Latin and Oscan (his native language). Although only fragments of his works survive, his influence in Latin literature was significant, particularly in his use of Greek literary models. Biography Very little is reliably known about the life of Ennius. His contemporaries hardly mentioned him and much that is related about him could have been embroidered from references to himself in his now fragmentary writings. Some lines of the ''Annales'', as well as ancient testimonies, for example, suggest that Ennius opened his epic with a recollection of a dream in which the ancient epic-writer Homer informed him that his spirit had been reborn into Ennius. It is true that the doctrine o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pacuvius
Marcus Pacuvius (; 220 – ) was an ancient Roman tragic poet. He is regarded as the greatest of their tragedians prior to Lucius Accius. Biography He was the nephew and pupil of Ennius, by whom Roman tragedy was first raised to a position of influence and dignity. In the interval between the death of Ennius (169 BC) and the advent of Accius, the youngest and most productive of the tragic poets, Pacuvius alone maintained the continuity of the serious drama, and perpetuated the character first imparted to it by Ennius. Like Ennius he probably belonged to an Oscan stock, and was born at Brundisium, which had become a Roman colony in 244 BC. Hence he never attained to that perfect idiomatic purity of style, which was the special glory of the early writers of comedy, Naevius and Plautus. Pacuvius obtained distinction also as a painter; and Pliny the Elder (''Naturalis Historia'' xxxv) mentions a work of his in the Temple of Hercules in the Forum Boarium. He was less ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Empire
The Roman Empire ruled the Mediterranean and much of Europe, Western Asia and North Africa. The Roman people, Romans conquered most of this during the Roman Republic, Republic, and it was ruled by emperors following Octavian's assumption of effective sole rule in 27 BC. The Western Roman Empire, western empire collapsed in 476 AD, but the Byzantine Empire, eastern empire lasted until the fall of Constantinople in 1453. By 100 BC, the city of Rome had expanded its rule from the Italian peninsula to most of the Mediterranean Sea, Mediterranean and beyond. However, it was severely destabilised by List of Roman civil wars and revolts, civil wars and political conflicts, which culminated in the Wars of Augustus, victory of Octavian over Mark Antony and Cleopatra at the Battle of Actium in 31 BC, and the subsequent conquest of the Ptolemaic Kingdom in Egypt. In 27 BC, the Roman Senate granted Octavian overarching military power () and the new title of ''Augustus (title), Augustus'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Octavia (play)
''Octavia'' is a Roman tragedy that focuses on three days in the year 62 AD during which Nero divorced and exiled his wife Claudia Octavia and married another (Poppaea Sabina). The play also deals with the irascibility of Nero and his inability to take heed of the philosopher Seneca's advice to rein in his passions. The play was attributed to Seneca, but modern scholarship generally discredits this, since it contains accurate prophecies of both his and Nero's deaths. While the play closely resembles Seneca's plays in style, it was probably written some time after Seneca's death in the Flavian period by someone influenced by Seneca and aware of the events of his lifetime.H J Rose, A Handbook of Latin Literature (London 1967) p. 375 Characters * Octavia. *Octavia's Nurse. *Chorus of Romans. * Seneca. *Prefect. * Poppaea. * Agrippina (ghost). *Nero. *Messenger. Plot Act I Octavia, weary of her existence, bewails her misery. Her nurse curses the drawbacks which beset life i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fabula Crepidata
A ''fabula crepidata'' or ''fabula cothurnata'' is a Latin tragedy with Greek subjects. The genre probably originated in adaptations of Greek tragedy (hence the names, coming from ''crepida'' = ''sandal'' and ''cothurnus'') beginning in the early third century BC. Only nine have survived intact, all by Seneca. Of the plays written by Lucius Livius Andronicus, Gnaeus Naevius, Quintus Ennius, Marcus Pacuvius, Lucius Accius, and others, only titles, small fragments, and occasionally brief summaries are left. Ovid's ''Medea'' also did not survive. See also *'' Fabula atellana'' *''Fabula palliata'' *'' Fabula praetexta'' *'' Fabula saltata'' *''Fabula togata'' *Theatre of ancient Rome The architectural form of theatre in Rome has been linked to later, more well-known examples from the 1st century BC to the 3rd Century AD. The theatre of ancient Rome referred to a period of time in which theatrical practice and performance took ... Sources * Bernhard Zimmermann and Thomas Baier " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragedy
A tragedy is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a tragic hero, main character or cast of characters. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain [that] awakens pleasure,” for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific Poetic tradition, tradition of drama that has played a unique and important role historically in the self-definition of Western culture, Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Classical Athens, Greeks and the Elizabethan era, Elizabethans, in one cultural form; Hellenistic civilization, Hellenes and Christians, in a common activity," as Raymond Williams puts it. Originating in the theatre of ancient Greece ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Of Ancient Rome
The architectural form of theatre in Rome has been linked to later, more well-known examples from the 1st century BC to the 3rd Century AD. The theatre of ancient Rome referred to a period of time in which theatrical practice and performance took place in Rome. The tradition has been linked back even further to the 4th century BC, following the state’s transition from monarchy to republic. Theatre during this era is generally separated into genres of tragedy and comedy, which are represented by a particular style of architecture and stage play, and conveyed to an audience purely as a form of entertainment and control. When it came to the audience, Romans favored entertainment and performance over tragedy and drama, displaying a more modern form of theatre that is still used in contemporary times. 'Spectacle' became an essential part of an everyday Romans expectations when it came to theatre. Some works by Plautus, Terence, and Seneca the Younger that survive to this day, highlig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
