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Paubha
A paubhā (Devanagari: पौभा) is a traditional religious painting made by the Newar people of Nepal. Paubhas depict deities, mandalas or monuments, and are used to help the practitioners in meditation. The Tibetan equivalent is known as Thangka. The main difference between Thangka and Paubha is that Thangka is exclusive to Buddhist art, while paubha is used in both Hindu and Buddhist art traditions by the Newar community. The traditional painters of paubhas are the Chitrakar caste who are known as Pun (पुं) in Nepal Bhasa. History A paubha of Amitabha Buddha at the Los Angeles County Museum is believed to be the earliest specimen which is done in a style dating from the 11th century ( Nepal Sambat 485). It is a specimen of the skill of Newar artists that made them sought-after throughout the Himalayan region and as far as China. Newar artists and merchants took the paubha art to Tibet from which the Tibetan thangka evolved. The painting Paubhas are painted on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chitrakar
Chitrakar (Devanagari: चित्रकार) is a caste within the Newar community of the Kathmandu Valley in Nepal. The Newar caste system is divided according to profession. Accordingly, Chitrakars were painters and mask makers. In Nepal Bhasa (the language of the Newar community), this caste is called "pun" (पुं) or "puna". The literal translation of the word ''"chitrakar"'' from Sanskrit is 'image maker', where ''"chitrá"'' in Sanskrit means 'an image', and ''"kara"'' 'the maker'. Traditional occupation The Pun or Chitrakar paint paubhas used in prayer rooms and murals in temples, make masks used for ritual dances, paintings on ceramics and woodblock prints used during festivals. The craft is handed down from father to son according to the division of labour laid down from ancient times. Women generally play a secondary role in the artistic ventures. Ethnically, Chitrakars like other Newar communities are of diverse origin including various Indo-Aryan and Tib ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thangka
A ''thangka'' (; Tibetan: ཐང་ཀ་; Nepal Bhasa: पौभा) is a Tibetan Buddhist painting on cotton, silk appliqué, usually depicting a Buddhist deity, scene, or mandala. Thangkas are traditionally kept unframed and rolled up when not on display, mounted on a textile backing somewhat in the style of Chinese scroll paintings, with a further silk cover on the front. So treated, thangkas can last a long time, but because of their delicate nature, they have to be kept in dry places where moisture will not affect the quality of the silk. Most thangkas are relatively small, comparable in size to a Western half-length portrait, but some are extremely large, several metres in each dimension; these were designed to be displayed, typically for very brief periods on a monastery wall, as part of religious festivals. Most thangkas were intended for personal meditation or instruction of monastic students. They often have elaborate compositions including many very small fig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Newar
Newar (; , endonym: Newa; , Pracalit script: ), or Nepami, are primarily inhabitants in Kathmandu Valley of Nepal and its surrounding areas, and the creators of its historic heritage and civilisation. Page 15. Newars are a distinct linguistic and cultural group, primarily Indo-Aryan and Tibeto-Burman ethnicities, who share a common language, Nepal Bhasa, and predominantly practice Newar Hinduism and Newar Buddhism. Newars have developed a division of labour and a sophisticated urban civilisation not seen elsewhere in the Himalayan foothills. Newars have continued their age-old traditions and practices and pride themselves as the true custodians of the religion, culture and civilisation of Nepal. Newars are known for their contributions to culture, art and literature, trade, agriculture and cuisine. Today, they consistently rank as the most economically and socially advanced community in Nepal, according to the annual Human Development Index published by UNDP. Newars are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ashtimki Painting
Ashtimki Chitra () is a type of painting drawn on the day of Ashtimki festival celebrated by the Tharu community in the western region of Nepal. Significance The painting is made on the wall of the house using home-made colors that make the painting unique and beautiful. It is done on the day of Lord Krishna's birthday, Krishna Janmashtami at Tharu elder ''Mahatawa'''s house. The colors are made from red clay (red), bean leaves (green) and burnt wild grass (black). Symbolism The painting depicts the story of evolution. The main components of the painting are Kanha (Krishna), a kadam tree, a boat, fish, crabs, tortoise, monkeys and other animals, a ten headed demon (Ravana), Pandava, Draupadi, a sun and a moon. Lately, the artists have been adding other animals to the painting. These characters are marked with '' tika'' on the painting as the ritual function of the Ashtimki festival. See also * Madhubani art * Paubha A paubhā (Devanagari: पौभा) is a traditi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddhist Meditation
Buddhist meditation is the practice of meditation in Buddhism. The closest words for meditation in the classical languages of Buddhism are ''bhavana, bhāvanā'' ("mental development") and ''Dhyāna in Buddhism, jhāna/dhyāna'' (a state of meditative absorption resulting in a calm and luminous mind). Buddhists pursue meditation as part of the path toward Moksha, liberation from defilements (''Kleshas (Buddhism), kleshas'') and clinging and craving (''upādāna''), also called Bodhi, awakening, which results in the attainment of nirvana. The Indian Schools of Buddhism, Buddhist schools relied on numerous meditation techniques to attain meditative absorption, some of which remain influential in certain modern schools of Buddhism. Classic Buddhist meditations include ''anapanasati'' (mindfulness of breathing), ''Patikulamanasikara, asubha bhavana'' ("reflections on repulsiveness");Deleanu, Florin (1992)Mindfulness of Breathing in the Dhyāna Sūtras Transactions of the Internatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vishnu Mandala
Vishnu (; , , ), also known as Narayana and Hari, is one of the principal deities of Hinduism. He is the supreme being within Vaishnavism, one of the major traditions within contemporary Hinduism, and the god of preservation (sattva). Vishnu is known as ''The Preserver'' within the Trimurti, the triple deity of supreme divinity that includes Brahma and Shiva. Gavin Flood, An Introduction to Hinduism' () (1996), p. 17. In Vaishnavism, Vishnu is the supreme Lord who creates, protects, and transforms the universe. Tridevi is stated to be the energy and creative power (Shakti) of each, with Lakshmi being the equal complementary partner of Vishnu. He is one of the five equivalent deities in Panchayatana puja of the Smarta tradition of Hinduism. According to Vaishnavism, the supreme being is with qualities ( Saguna), and has definite form, but is limitless, transcendent and unchanging absolute Brahman, and the primal Atman (Self) of the universe. There are both benevolent an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nepal Sambat
Nepal Sambat (, ''nepāla samvat'', meaning "Nepal Era") is the lunisolar calendar used by the Newar people of Nepal. It was the official calendar of Nepal since its inception on 20 October 879 till the end of the Malla dynasty in 1769. During the period, Nepal Sambat appeared on coins, stone and copper plate inscriptions, royal decrees, chronicles, Hindu and Buddhist manuscripts, legal documents and correspondence. After the conquest of Nepal by the Shahs in 1769, the official calendar of the country was replaced with Shaka era and then later by the Bikram Samvat. The calendar still holds cultural significance in Nepal, especially among the Newar people, whose festivals are based on this calendar system. Owing to its cultural and historical significance, the government of Nepal declared to include Nepal Sambat in official government documents alongside Vikram Sambat since 11 November 2023. The origin of Nepal Sambat is often the subject of folklore like that of Sankhadh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nepalese Art
Nepalese or Nepali may refer to something or someone of, from, or associated with the nation of Nepal. Concerning Nepal * Nepali people, citizens of Nepal * Nepali language, an Indo-Aryan language found in Nepal * Nepalese literature * Nepalese cuisine * Nepalese culture * Nepali cinema * Nepali music Other uses * ''Nepali'' (film), a 2008 Indian Tamil-language film See also * * * Nepal (other) * Languages of Nepal Languages of Nepal, referred to as Nepalese languages in the Constitution of Nepal, country's constitution, are the languages having at least an ancient history or origin inside the sovereign territory of Nepal, spoken by Nepalis. There were 1 ... {{disambiguation Language and nationality disambiguation pages ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madhubani Art
Madhubani art (also known as Mithila art) is a style of painting practiced in the Mithila region of India and Nepal. It is named after the Madhubani district of Bihar, India, which is where it originated. Jitwarpur, Ranti and Rasidpur are the three most notable cities associated with the tradition and evolution of Madhubani art. The art was traditionally practiced by female members. Artists create these paintings using a variety of mediums, including their own fingers, or twigs, brushes, nib-pens, and matchsticks. The paint is created using natural dyes and pigments such as ochre and lampblack are used for reddish brown and black respectively. The paintings are characterized by their eye-catching geometrical patterns. There is ritual content for particular occasions, such as birth or marriage, and festivals, such as Holi, Surya Shasti, Kali Puja, Upanayana, and Durga Puja. Traditionally, painting was one of the skills that was passed down from generation to generation in the fa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Newar Buddhism
Newar Buddhism is a form of Vajrayana Buddhism practiced by the Newar people of the Kathmandu Valley, Nepal. It has developed unique socio-religious elements, which include a non-monastic Buddhist society based on the Newar caste system and patrilineality. Its caste system has a non-celibate religious clergy caste formed of vajracharya (who perform rituals for others) and ''shakya'' (who perform rituals mostly within their own families). Other Buddhist Newar castes like the Urāy act as patrons. Urāy also patronise Tibetan Vajrayana, Theravadin, and even Japanese clerics. Although there was a vibrant regional tradition of Buddhism in the Kathmandu Valley during the first millennium, the transformation into a distinctive cultural and linguistic form of Buddhism appears to have taken place in the fifteenth century, at about the same time that similar regional forms of Indic Buddhism such as those of Kashmir and Indonesia were on the wane. Avalokiteśvara, Nepal, 16th c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gunla
Gunlā (Nepal Bhasa: गुँला) (also spelt Gumlā) is the tenth month in the Nepal Sambat lunar calendar, the national lunar calendar of Nepal. It corresponds to August of the Gregorian Calendar. Gunla is a holy month for Newar Buddhists when they recite the scriptures, observe fasts and visit places of worship playing devotional music. It is one of the most important events in Newar Buddhism. The practice of observing the sacred month is descended from the rains retreat dating from the Buddha's time when monks are to stay in one place and taught the Dhamma to the locals during this period. According to traditional beliefs, during primitive times, too much rain would fall. Due to this rain, the mud houses during the time would get devastated, moreover floods and landslides would add melancholy in people's lives. So, in order to downturn the melancholy, and be safe from floods and landslides, people would go to Swayambhu playing the devotional music as it was in an elevat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
