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Post-Impressionist
Post-Impressionism (also spelled Postimpressionism) was a predominantly French art movement that developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism. Post-Impressionism emerged as a reaction against Impressionists' concern for the naturalistic depiction of light and colour. Its broad emphasis on abstract qualities or symbolic content means Post-Impressionism encompasses Les Nabis, Neo-Impressionism, Symbolism, Cloisonnism, the Pont-Aven School, and Synthetism, along with some later Impressionists' work. The movement's principal artists were Paul Cézanne (known as the father of Post-Impressionism), Paul Gauguin, Vincent van Gogh and Georges Seurat. The term Post-Impressionism was first used by art critic Roger Fry in 1906.Peter Morrin, Judith Zilczer, William C. Agee, ''The Advent of Modernism. Post-Impressionism and North American Art, 1900-1918'', High Museum of Art, 1986 Critic Frank Rutter in a review of the Salon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grafton Galleries
The Grafton Galleries, often referred to as the Grafton Gallery, was an art gallery in Mayfair, London. The French art dealer Paul Durand-Ruel showed the first major exhibition in Britain of Impressionist paintings there in 1905. Roger Fry's two famous exhibitions of Post-Impressionist works in 1910 and 1912 were both held at the gallery. History The date of foundation of the Grafton Galleries is not certain; some sources give 1873, when it had an address in Liverpool. The gallery was incorporated in London on 16 June 1891, and opened in February 1893 at 8 Grafton Street, with an extensive suite of rooms extending to Bruton Street. (The address was usually given as Grafton Street-Bond Street). The building was designed by John Thomas Wimperis (1829-1904) and William Henry Arber (1849-1904). The first manager was Francis Gerard Prange. By the early 1900s Venant Benoist, a French-born caterer working in Piccadilly, was the manager, and the buildings were let out for recepti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roger Fry
Roger Eliot Fry (14 December 1866 – 9 September 1934) was an English painter and art critic, critic, and a member of the Bloomsbury Group. Establishing his reputation as a scholar of the Old Masters, he became an advocate of more recent developments in French painting, to which he gave the name Post-Impressionism. He was an early figure to raise public awareness of modern art in Britain, and he emphasised the Formalism (art), formal properties of paintings over the "associated ideas" conjured in the viewer by their representational content. He was described by the art historian Kenneth Clark as "incomparably the greatest influence on taste since John Ruskin, Ruskin ... In so far as taste can be changed by one man, it was changed by Roger Fry". The taste Fry influenced was primarily that of the English speaking world, Anglophone world, and his success lay largely in alerting an educated public to a compelling version of recent artistic developments of the Parisian ava ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Rutter
Francis Vane Phipson Rutter (17 February 1876 – 18 April 1937)"Rutter, Frank V. P.", ''Who Was Who'', A & C Black, 1920–2007; online edn, Oxford University Press, Dec 2007. Retrieved froukwhoswho8 August 2008. was a British art art critic, critic, curator and activist. In 1903, he became art critic for ''The Sunday Times'', a position which he held for the rest of his life.''The Times'', 19 April 1937, p. 16, issue 47662, col B, "Obituary: Mr. Frank Rutter". Retrieved froinfotrac.galegroup.com 8 August 2008. He was an early champion in England of modern art, founding the French Impressionist Fund in 1905 to buy work for the national collection, and in 1908 starting the Allied Artists Association to show "progressive" art, as well as publishing its journal, ''Art News'', the "First Art Newspaper in the United Kingdom". In 1910, he began to actively support women's suffragette, suffrage, chairing meetings, and giving sanctuary to suffragettes released from prison under the Cat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gauguin
Eugène Henri Paul Gauguin (; ; 7 June 1848 – 8 May 1903) was a French painter, sculptor, printmaker, ceramist, and writer, whose work has been primarily associated with the Post-Impressionist and Symbolist movements. He was also an influential practitioner of wood engraving and woodcuts as art forms. While only moderately successful during his life, Gauguin has since been recognized for his experimental use of color and Synthetist style that were distinct from Impressionism. Gauguin was born in Paris in 1848, amidst the tumult of Europe's revolutionary year. In 1850, Gauguin's family settled in Peru, where he experienced a privileged childhood that left a lasting impression on him. Later, financial struggles led them back to France, where Gauguin received formal education. Initially working as a stockbroker, Gauguin started painting in his spare time, his interest in art kindled by visits to galleries and exhibitions. The financial crisis of 1882 significantly impa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Cézanne
Paul Cézanne ( , , ; ; ; 19 January 1839 – 22 October 1906) was a French Post-Impressionism, Post-Impressionist painter whose work introduced new modes of representation, influenced avant-garde artistic movements of the early 20th century and formed the bridge between late 19th-century Impressionism and early 20th-century Cubism. While his early works were influenced by Romanticism – such as the murals in the Bastide du Jas de Bouffan, Jas de Bouffan country house – and Realism (arts), Realism, Cézanne arrived at a new pictorial language through intense examination of Impressionist forms of expression. He altered conventional approaches to Perspective (graphical), perspective and broke established rules of Academic Art, academic art by emphasizing the underlying structure of objects in a composition and the formal qualities of art. Cézanne strived for a renewal of traditional design methods on the basis of the impressionistic colour space and colour modulation principl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Gauguin
Eugène Henri Paul Gauguin (; ; 7 June 1848 – 8 May 1903) was a French painter, sculptor, printmaker, ceramist, and writer, whose work has been primarily associated with the Post-Impressionist and Symbolist movements. He was also an influential practitioner of wood engraving and woodcuts as art forms. While only moderately successful during his life, Gauguin has since been recognized for his experimental use of color and Synthetist style that were distinct from Impressionism. Gauguin was born in Paris in 1848, amidst the tumult of Europe's revolutionary year. In 1850, Gauguin's family settled in Peru, where he experienced a privileged childhood that left a lasting impression on him. Later, financial struggles led them back to France, where Gauguin received formal education. Initially working as a stockbroker, Gauguin started painting in his spare time, his interest in art kindled by visits to galleries and exhibitions. The financial crisis of 1882 significantly impact ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Impressionism
Impressionism was a 19th-century art movement characterized by visible brush strokes, open Composition (visual arts), composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s. The Impressionists faced harsh opposition from the conventional art community in France. The name of the style derives from the title of a Claude Monet work, ''Impression, soleil levant'' (''Impression, Sunrise''), which provoked the critic Louis Leroy to coin the term in a Satire, satirical 1874 review of the First Impressionist Exhibition published in the Parisian newspaper ''Le Charivari''. The development of Impressionism in the visual arts was soon foll ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Rewald
John Rewald (May 12, 1912 – February 2, 1994) was an American academic, author and art historian. He was known as a scholar of Impressionism, Post-Impressionism, Cézanne, Renoir, Pissarro, Seurat, and other French painters of the late 19th century. He was recognized as a foremost authority on late 19th-century art. His ''History of Impressionism'' is a standard work. Biography He was born Gustav Rewald at Berlin, of a middle-class, professional family. Rewald came from a Jewish background. He completed his ''Abitur'' in Hamburg, and studied thereafter at several German universities, going to the University of Paris, Sorbonne in Paris in 1932. At the Sorbonne he wrote his dissertation on the friendship of Émile Zola, Zola and Cézanne, having to persuade the academic authorities on this because Cézanne (died 1906) was considered too recent a figure. When France declared war on Germany in 1939, he was interned as an enemy alien. He emigrated to the United States in 1941 a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camille Pissarro
Jacob Abraham Camille Pissarro ( ; ; 10 July 1830 – 13 November 1903) was a Danish-French Impressionist and Neo-Impressionist painter born on the island of St Thomas (now in the US Virgin Islands, but then in the Danish West Indies). His importance resides in his contributions to both Impressionism and Post-Impressionism. Pissarro studied from great forerunners, including Gustave Courbet and Jean-Baptiste-Camille Corot. He later studied and worked alongside Georges Seurat and Paul Signac when he took on the Neo-Impressionist style at the age of 54. In 1873 he helped establish a collective society of fifteen aspiring artists, becoming the "pivotal" figure in holding the group together and encouraging the other members. Art historian John Rewald called Pissarro the "dean of the Impressionist painters", not only because he was the oldest of the group, but also "by virtue of his wisdom and his balanced, kind, and warmhearted personality". Paul Cézanne said "he was a fa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Van Gogh
Vincent Willem van Gogh (; 30 March 185329 July 1890) was a Dutch Post-Impressionist painter who is among the most famous and influential figures in the history of Western art. In just over a decade, he created approximately 2,100 artworks, including around 860 oil paintings, most of them in the last two years of his life. His oeuvre includes landscapes, still lifes, portraits, and self-portraits, most of which are characterised by bold colours and dramatic brushwork that contributed to the rise of expressionism in modern art. Van Gogh's work was only beginning to gain critical attention before he died from a self-inflicted gunshot at age 37. During his lifetime, only one of Van Gogh's paintings, '' The Red Vineyard'', was sold. Born into an upper-middle-class family, Van Gogh drew as a child and was serious, quiet and thoughtful, but showed signs of mental instability. As a young man, he worked as an art dealer, often travelling, but became depressed after he was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symbolist Painting
Symbolist painting was one of the main artistic manifestations of Symbolism (movement), symbolism, a cultural movement that emerged at the end of the 19th century in France and developed in several European countries. The beginning of this current was in poetry, especially thanks to the impact of ''Les Fleurs du mal, The Flowers of Evil'' by Charles Baudelaire (1868), which powerfully influenced a generation of young poets including Paul Verlaine, Stéphane Mallarmé and Arthur Rimbaud. The term "symbolism" was coined by Jean Moréas in a literary manifesto published in ''Le Figaro'' in 1886. The aesthetic premises of Symbolism moved from poetry to other arts, especially painting, sculpture, music and theater. The chronology of this style is difficult to establish: the peak is between 1885 and 1905, but already in the 1860s there were works pointing to symbolism, while its culmination can be established at the beginning of the First World War. In painting, symbolism was a fantastic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synthetism
Synthetism is a term used by Post-Impressionism, Post-Impressionist artists like Paul Gauguin, Émile Bernard and Louis Anquetin to distinguish their work Style (visual arts), stylistically from Impressionism. Earlier, ''Synthetism'' has been connected to the term Cloisonnism, and later to Symbolism (arts), Symbolism. The term is derived from the French verb ''synthétiser'' (''to synthesize'' or ''to combine so as to form a new, complex product''). History Paul Gauguin, Émile Bernard, Louis Anquetin, and others pioneered the style during the late 1880s and early 1890s. Synthetist artists aimed to ''synthesize'' three features: *The outward appearance of natural forms. *The artist's feelings about their subject. *The purity of the aesthetic considerations of line, colour and form. In 1890, Maurice Denis summarized the goals for synthetism as, :''It is well to remember that a picture before being a battle horse, a nude woman, or some anecdote, is essentially a flat surface covere ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
