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Orchestral Percussion
Orchestral percussion refers to the various percussion instruments used in an orchestral setting. It may also refer to the act of playing such instruments in an orchestral style. Many music schools and College or university school of music, conservatories offer training for musicians interested in developing their skills as orchestral percussionists. Typically, an orchestral percussionist does not specialize in one particular instrument. Although there is no exhaustive list of all instruments that an orchestral percussionist must be able to play, there are particular instruments that are frequently used in the orchestral repertoire. This includes timpani, snare drum, bass drum, xylophone, glockenspiel, Triangle (musical instrument), triangle, cymbals, and tambourine. Mallet instruments Mallet percussion (also known as a keyboard or tuned percussion) is the general name given to the pitched percussion family. The name is a slight misnomer, in that almost every percussion instrumen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
College Or University School Of Music
A music school is an educational institution specialized in the study, training, and research of music. Such an institution can also be known as a school of music, music academy, music faculty, college of music, music department (of a larger institution), conservatory, conservatorium or conservatoire ( , ). Instruction consists of training in the performance of musical instruments, singing, musical composition, conducting, musicianship, as well as academic and research fields such as musicology, music history and music theory. Music instruction can be provided within the compulsory general education system, or within specialized children's music schools such as the Purcell School. Elementary-school children can access music instruction also in after-school institutions such as music academies or music schools. In Venezuela El Sistema of youth orchestras provides free after-school instrumental instruction through music schools called ''núcleos''. The term "music school" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Sorcerer's Apprentice (Dukas)
''The Sorcerer's Apprentice'' () is a symphonic poem by the French composer Paul Dukas, completed in 1897. Subtitled "Scherzo after a ballad by Goethe", the piece was based on Johann Wolfgang von Goethe's 1797 poem named "Der Zauberlehrling". By far the most performed and recorded of Dukas' works, its notable appearance in the Walt Disney 1940 animated film '' Fantasia'' has led to the piece becoming widely known to audiences outside the classical concert hall. The score was first published in 1897 by A. Durand & Fils. The premiere was given in Paris on May 18, 1897 by the Societe Nationale de Musique with the composer himself conducting. Analysis Description Inspired by the Goethe poem, Dukas's work is part of the larger Romantic genre of programmatic music, which composers like Franz Liszt, Claude Debussy, Jean Sibelius and Richard Strauss increasingly explored as an alternative to earlier symphonic forms. Unlike other tone poems, such as '' La mer'' by Debussy or ''Finla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cowbell (instrument)
The cowbell is an idiophone hand percussion instrument used in various styles of music, such as Latin and rock. It is named after the similar bell used by herdsmen to keep track of the whereabouts of cows. The instrument initially and traditionally has been metallic; however, contemporarily, some variants are made of synthetic materials. Origins While the cowbell is commonly found in musical contexts, its origin can be traced to freely roaming animals. In order to help identify the herd to which these animals belonged, herdsmen placed these bells around the animal's neck. As the animals moved about the bell would ring, thus making it easier to know of the animal's whereabouts. Though the bells were used on various types of animals, they are typically referred to as "cowbells" due to their extensive use with cattle. Tuned cowbells Tuned cowbells or ''Almglocken'' (their German name, ‘Alm’ meaning a mountain meadow, and ‘Glocken’ bells), sometimes known by the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conga
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as conga (hence their name) and rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Latin music such as son (when played by conjuntos), descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock. Although the exact origins of the conga drum are unknown, researchers agree that it was developed by Cuban people of African descent during the late 19th century or early 20th century. Its direct ancestors are thou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claves
Claves (; ) are a percussion instrument consisting of a pair of short, wooden sticks about 20–25 centimeters (8–10 inches) long and about 2.5 centimeters (1 inch) in diameter. Although traditionally made of wood (typically rosewood, ebony or grenadilla) many modern manufacturers offer claves made of fiberglass or plastic. When struck, claves produce a bright, penetrating clicking noise. This makes them useful when playing in large dance bands. Claves are sometimes hollow and carved in the middle to amplify the sound. History Claves have been very important in the development of Afro-Cuban music, such as the son and guaguancó.They are also often used in Samba music. They are often used to play an ostinato, or repeating rhythmic figure, throughout a piece known as the clave. Many examples of clave-like instruments can be found around the world. Technique The basic principle when playing claves is to allow at least one of them to resonate. The usual technique i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
China Cymbal
China type cymbals from three continents In western music, a China cymbal (or Chinese cymbal) is a distinct type of cymbal designed to produce a bright, crisp, and explosive tone that has brought it the nickname ''trash cymbal''. The name "China cymbal" comes from its shape, which is similar to that of the Chinese Bo. Such cymbals are most frequently mounted upside down on cymbal stands, allowing for them to be more easily struck and for a better sound. China-type cymbals are common in various kinds of rock music, particularly heavy metal and thrash metal. They are also frequently used in jazz fusion, Latin music, and Brazilian music, especially in arrangements with elaborate drum solos. In Latin and some other music styles, China cymbals are usually played in conjunction with other percussion instruments instead of a drum kit, such as timbales, octobans, or the surdo. China cymbals may also be used for conventional jazz, often played with mallets or brushes to achieve a s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bongo Drum
Bongos ( Spanish: ''bongó'') are an Afro-Cuban percussion instrument consisting of a pair of small open bottomed hand drums of different sizes. The pair consists of the larger ''hembra'' () and the smaller ''macho'' (), which are joined by a wooden bridge. They are played with both hands and usually held between the legs, although in some cases, as in classical music, they may be played with sticks or mounted on stands. Bongos are mainly employed in the rhythm section of son cubano and salsa ensembles, often alongside other drums such as the larger congas and the stick-struck timbales. In these groups, the bongo player is known as ''bongosero'' and often plays a continuous eight-stroke pattern called ''martillo'' () as well as more rhythmically free parts, providing improvisatory flourishes and rhythmic counterpoint. Bongos originated in eastern Cuba at the end of the 19th century, possibly from a pair of larger drums such as the bokú. These older, larger bongos are known ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anvil
An anvil is a metalworking tool consisting of a large block of metal (usually Forging, forged or Steel casting, cast steel), with a flattened top surface, upon which another object is struck (or "worked"). Anvils are massive because the higher their inertia, the more efficiently they cause the energy of striking tools to be transferred to the work piece. In most cases the anvil is used as a forge, forging tool. Before the advent of modern welding technology, it was the primary tool of metal workers. The great majority of modern anvils are made of cast steel that has been heat treated by either Case-hardening, flame or Induction_hardening, electric induction. Inexpensive anvils have been made of cast iron and low-quality steel, but are considered unsuitable for serious use, as they deform and lack rebound when struck. The largest single piece tool steel anvil that is heat treated is 1600 pounds. This anvil was made in 2023 by Oak Lawn Blacksmith. There are larger anvils tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Castanet
Castanets, also known as ''clackers'' or ''palillos'', are a percussion instrument ( idiophonic), used in Spanish, Calé, Moorish, Ottoman, Greek, Italian, Mexican, Sephardic, Portuguese, Filipino, Brazilian, and Swiss music. In ancient Greece and ancient Rome there was a similar instrument called the '' crotalum''. The instrument consists of a pair of concave shells joined on one edge by a string. They are held in the hand and used to produce clicks for rhythmic accents or a ripping or rattling sound consisting of a rapid series of clicks. They are traditionally made of hardwood (chestnut; Spanish: ''castaño''), although fibreglass has become increasingly popular. In practice, a player usually uses two pairs of castanets. One pair is held in each hand, with the string hooked over the thumb and the castanets resting on the palm with the fingers bent over to support the other side. Each pair will make a sound of a slightly different pitch. The slightly lower one usual ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Downfall Of Paris
"The Downfall of Paris" is a British traditional tune. It dates back to the Napoleonic Wars, and became a popular marching song amongst British troops fighting in the Peninsular War. Its tune is partly a reworking of the French song " Ça Ira". It emerged when British war fortunes were at a low ebb in the early 1800s, partly as a song of defiance. It was played in Egypt in 1801 when British troops took Alexandria from French occupying forces. When British troops entered Paris in 1815 following the victory at Waterloo, a regimental band struck up the tune only to be rebuked by Wellington who didn't wish to offend the inhabitants. Nonetheless, the bands of Britain's allies Prussia, Austria and Russia all played the tune as they paraded in occupied Paris. The tune has spread into both American and Irish folk music Folk music is a music genre that includes #Traditional folk music, traditional folk music and the Contemporary folk music, contemporary genre that evolved from the f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lieutenant Kijé (Prokofiev)
Sergei Prokofiev's ''Lieutenant Kijé'' (, '' Poruchik Kizhe'') music was originally written to accompany the film of the same name, produced by the Belgoskino film studios in Leningrad in 1933–34 and released in March 1934. It was Prokofiev's first attempt at film music, and his first commission. In the early days of sound cinema, among the various distinguished composers ready to try their hand at film music, Prokofiev was not an obvious choice for the commission. Based in Paris for almost a decade, he had a reputation for experimentation and dissonance, characteristics at odds with the cultural norms of the Soviet Union. By early 1933, however, Prokofiev was anxious to return to his homeland, and saw the film commission as an opportunity to write music in a more popular and accessible style. After the film's successful release, the five-movement ''Kijé'' suite was first performed in December 1934, and quickly became part of the international concert repertoire. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vibraphone
The vibraphone (also called the vibraharp) is a percussion instrument in the metallophone family. It consists of tuned metal bars and is typically played by using Percussion mallet, mallets to strike the bars. A person who plays the vibraphone is called a ''vibraphonist,'' ''vibraharpist,'' or ''vibist''. The vibraphone resembles the Marimbaphone, steel marimba, which it superseded. One of the main differences between the vibraphone and other keyboard percussion instruments is that each bar suspends over a resonator tube containing a flat metal disc. These discs are attached together by a common axle and spin when the motor is turned on. This causes the instrument to produce its namesake tremolo or vibrato effect. The vibraphone also has a sustain pedal similar to a piano. When the pedal is up, the bars produce a muted sound; when the pedal is down, the bars sustain for several seconds or until again muted with the pedal. The vibraphone is commonly used in jazz music, in which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
