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Phlyax Play
A phlyax play (, pl: , ''phlyakes''), also known as a hilarotragedy (), was a burlesque dramatic form that developed in the Greek colonies of Magna Graecia in the 4th century BC. From the surviving fragments and titles of the plays, they appear to have been a form of mythological burlesque, which mixed figures from the Greek pantheon with the stock characters and situations of Attic Comedy. While the plays themselves survive only as titles and a few fragments, a substantial body of South Italian vases which survive today are generally thought to represent phlyax-related imagery. These vases depict lively and entertaining theatrical scenes of contemporary Athenian comedies as well as lesser known local productions. Distinct phlyax plays, blending tragic and comic elements, became well defined only in the late 4th century BC onwards by the dramatist Rhinthon. Five authors of this genre are known by name; Rhinthon and Sciras of Taranto, Blaesus of Capri, Sopater of Paphos and H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Asteas - RFVP 2-125 - Robbing The Miser As Phlyax Play - Dionysos And Satyr - Berlin AS F 3044 - 02
Asteas (active between 350 and 320 BC in Paestum, Southern Italy) was one of the more active ancient Greek vase painters in Magna Graecia, practicing the red-figure style. He managed a large workshop, in which above all hydriai and kraters were painted. He painted mostly mythological and theatrical scenes. He is one of the few vase painters of the Greek colonies whose name comes down to us. Selected works *Berlin, Antikensammlung :Calyx krater F 304*Kassel, Staatliche Museen :Skyphos *Malibu, J. Paul Getty Museum :Calyx krater 81.AE.78 ''(2006 als Fund aus einer Raubgrabung an Italien zurückgegeben)'*Paris, Musée National du Louvre :Lekanis K 57*Tampa, Tampa Museum of Art :Hydria 89.9 References * Arthur Dale Trendall Arthur Dale Trendall, (28 March 1909 – 13 November 1995) was a New Zealand art historian and classical archaeologist whose work on identifying the work of individual artists on Greek ceramic vessels at Apulia and other sites earned him i .... ''The red ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paphos
Paphos, also spelled as Pafos, is a coastal city in southwest Cyprus and the capital of Paphos District. In classical antiquity, two locations were called Paphos: #Old Paphos, Old Paphos, today known as Kouklia, and #New Paphos, New Paphos. It is the fourth-largest city in the country, after Nicosia, Limassol and Larnaca, with an urban population of 63,600 in 2018. The current city of Paphos lies on the Mediterranean Sea, Mediterranean coast, about west of Limassol (the biggest port on the island), both of which are connected by the A6 motorway (Cyprus), A6 highway. Paphos International Airport is the country's second-largest airport, and is a gateway to western and southern Cyprus. The city has a subtropical-Mediterranean climate, with the mildest temperatures on the island. In 1980, Paphos was included on the UNESCO World Heritage List for its ancient architecture, mosaics, and ancient religious importance. It was selected as a European Capital of Culture for 2017 along with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Atella
Atella was an ancient Oscan city of Campania, located 20km directly north of Naples. Remains The ruins of the city walls, private houses, the so-called ''garden of Virgil'' and many tombs remain, on sites in the ''comuni'' of Frattaminore, Orta di Atella, Sant'Arpino and Succivo, the last three of which formed the ''comune'' of Atella di Napoli in the mid‑20th century. The territory of ancient Atella is now in the ''comuni'' of Caivano, Cardito, Cesa, Frattamaggiore, Grumo Nevano and Sant'Antimo. The archaeological museum of Atella is at Succivo. The Atellan farce was one of the forms of entertainment of local origin that influenced the Latin theatre. History Atella was a city of Oscan origin, one of the oldest in Campania and one of the first to have obtained the Roman ''civitas''. It was crossed by the '' Via Atellana'', which led southwest to Cumae and northeast to Capua. Part of the route of Via Atellana is preserved today, with the same name, in the stretch t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Campania
Campania is an administrative Regions of Italy, region of Italy located in Southern Italy; most of it is in the south-western portion of the Italian Peninsula (with the Tyrrhenian Sea to its west), but it also includes the small Phlegraean Islands and the island of Capri. The capital of the region is Naples. Campania has a population of 5,575,025 as of 2025, making it Italy's third most populous region, and, with an area of , its most densely populated region. Based on its Gross domestic product, GDP, Campania is also the most economically productive region in Southern Italy List of Italian regions by GDP, and the 7th most productive in the whole country. Naples' urban area, which is in Campania, is the List of urban areas in the European Union, eighth most populous in the European Union. The region is home to 10 of the 58 List of World Heritage Sites in Italy, UNESCO sites in Italy, including Pompeii and Herculaneum, the Royal Palace of Caserta, the Amalfi Coast, the Longobardian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oscan
Oscan is an extinct Indo-European language of southern Italy. The language is in the Osco-Umbrian or Sabellic branch of the Italic languages. Oscan is therefore a close relative of Umbrian and South Picene. Oscan was spoken by a number of tribes, including the Samnites, the Lucani, the Aurunci ( Ausones), and the Sidicini. The latter two tribes were often grouped under the name " Osci". The Oscan group is part of the Osco-Umbrian or Sabellic family, and includes the Oscan language and three variants ( Hernican, Marrucinian and Paelignian) known only from inscriptions left by the Hernici, Marrucini and Paeligni, minor tribes of eastern central Italy. Adapted from the Etruscan alphabet, the Central Oscan alphabet was used to write Oscan in Campania and surrounding territories from the 5th century BCE until at least the 1st century CE. Evidence Oscan is known from inscriptions dating as far back as the 5th century BCE. The most important ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cloak
A cloak is a type of loose garment worn over clothing, mostly but not always as outerwear for outdoor wear, which serves the same purpose as an overcoat and protects the wearer from the weather. It may form part of a uniform. People in many different societies may wear cloaks. Over time, cloak designs have changed to match fashion and available textiles. Cloaks generally fasten at the neck or over the shoulder, and vary in length from the hip to the ankle, with mid-calf being the normal length. They may have an attached hood (headgear) , hood and may cover and fasten down the front, in which case they have holes or slits for the hands to pass through. However, cloaks are almost always sleeveless. Christian clerics may wear a cappa or a cope – forms of cloak – as liturgical vestments or as part of a religious habit. Etymology The word ''cloak'' comes from Old North French ''cloque'' (Old French ''cloche'', ''cloke'') meaning "bell", from Medieval Latin ''clocca'' "travele ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Mask
A mask is an object normally worn on the face, typically for protection, disguise, performance, or entertainment, and often employed for rituals and rites. Masks have been used since antiquity for both ceremonial and practical purposes, as well as in the performing arts and for entertainment. They are usually worn on the face, although they may also be positioned for effect elsewhere on the wearer's body. In art history, especially sculpture, "mask" is the term for a face without a body that is not modelled in the round (which would make it a "head"), but for example appears in low relief. Etymology The word "mask" appeared in English in the 1530s, from Middle French ''masque'' "covering to hide or guard the face", derived in turn from Italian ''maschera'', from Medieval Latin ''masca'' "mask, specter, nightmare". This word is of uncertain origin, perhaps from Arabic ''maskharah'' مَسْخَرَۃٌ "buffoon", from the verb ''sakhira'' "to ridicule". However, it may a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Improvisation
Improvisation, often shortened to improv, is the activity of making or doing something not planned beforehand, using whatever can be found. The origin of the word itself is in the Latin "improvisus", which literally means un-foreseen. Improvisation in the performing arts is a very spontaneous performance without specific or scripted preparation. The skills of improvisation can apply to many different faculties across all artistic, scientific, physical, cognitive, academic, and non-academic disciplines; see Applied improvisation. Skills and techniques The skills of improvisation can apply to many different abilities or forms of communication and expression across all artistic, scientific, physical, cognitive, academic, and non-academic disciplines. For example, improvisation can make a significant contribution in music, dance, cooking, presenting a speech, sales, personal or romantic relationships, sports, flower arranging, martial arts, psychotherapy, and much more. Technique ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epitaph
An epitaph (; ) is a short text honoring a deceased person. Strictly speaking, it refers to text that is inscribed on a tombstone or plaque, but it may also be used in a figurative sense. Some epitaphs are specified by the person themselves before their death, while others are chosen by those responsible for the burial. An epitaph may be written in prose or in poem verse. Most epitaphs are brief records of the family, and perhaps the career, of the deceased, often with a common expression of love or respect—for example, "beloved father of ..."—but others are more ambitious. From the Renaissance to the 19th century in Western culture, epitaphs for notable people became increasingly lengthy and pompous descriptions of their family origins, career, virtues and immediate family, often in Latin. Notably, the Laudatio Turiae, the longest known Ancient Roman epitaph, exceeds almost all of these at 180 lines; it celebrates the virtues of an honored wife (sometimes identified, but ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nossis
Nossis (, ) was a Hellenistic poet from Epizephyrian Locris in Magna Graecia. Probably well-educated and from a noble family, Nossis was influenced by and claimed to rival Sappho. Eleven or twelve of her epigrams, mostly religious dedications and epitaphs, survive in the ''Greek Anthology''. Her work is known for its focus on women, their lives and world; modern scholars such as Marilyn B. Skinner have argued that Nossis consciously positioned herself as part of a female literary tradition, in contrast to that of male poets such as Pindar. Though she is one of the best-preserved ancient Greek women poets, her work does not seem to have entered the Greek literary canon. In the twentieth century, the imagist poet H. D. was influenced by Nossis, as was Renée Vivien in her French translation of the ancient Greek women poets. Life Nossis was from Epizephyrian Locris in Magna Graecia (modern Locri in Calabria, southern Italy). She was probably from a noble family. According to o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
