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Poetic Meter
In poetry, metre ( Commonwealth spelling) or meter (American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, " prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.) Characteristics An assortment of features can be identified when classifying poetry and its metre. Qualitative versus quantitative metre The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular types. The familiar type of metre in English-language poetry is called qualitative metre, with stressed syllables coming ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poetry
Poetry (from the Greek language, Greek word ''poiesis'', "making") is a form of literature, literary art that uses aesthetics, aesthetic and often rhythmic qualities of language to evoke meaning (linguistics), meanings in addition to, or in place of, Denotation, literal or surface-level meanings. Any particular instance of poetry is called a poem and is written by a poet. Poets use a variety of techniques called poetic devices, such as assonance, alliteration, Phonaesthetics#Euphony and cacophony, euphony and cacophony, onomatopoeia, rhythm (via metre (poetry), metre), and sound symbolism, to produce musical or other artistic effects. They also frequently organize these effects into :Poetic forms, poetic structures, which may be strict or loose, conventional or invented by the poet. Poetic structures vary dramatically by language and cultural convention, but they often use Metre (poetry), rhythmic metre (patterns of syllable stress or syllable weight, syllable (mora) weight ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Syllable Weight
In linguistics, syllable weight is the concept that syllables pattern together according to the number and/or duration of segments in the rime. In classical Indo-European verse, as developed in Greek, Sanskrit, and Latin, distinctions of syllable weight were fundamental to the meter of the line. Linguistics A heavy syllable is a syllable with a branching nucleus or a branching rime, although not all such syllables are heavy in every language. A branching nucleus generally means the syllable has a long vowel or a diphthong; this type of syllable is abbreviated as CVV. A syllable with a branching rime is a ''closed syllable'', that is, one with a coda (one or more consonants at the end of the syllable); this type of syllable is abbreviated CVC. In some languages, both CVV and CVC syllables are heavy, while a syllable with a short vowel as the nucleus and no coda (a CV syllable) is a light syllable. In other languages, only CVV syllables are heavy, while CVC and CV syllables are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tone (linguistics)
Tone is the use of pitch (music), pitch in language to distinguish lexical or grammatical meaning—that is, to distinguish or to inflection, inflect words. All oral languages use pitch to express emotional and other para-linguistic information and to convey emphasis, contrast and other such features in what is called intonation (linguistics), intonation, but not all languages use tones to distinguish words or their inflections, analogously to consonants and vowels. Languages that have this feature are called tonal languages; the distinctive tone patterns of such a language are sometimes called tonemes, by analogy with ''phoneme''. Tonal languages are common in East Asia, East and Southeast Asia, Africa, the Americas, and the Pacific islands, Pacific. Tonal languages are different from pitch-accent languages in that tonal languages can have each syllable with an independent tone whilst pitch-accent languages may have one syllable in a word or morpheme that is more prominent t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexandrin
The French alexandrine () is a syllabic poetic metre of (nominally and typically) 12 syllables with a medial caesura dividing the line into two hemistichs (half-lines) of six syllables each. It was the dominant long line of French poetry from the 17th through the 19th century, and influenced many other European literatures which developed alexandrines of their own. 12th to 15th centuries Genesis According to verse historian Mikhail Gasparov, the French alexandrine developed from the Ambrosian octosyllable, × – u – × – u × Aeterne rerum conditor by gradually losing the final two syllables, × – u – × – Aeterne rerum cond (construct) then doubling this line in a syllabic context with phrasal stress rather than length as a marker. Rise and decline The earliest recorded use of alexandrines is in the Medieval French poem '' Le Pèlerinage de Charlemagne'' of 1150, but the name derives from their more famous use in part of the '' Roman d'Alexa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Biblical Hebrew
Biblical Hebrew ( or ), also called Classical Hebrew, is an archaic form of the Hebrew language, a language in the Canaanite languages, Canaanitic branch of the Semitic languages spoken by the Israelites in the area known as the Land of Israel, roughly west of the Jordan River and east of the Mediterranean Sea. The term 'Hebrew' was not used for the language in the Hebrew Bible, which was referred to as 'language of Canaan' or 'Judean', but it was used in Koine Greek and Mishnaic Hebrew texts. The Hebrew language is attested in inscriptions from about the 10th century BCE, when it was almost identical to Phoenician language, Phoenician and other Canaanite languages, and spoken Hebrew persisted through and beyond the Second Temple period, which ended in 70 CE with the siege of Jerusalem (70 CE), siege of Jerusalem. It eventually developed into Mishnaic Hebrew, which was spoken until the 5th century. The language of the Hebrew Bible reflects various stages of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Arabic
Classical Arabic or Quranic Arabic () is the standardized literary form of Arabic used from the 7th century and throughout the Middle Ages, most notably in Umayyad Caliphate, Umayyad and Abbasid Caliphate, Abbasid literary texts such as poetry, elevated prose and oratory, and is also the liturgical language of Islam, "Quranic" referring to the Quran. Classical Arabic is, furthermore, the Register (sociolinguistics), register of the Arabic language on which Modern Standard Arabic is based. Several written grammars of Classical Arabic were published with the exegesis of Arabic grammar being at times based on the existing texts and the works of previous texts, in addition to various early sources considered to be of most venerated genesis of Arabic. The primary focus of such works was to facilitate different linguistic aspects. Modern Standard Arabic is its direct descendant used today throughout the Arab world in writing and in formal speaking, for example prepared speeches, some r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old Church Slavonic
Old Church Slavonic or Old Slavonic ( ) is the first Slavic languages, Slavic literary language and the oldest extant written Slavonic language attested in literary sources. It belongs to the South Slavic languages, South Slavic subgroup of the Balto-Slavic languages, Balto-Slavic branch of the Indo-European languages, Indo-European language family and remains the liturgical language of many Christian Orthodox churches. Historians credit the 9th-century Byzantine Empire, Byzantine missionaries Saints Cyril and Methodius with Standard language, standardizing the language and undertaking the task of translating the Gospels and necessary Eastern Orthodox worship#Liturgical books, liturgical books into it as part of the Christianization of the Slavs. It is thought to have been based primarily on the dialect of the 9th-century Sclaveni, Byzantine Slavs living in the Thessalonica (theme), Province of Thessalonica (in present-day Greece). Old Church Slavonic played an important rol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Persian Language
Persian ( ), also known by its endonym and exonym, endonym Farsi (, Fārsī ), is a Western Iranian languages, Western Iranian language belonging to the Iranian languages, Iranian branch of the Indo-Iranian languages, Indo-Iranian subdivision of the Indo-European languages. Persian is a pluricentric language predominantly spoken and used officially within Iran, Afghanistan, and Tajikistan in three mutual intelligibility, mutually intelligible standard language, standard varieties, respectively Iranian Persian (officially known as ''Persian''), Dari, Dari Persian (officially known as ''Dari'' since 1964), and Tajik language, Tajiki Persian (officially known as ''Tajik'' since 1999).Siddikzoda, S. "Tajik Language: Farsi or not Farsi?" in ''Media Insight Central Asia #27'', August 2002. It is also spoken natively in the Tajik variety by a significant population within Uzbekistan, as well as within other regions with a Persianate society, Persianate history in the cultural sphere o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanskrit Language
Sanskrit (; stem form ; nominal singular , ,) is a classical language belonging to the Indo-Aryan languages, Indo-Aryan branch of the Indo-European languages. It arose in northwest South Asia after its predecessor languages had Trans-cultural diffusion, diffused there from the northwest in the late Bronze Age#South Asia, Bronze Age. Sanskrit is the sacred language of Hinduism, the language of classical Hindu philosophy, and of historical texts of Buddhism and Jainism. It was a lingua franca, link language in ancient and medieval South Asia, and upon transmission of Hindu and Buddhist culture to Southeast Asia, East Asia and Central Asia in the early medieval era, it became a language of religion and high culture, and of the political elites in some of these regions. As a result, Sanskrit had a lasting effect on the languages of South Asia, Southeast Asia and East Asia, especially in their formal and learned vocabularies. Sanskrit generally connotes several Indo-Aryan languages# ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spondee
A spondee (Latin: ) is a metrical foot consisting of two long syllables, as determined by syllable weight in classical meters, or two stressed syllables in modern meters. The word comes from the Greek , , 'libation'. Spondees in Ancient Greek and Latin Libations Sometimes libations were accompanied by hymns in spondaic rhythm, as in the following hymn by the Greek poet Terpander (7th century BC), which consists of 20 long syllables: "Zeus, Beginning of all things, Leader of all things, Zeus, I make a libation to Thee this beginning of (my) hymns." In hexameter poetry However, in most Greek and Latin poetry, the spondee typically does not provide the basis for a metrical line in poetry. Instead, spondees are found as irregular feet in meter based on another type of foot. For example, the epics of Homer and Virgil are written in dactylic hexameter. This term suggests a line of six dactyls, but a spondee can be substituted in most positions. The first line of Virgil's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dactyl (poetry)
A dactyl (; from Greek ) is a foot in poetic meter. In quantitative verse, often used in Greek or Latin, a dactyl is a long syllable followed by two short syllables, as determined by syllable weight. The best-known use of dactylic verse is in the epics attributed to the Greek poet Homer, the ''Iliad'' and the ''Odyssey''. In accentual verse, often used in English, a dactyl is a stressed syllable followed by two unstressed syllables—the opposite is the anapaest (two unstressed followed by a stressed syllable). An example of dactylic meter is the first line of Henry Wadsworth Longfellow's epic poem '' Evangeline'' (1847), which is in dactylic hexameter: :''This is the / forest prim- / eval. The / murmuring / pines and the / hemlocks, The first five feet of the line are dactyls; the sixth a trochee. Stephen Fry quotes Robert Browning's poem " The Lost Leader" as an example of the use of dactylic metre to great effect, creating verse with "great rhythmic dash and drive": ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Foot (prosody)
The foot is the basic repeating rhythmic unit that forms part of a line of verse in most Indo-European traditions of poetry, including English accentual-syllabic verse and the quantitative meter of classical ancient Greek and Latin poetry. The unit is composed of syllables, and is usually two, three, or four syllables in length. The most common feet in English are the iamb, trochee, dactyl, and anapaest. The foot might be compared to a bar, or a beat divided into pulse groups, in musical notation. A metrical foot is, in classical poetry, a combination of two or more short or long syllables in a specific order; although this "does not provide an entirely reliable standard of measurement" in heavily accented Germanic languages such as English. In these languages it is defined as a combination of one stressed and one or two unstressed syllables in a specific order. In general, lines of verse can be classified according to the number of feet they contain, using the ter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
