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Piano Accordion
A piano accordion is an accordion equipped with a right-hand keyboard similar to a piano or organ. Its acoustic mechanism is more that of an organ than a piano, as they are both aerophones, but the term "piano accordion"—coined by Guido Deiro in 1910—has remained the popular name. It may be equipped with any of the available systems for the left-hand manual. In comparison with a piano keyboard, the keys are more rounded, smaller, and lighter to the touch. These go vertically down the side, pointing inward, toward the bellows, making them accessible to only one hand while handling the accordion.Felt or rubber is placed under the piano keys to control touch and key noise: it is also used on the ''pallets'' to silence notes not sounded by preventing air flow. This material eventually wears with use, resulting in a clacking noise, so has to be replaced to quieten the mechanism. The bass piano accordion is a variation of a piano accordion without bass buttons, with the piano ke ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Free Reed Aerophone
A free reed aerophone is a musical instrument that produces sound as air flows past a vibrating reed (instrument), reed in a frame. Air pressure is typically generated by breath or with a bellows. In the Hornbostel–Sachs system, it is number 412.13 (a member of interruptive free aerophones). Free reed instruments are contrasted with non-free or enclosed reed instruments, where the timbre is fully or partially dependent on the shape of the instrument body, Hornbostel–Sachs number: 42 (flute, reed aerophone, reed, and brass instrument, brass). Operation The following illustrations depict the type of reed typical of harmonicas, pitch pipes, accordions, and reed organs as it goes through a cycle of vibration. One side of the reed frame is omitted from the images for clarity; in reality, the frame completely encloses the reed. Airflow over one side of the reed (labeled “AR”) creates a region of low pressure on that side (see the Bernoulli's principle article for details), cau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Felt
Felt is a textile that is produced by matting, condensing, and pressing fibers together. Felt can be made of natural fibers such as wool or animal fur, or from synthetic fibers such as petroleum-based acrylic fiber, acrylic or acrylonitrile or wood pulp–based rayon. Blended fibers are also common. Natural fiber felt has special properties that allow it to be used for a wide variety of purposes. It is "fire-retardant and self-extinguishing; it dampens vibration and absorbs sound; and it can hold large amounts of fluid without feeling wet..." History Felt from wool is one of the oldest known textiles. Many cultures have legends about the origins of felt-making. Sumerian legend claims that the secret of feltmaking was discovered by Urnamman of Lagash. The story of Clement of Metz, Saint Clement and Saint Christopher relates that the men packed their sandals with wool to prevent blisters while fleeing from persecution. At the end of their journey the movement and sweat had turned ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of All-Ireland Champions
This page lists those who have won the senior title at Fleadh Cheoil na hÉireann title since its foundation in 1951 by Comhaltas Ceoltóirí Éireann. There were no competitions in 2020 and 2021 due to the Covid-19 pandemic. Once you win a senior title, you are automatically placed into the All Ireland competition the following year giving you a chance to defend the title. Whilst the majority do not return, some have defended their title on multiple occasions. There are competitions for soloists, duos, trios, and various types of ensembles, many of which are divided into separate competitions by age group. A list of the categories is found here. Fiddle (Fidil) *1951, Pat Kelly, County Tyrone *1952, Bobby Casey, County Clare *1953, Paddy Canny, County Clare *1954, Aggie Whyte, County Galway *1955, Seán Ryan, County Tipperary *1956, Seán Ryan, County Tipperary *1957, Jimmy McHugh, Glasgow, Scotland *1958, Seán McLoughlan, County Antrim *1959, John Gallagher, County Donegal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Squeezebox
The term squeezebox (also squeeze box, squeeze-box) is a colloquial expression referring to any musical instrument of the general class of hand-held bellows-driven free reed aerophones such as the accordion Accordions (from 19th-century German language, German ', from '—"musical chord, concord of sounds") are a family of box-shaped musical instruments of the bellows-driven free reed aerophone type (producing sound as air flows past a Reed (mou ... and the concertina. The term is so applied because such instruments are generally in the shape of a rectangular prism or box, and the bellows is operated by squeezing in and drawing out. Accordions (including piano accordions and button accordions) typically have right-hand buttons or keys that play single notes (melody) and left hand buttons that play chords and bass notes. The bandoneon is a type of concertina particularly popular in South America and Lithuania, frequently featuring in tango ensembles.Piazzolla, Ast ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bandoneon
The bandoneon () or bandonion is a type of concertina particularly popular in Argentina and Uruguay. It is a typical instrument in most tango ensembles. As with other members of the concertina family, it is held between the hands, and played by pulling and pushing air through bellows, routing it through sets of tuned metal reeds by pressing the instrument's buttons. Unlike most accordions, bandoneons always employ the same sets of reeds to produce their sound, and do not usually have the register switches common on accordions. Nevertheless, the bandoneon can be played very expressively, using various bellows pressures and other techniques. The left and right hand have different timbres due to the wooden box on the left side which gives the left hand a nasal and muted timbre, in contrast with the right hand which is usually bright and sharp. History The Bandonion, so named by the German instrument dealer Heinrich Band (1821–1860), was originally intended as an instrument ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Button Accordion
A button accordion is a type of accordion on which the melody-side keyboard consists of a series of buttons. This differs from the piano accordion, which has piano-style keys. Erich von Hornbostel and Curt Sachs categorize it as a free reed aerophone in their classification of instruments, published in 1914. The sound from the instrument is produced by the vibration of air in reeds. Button accordions of various types are particularly common in European countries and countries where European people settled. The button accordion is often confused with the concertina; the button accordion's buttons are on the front of the instrument, where as the concertina's are on the sides and pushed in parallel with the bellows. Main components All accordions and concertinas have three main components: the reeds, bellows, and buttons or keys. Pushing or pulling the bellows slower or faster makes the sound softer or louder, respectively. The accordion has free reeds on both the treble and bas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accordion Reed Ranks And Switches
A reed rank inside an accordion is a single full set of the reeds that are the means to achieve the instrument's sound range. These reed ranks are located in the reed chamber. Most accordions to this date typically have between two and four reed ranks on the treble side and between three and five reed ranks on the bass side. These can usually be selected individually or combined in various ways to provide a range of different timbres, by use of register switches arranged by register from high to low. More of the top-line expensive accordions may contain five or six reed blocks on the treble side for different tunings, typically found in accordions that stress musette sounds. How many reeds an accordion has is specified by the number of treble ranks and bass ranks. For example, a 4/5 accordion has four reeds on the treble side and five on the bass side. A 3/4 accordion has three reeds on the treble sides and four on the bass side. Reed ranks are classified by either organ 'foo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Former Soviet Countries
The post-Soviet states, also referred to as the former Soviet Union or the former Soviet republics, are the independent sovereign states that emerged/re-emerged from the dissolution of the Soviet Union in 1991. Prior to their independence, they existed as Union Republics, which were the top-level constituents of the Soviet Union. There are 15 post-Soviet states in total: Armenia, Azerbaijan, Belarus, Estonia, Georgia, Kazakhstan, Kyrgyzstan, Latvia, Lithuania, Moldova, Russia, Tajikistan, Turkmenistan, Ukraine, and Uzbekistan. Each of these countries succeeded their respective Union Republics: the Armenian SSR, the Azerbaijan SSR, the Byelorussian SSR, the Estonian SSR, the Georgian SSR, the Kazakh SSR, the Kirghiz SSR, the Latvian SSR, the Lithuanian SSR, the Moldavian SSR, the Russian SFSR, the Tajik SSR, the Turkmen SSR, the Ukrainian SSR, and the Uzbek SSR. In Russia, the term " near abroad" () is sometimes used to refer to the post-Soviet states other than Russia. Following ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accordion Music Genres
The accordion is in a wide variety of musical genres, mainly in traditional and popular music. In some regions, such as in Europe and North America, it has become mainly restricted to traditional, folk and ethnic music. Nonetheless, the button accordion (melodeon) and the piano accordion are widely taught and played in Ireland, and have remained a steady fixture within Irish traditional music, both in Ireland and abroad, particularly in the United States and Great Britain. Numerous virtuoso Irish accordion players have recorded many albums over the past century or so; the earliest Irish music records were made in the 1920s, in New York City, by fiddler and Sligo immigrant Michael Coleman, widely considered to have paved the way for other traditional musicians to record themselves. Accordions are also played within other Celtic styles (such as in Scotland, Cornwall and Brittany), as well as in English traditional music, American traditional music, polka, Galician folk music, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Frosini
Pietro Frosini (9 August 1885 – 2 September 1951) professionally known mononymously as Frosini, was an Italian vaudeville performer, musician, and composer. Based in the United States, he was one of the first famous "stars of the accordion." Biography Early life He was born Pietro Giuffrida, in Mascalucia Province, Catania, Sicily, to a farming family in 1885 and began to play the chromatic button accordion at the age of six. By the aged of 8, he was playing operatic and overtures on his father's accordion. In 1889, he joined the Municipal Conservatory of Fine Arts, originally taking up the cornet, and became a pupil of Francesco Paolo Frontina (whom he took his professional stage name from, as a tribute) studying composition and harmony. In 1902 he transferred to the Milan Conservatory of Music. He briefly served as a cornettist with a British Army Band in Malta, but after health complications after contracting malaria, he went back to his first love of the accordion. Profes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Deiro
Pietro Deiro (1888 – 1954) was one of the most influential accordionists of the first half of the 20th century. Born on August 28, 1888, in Salto Canavese, Italy, the younger brother of Guido Deiro, Pietro Deiro emigrated to the United States as a steerage passenger on the S/S ''La Savoie'' in 1907 and went to live with his Uncle Frederico and work in the coal mines of Cle Elum, Washington. Pietro Deiro began playing Diatonic button accordion professionally in a tavern in Seattle in 1908. Within a few months, his brother Guido Deiro (already an accomplished piano-accordionist in Europe) arrived in Seattle, and taught his brother how to play the piano accordion. Both brothers became minor celebrities on the vaudeville circuit; Guido in 1910 and Pietro at least by 1912. Pietro Deiro recorded dozens of records for the Victor Talking Machine Company. After the demise of vaudeville during the Great Depression, he opened a successful accordion studio in Greenwich Village, New ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Munich
Munich is the capital and most populous city of Bavaria, Germany. As of 30 November 2024, its population was 1,604,384, making it the third-largest city in Germany after Berlin and Hamburg. Munich is the largest city in Germany that is not a state of its own. It ranks as the 11th-largest city in the European Union. The metropolitan area has around 3 million inhabitants, and the broader Munich Metropolitan Region is home to about 6.2 million people. It is the List of EU metropolitan regions by GDP#2021 ranking of top four German metropolitan regions, third largest metropolitan region by GDP in the European Union. Munich is located on the river Isar north of the Alps. It is the seat of the Upper Bavaria, Upper Bavarian administrative region. With 4,500 people per km2, Munich is Germany's most densely populated municipality. It is also the second-largest city in the Bavarian language, Bavarian dialect area after Vienna. The first record of Munich dates to 1158. The city ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
