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Paperweight
A paperweight is a small solid object heavy enough, when placed on top of papers, to keep them from blowing away in a breeze or from moving under the strokes of a painting brush (as with Chinese calligraphy). While any object, such as a stone, can serve as a paperweight, decorative paperweights of glass are produced, either by individual artisans or factories, usually in limited editions, and are collected as works of fine glass art, some of which are exhibited in museums. First produced in about 1845, particularly in France, such decorative paperweights declined in popularity before undergoing a revival in the mid-twentieth century. Basic features Decorative glass paperweights have a flat or slightly concave base, usually polished but sometimes frosted, cut in one of several variations (e.g. star-cut bases have a multi-pointed star, while a diamond cut base has grooves cut in a criss-cross pattern), although a footed weight has a flange in the base. The ground on which the ...
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Paul Joseph Stankard
Paul Joseph Stankard is an American artist, flameworker (or ' lampworker') and author. Early life Paul J. Stankard was born April 7, 1943, as the second of nine children in an Irish Catholic family. He lived in North Attleboro, Massachusetts in his early years. In his autobiography, Stankard chronicles his early struggles with dyslexia, which made classroom learning difficult. His high school transcripts showed him graduating near the bottom of his class, mistakenly assigned a low IQ score. In the book, Stankard describes the pressure and stigma of being labeled a slow learner by an educational system that at the time was not aware of dyslexia. In 1972 he discovered the concept of dyslexia and started to develop a self-directed learning program that heavily relied on books on tape (audible books). His 50-year learning journey lead to two honorary doctorate degrees and allowed him to overcome his low self-esteem and learning disabilities to become one of the foremost glass artists ...
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Yelverton Paperweight Centre
Yelverton Paperweight Centre was a paperweight museum and supplier in Leg O'Mutton, a small hamlet near Yelverton, in the English county of Devon. The museum began as the private collection of a Cornish postmaster, and grew to contain over 1,200 items. It was featured in the humorous travel book, '' More Bollocks to Alton Towers'', which suggested that, "Even if you're sceptical when you arrive, you'll be amazed long before you leave". , the Paperweight Centre had closed and the building was up for sale. History The museum began as the private collection of Bernard Broughton, the postmaster of St Tudy in Cornwall. Broughton's wife was bequeathed a French paperweight in a family member's will, and this inspired Broughton to begin collecting paperweights. When his personal collection had grown, he began to open it for public viewings in his post office building. In 1978, Broughton moved to Yelverton and continued giving the public access to his collection. At the point of his deat ...
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Glass Art
Glass art refers to individual works of art that are substantially or wholly made of glass. It ranges in size from monumental works and installation pieces to wall hangings and windows, to works of art made in studios and factories, including glass jewelry and tableware. As a decorative and functional medium, glass was extensively developed in Egypt and Assyria. Glassblowing was perhaps invented in the 1st century BC, and featured heavily in Roman glass, which was highly developed with forms such as the cage cup for a luxury market. Islamic glass was the most sophisticated of the early Middle Ages. Then the builders of the great Norman and Gothic cathedrals of Europe took the art of glass to new heights with the use of stained glass windows as a major architectural and decorative element. Glass from Murano, in the Venetian Lagoon, (also known as Venetian glass) is the result of hundreds of years of refinement and invention. Murano is still held as the birthplace of modern g ...
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Chinese Calligraphy
Chinese calligraphy is the writing of Chinese characters as an art form, combining purely visual art and interpretation of the literary meaning. This type of expression has been widely practiced in China and has been generally held in high esteem across East Asia. Calligraphy is considered one of the four most-sought skills and hobbies of ancient Chinese literati, along with playing stringed musical instruments, the board game "Go", and painting. There are some general standardizations of the various styles of calligraphy in this tradition. Chinese calligraphy and ink and wash painting are closely related: they are accomplished using similar tools and techniques, and have a long history of shared artistry. Distinguishing features of Chinese painting and calligraphy include an emphasis on motion charged with dynamic life. According to Stanley-Baker, "Calligraphy is sheer life experienced through energy in motion that is registered as traces on silk or paper, with time and r ...
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Baccarat (company)
Baccarat () is a French luxury brand and manufacturer of fine crystal located in Baccarat, Meurthe-et-Moselle, France. The company owns two museums: the Musée Baccarat in Baccarat, and the Musée Baccarat in Paris on the Place des États-Unis. Groupe du Louvre was the majority shareholder of the company until 2005. The company was then acquired by Starwood Capital Group, which used the name for a luxury hotel called Baccarat Hotel New York, featuring the company's chandeliers, decorative pieces and glasses. In 2018, Fortune Fountain Capital, a Beijing-based financial group, acquired an 88.8 per cent stake of the company from Starwood Capital Group and L Catterton. On 23 December 2020, four financing funds based in Hong Kong - Tor, Sammasan, Dolphin and Corbin - took control of the capital of Fortune Fountain Limited (FFL), the holding company that held 97% of the shares of Baccarat. History 1764-1816 After the closure of the Rozières saltworks in 1760 due to a drop ...
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Millefiori
Millefiori () is a glasswork technique which produces distinctive decorative patterns on glassware. The term millefiori is a combination of the Italian words "mille" (thousand) and "fiori" (flowers). Apsley Pellatt in his book ''Curiosities of Glass Making'' was the first to use the term "millefiori", which appeared in the ''Oxford English Dictionary'' in 1849; prior to that, the beads were called mosaic beads. While the use of this technique long precedes the term "millefiori", it is now most frequently associated with Venetian glassware. Since the late 1980s, the millefiori technique has been applied to polymer clay and other materials. As the polymer clay is quite pliable and does not need to be heated and reheated to fuse it, it is a much easier medium in which to produce millefiori patterns than glass. History The manufacture of mosaic beads can be traced to Ancient Roman, Phoenician and Alexandrian times. Canes, probably made in Italy, have been found as far away as ...
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New England Glass Company
Libbey, Inc., (formerly Libbey Glass Company and New England Glass Company) is a glass production company headquartered in Toledo, Ohio. It was originally founded in Cambridge, Massachusetts as the ''New England Glass Company'' in 1818'','' before relocating to Ohio in 1888 and renaming to ''Libbey Glass Co''. After it was purchased in 1935, it operated as part of the Libbey-Owens-Ford company and as a division of the Owens-Illinois glass company until 1993, when it was separated back into an independent company. The company manufactures a number of glassware products, primarily tableware, drinkware and stemware. Historically, it was also involved in producing other types of glass products, such as automotive glass, glass drinking bottles, and light bulbs. History New England Glass Company (1818–1892) The New England Glass Company was originally founded in Cambridge, Massachusetts by Amos Binney, Edmund Munroe, Daniel Hastings, and Deming Jarves on February 16, 1818. The ...
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Art Institute Of Chicago
The Art Institute of Chicago in Chicago's Grant Park, founded in 1879, is one of the oldest and largest art museums in the world. Recognized for its curatorial efforts and popularity among visitors, the museum hosts approximately 1.5 million people annually. Its collection, stewarded by 11 curatorial departments, is encyclopedic, and includes iconic works such as Georges Seurat's ''A Sunday on La Grande Jatte'', Pablo Picasso's '' The Old Guitarist'', Edward Hopper's ''Nighthawks'', and Grant Wood's ''American Gothic''. Its permanent collection of nearly 300,000 works of art is augmented by more than 30 special exhibitions mounted yearly that illuminate aspects of the collection and present cutting-edge curatorial and scientific research. As a research institution, the Art Institute also has a conservation and conservation science department, five conservation laboratories, and one of the largest art history and architecture libraries in the country—the Ryerson and ...
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Cameo (carving)
Cameo () is a method of carving an object such as an engraved gem, item of jewellery or vessel. It nearly always features a raised (positive) relief image; contrast with intaglio, which has a negative image. Originally, and still in discussing historical work, cameo only referred to works where the relief image was of a contrasting colour to the background; this was achieved by carefully carving a piece of material with a flat plane where two contrasting colours met, removing all the first colour except for the image to leave a contrasting background. A variation of a carved cameo is a cameo incrustation (or sulphide). An artist, usually an engraver, carves a small portrait, then makes a cast from the carving, from which a ceramic type cameo is produced. This is then encased in a glass object, often a paperweight. These are very difficult to make but were popular from the late 18th century through the end of the 19th century. Originating in Bohemia, the finest examples were ma ...
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Lampwork
Lampworking is a type of glasswork in which a torch or lamp is used to melt the glass. Once in a molten state, the glass is formed by blowing and shaping with tools and hand movements. It is also known as flameworking or torchworking, as the modern practice no longer uses oil-fueled lamps. Although lack of a precise definition for lampworking makes it difficult to determine when this technique was first developed, the earliest verifiable lampworked glass is probably a collection of beads thought to date to the fifth century BC. Lampworking became widely practiced in Murano, Italy in the 14th century. As early as the 17th century, itinerant glassworkers demonstrated lampworking to the public. In the mid-19th century lampwork technique was extended to the production of paperweights, primarily in France, where it became a popular art form, still collected today. Lampworking differs from glassblowing in that glassblowing uses a furnace as the primary heat source, although torches are a ...
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Colette
Sidonie-Gabrielle Colette (; 28 January 1873 – 3 August 1954), known mononymously as Colette, was a French author and woman of letters. She was also a mime, actress, and journalist. Colette is best known in the English-speaking world for her 1944 novella '' Gigi'', which was the basis for the 1958 film and the 1973 stage production of the same name. Her short story collection '' The Tendrils of the Vine'' is also famous in France. Life and career Family and background Sidonie-Gabrielle Colette was born on 28 January 1873 to war hero and tax collector Jules-Joseph Colette (1829–1905) and his wife Adèle Eugénie Sidonie ("Sido"), ''née'' Landoy (1835–1912), in the village of Saint-Sauveur-en-Puisaye in the department of Yonne, Burgundy. Jules-Joseph Colette was a Zouave of the Saint-Cyr military school. A war hero who had lost a leg in the Second Italian War of Independence, he was awarded a post as tax collector in the village of Saint-Sauveur-en-Puisaye where his c ...
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