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Opéra Féerie
' (; plural: ') is a French genre of opera or opéra-ballet where the plot is based on fairy tales, often with elements of magic in their stories. Popular in the 18th century, from the time of Jean-Philippe Rameau onwards, the form reached its culmination with works such as '' La Belle au bois dormant'' by Michele Carafa and '' Cendrillon'' by Nicolas Isouard at the beginning of the 19th century. Examples of the genre include: *'' Zémire et Azor'' (1771), music by André Grétry *'' Cendrillon'' (1810) and ''Aladin ou la Lampe merveilleuse'' (1822), music by Nicolas Isouard, libretti by Charles-Guillaume Étienne *''Zirphile et fleur de myrte ou cent ans en un jour'' (1818), music by Charles-Simon Catel, libretto by Victor-Joseph Étienne de Jouy and Nicolas Lefebvre *'' Le cheval de bronze'' (1835), music by Daniel Auber *''La fée aux roses'' (1849), libretto by Jules-Henri Vernoy de Saint-Georges and Eugène Scribe, music by Fromental Halévy, Paris, Théâtre de l'Op ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western culture#Music, Western classical music, and Italian tradition in particular. Originally understood as an sung-through, entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jules-Henri Vernoy De Saint-Georges
Jules-Henri Vernoy de Saint-Georges (; 7 November 1799 – 23 December 1875) was a French playwright, who was born and died in Paris. He was one of the most prolific librettists of the 19th century, often working in collaboration with others. Saint-Georges' first work, (1823), a comédie en vaudeville written in collaboration with Alexandre Tardif, was followed by a series of operas and ballets. In 1829 he became manager of the Opéra-Comique at Paris. Among Saint-Georges' more famous libretti are: the ballet ''Giselle'' (with Théophile Gautier) (1841), the opera (1835) for Halévy, the opera (with Jean-François Bayard) (1840) for Donizetti, and the opera for Georges Bizet. Virtually all his opera libretti are for opéras comiques, although (1841), for Halévy, was a grand opera. In all Saint-Georges wrote over seventy stage pieces in collaboration with Eugène Scribe and other authors. He also wrote novels, including . Saint-Georges was notably old-fashioned in h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fairy-tale Opera
Fairy-tale opera may refer to any of several traditions of opera based on fairy tales. *Opéra féerie is a French genre of opera or opéra-ballet, often with elements of magic in their stories. *The English genre of "fairy opera" includes Gilbert and Sullivan's ''Iolanthe'' *The German genre of ' (fairy-tale opera) has its roots in Italian opera. ''Hänsel und Gretel "Hansel and Gretel" (; ) is a German fairy tale collected by the Brothers Grimm and published in 1812 as part of ''Grimms' Fairy Tales'' (KHM 15). Hansel and Gretel are siblings who are abandoned in a forest and fall into the hands of a witch ...'' is considered a key work of the genre. References {{Set index article Opera genres ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gilles Tremblay (composer)
Gilles Tremblay, (6 September 1932 – 27 July 2017) was a Canadian composer from Quebec. Early life and education Tremblay studied at the conservatories of Conservatoire de musique du Québec à Montréal, Québec in Montréal and Paris (1954–61), where his teachers included Olivier Messiaen (analysis), Andrée Vaurabourg-Honegger (counterpoint), Yvonne Loriod (piano), and Maurice Martenot (inventor of the ondes Martenot). He also attended Karlheinz Stockhausen, Stockhausen's Darmstädter Ferienkurse, summer courses at Darmstadt, where he became interested in Electroacoustic music, electro-acoustic techniques. Career Tremblay returned to Quebec in 1961. He taught musical analysis at the and at the Conservatoire de musique du Québec à Québec, Conservatoire de musique du Québec in Quebec City. Beginning in 1962, and for many years, he taught composition at the Conservatoire de musique du Québec à Montréal. Among his pupils are , Raynald Arseneault, Yves Daoust, François ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Dancing Water, The Singing Apple, And The Speaking Bird
The Dancing Water, the Singing Apple, and the Speaking Bird is a Sicily, Sicilian fairy tale collected by Giuseppe Pitrè, and translated by Thomas Frederick Crane for his ''Italian Popular Tales''. Joseph Jacobs included a reconstruction of the story in his ''European Folk and Fairy Tales''. The original title is "", for which Crane gives a literal translation of "The Herb-gatherer's Daughters". The story is the prototypical example of Aarne–Thompson–Uther tale-type 707, to which it gives its name. Alternate names for the tale type are ''The Three Golden Sons'', ''The Three Golden Children'', ''The Bird of Truth'', , , or . According to folklorist Stith Thompson, the tale is "one of the eight or ten best known plots in the world". Synopsis The following is a summary of the tale as it was collected by Giuseppe Pitrè and translated by Thomas Frederick Crane. A king walking the streets heard three poor sisters talk. The oldest said that if she married the royal butler, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victorien Sardou
Victorien Sardou ( , ; 5 September 1831 – 8 November 1908) was a French dramatist. He is best remembered today for his development, along with Eugène Scribe, of the well-made play. He also wrote several plays that were made into popular 19th-century operas such as ''La Tosca'' (1887) on which Giacomo Puccini's opera ''Tosca'' (1900) is based, and ''Fédora'' (1882) and ''Madame Sans-Gêne (play), Madame Sans-Gêne'' (1893) that provided the subjects for the lyrical dramas ''Fedora (opera), Fedora'' (1898) and ''Madame Sans-Gêne (opera), Madame Sans-Gêne'' (1915) by Umberto Giordano. His play ''Gismonda'', from 1894, was also adapted into an opera of the same name by Henry Février. Early years Victorien Sardou was born at 16 rue Beautreillis (), Paris on 5 September 1831. The Sardous were settled at Le Cannet, a village near Cannes, where they owned an estate, planted with olive trees. A night's frost killed all the trees and the family was ruined. Victorien's father, Antoin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Offenbach
Jacques Offenbach (; 20 June 18195 October 1880) was a German-born French composer, cellist and impresario. He is remembered for his nearly 100 operettas of the 1850s to the 1870s, and his uncompleted opera ''The Tales of Hoffmann''. He was a powerful influence on later composers of the operetta genre, particularly Franz von Suppé, Johann Strauss II and Arthur Sullivan. His best-known works were continually revived during the 20th century, and many of his operettas continue to be staged in the 21st. ''The Tales of Hoffmann'' remains part of the standard opera repertory. Born in Cologne, Kingdom of Prussia, the son of a synagogue hazzan, cantor, Offenbach showed early musical talent. At the age of 14, he was accepted as a student at the Paris Conservatoire; he found academic study unfulfilling and left after a year, but remained in Paris. From 1835 to 1855 he earned his living as a cellist, achieving international fame, and as a conductor. His ambition, however, was to compose c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Voyage Dans La Lune (opera-féerie)
''Le voyage dans la Lune'' (, ''A Trip to the Moon'') is an 1875 ''opéra-féerie'' in four acts and 23 scenes by Jacques Offenbach. Loosely based on the 1865 novel ''From the Earth to the Moon'' by Jules Verne, its French libretto was by Albert Vanloo, Eugène Leterrier and Arnold Mortier.Andrew Lamb (writer), Lamb A., "Jacques Offenbach (List of stage works)". In: ''The New Grove Dictionary of Opera''. Macmillan, London and New York, 1997. This was another prolific year for the composer, that included also the third version of ''Geneviève de Brabant'', ''Les hannetons'', ''La boulangère a des écus'', ''La créole'' and a waltz for ''Tarte à la crême''. It premiered on 26 November 1875 at the Théâtre de la Gaîté (rue Papin), Théâtre de la Gaîté. The production was revived at the Théâtre du Châtelet on 31 March 1877. History Genesis The idea for the work was presented to Offenbach while he was head (director) of the Théâtre de la Gaîté (rue Papin), Théât ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Roi Carotte
''Le roi Carotte'' (, ''King Carrot'') is a 4-act opéra- bouffe-féerie with music by Jacques Offenbach and libretto by Victorien Sardou, after E. T. A. Hoffmann. The libretto, written before the French defeat in the Franco-Prussian War, lampooned Bonapartists, monarchists and republicans. Staging the piece required elaborate costumes and grand spectacle, including a wide range of locations and numerous scene changes. Performance history The opera premiered at the Théâtre de la Gaîté on 15 January 1872. The first run lasted 195 performances, making a daily profit of 3,000 francs, and introducing Anna Judic in a principal operetta role. The work was seen in London in 1872 and Vienna in 1876. The U.S. premiere of ''Le roi Carotte'' took place in New York on 26 August 1872. The ''New York Times'' said that "the music is to be given with additions and alterations made for this country by Offenbach himself". Its run lasted until late autumn. After small-scale performances by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Lyrique
The Théâtre Lyrique () was one of four opera companies performing in Paris during the middle of the 19th century (the other three being the Paris Opera, Opéra, the Opéra-Comique, and the Théâtre-Italien (1801–1878), Théâtre-Italien). The company was founded in 1847 as the Opéra-National by the French composer Adolphe Adam and renamed Théâtre Lyrique in 1852. It used four different theatres in succession, the Cirque Olympique (boulevard du Temple), Cirque Olympique, the Théâtre Historique, the Salle du Théâtre-Lyrique (now the Théâtre de la Ville), and the Salle de l'Athénée, until it ceased operations in 1872.Charlton 1992, p. 871. The diverse repertoire of the company "cracked the strict organization of the Parisian operatic world by breaking away from the principle that institution and genre were of one substance." The company was generally most successful with revivals of foreign works translated into French, particularly operas by Gluck, Mozart, Carl Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert Grisar
Albert Grisar (25 December 1808 – 15 June 1869) was a Belgian composer, mainly active in Paris. Career Born in Antwerp, Grisar's family had intended for him to pursue a tradesman's career, but he defied their wishes to devote himself to music. He studied in Antwerp with Joseph Janssens, in Paris under Anton Reicha, and in the mid-1840s in Naples with Saverio Mercadante. Grisar was a successful comic opera composer, first winning success in Brussels in 1833 and in Paris later in the decade. He collaborated with Flotow on ''L'Eau merveilleuse'' (1839), with Flotow and Auguste Pilati in ''Le Naufrage de la Méduse'' (1839), and with François-Adrien Boieldieu on ''L'Opéra à la cour'' (1840). When he received a grant from the Belgian government in 1840 to study music of Belgian composers in Italy, he instead used his time in Rome and Naples to study compositional techniques of the comic opera. His Parisian works of the late 1840s and early 1850s were particularly well received b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frères Cogniard
The Cogniard brothers were two French brothers who worked as playwrights and theatre directors, producing an incalculable number of vaudevilles, reviews, féeries and operettas. The elder of the two was Charles-Théodore or Théodore Cogniard (30 April 1806 – 13 May 1872) and the younger was Jean-Hippolyte or Hippolyte Cogniard (28 November 1807 – 6 February 1882). Both brothers were born and died in Paris. Career Nicknamed "les jumeaux siamois du vaudeville" (the Siamese twins of vaudeville),Huart (1839) they headed the Théâtre de la Porte-Saint-Martin from 1840 to 1845. In 1845, Hippolyte took sole charge of the Théâtre du Vaudeville, then of the Théâtre des Variétés from 1854 to 1869, where he instituted a repertoire solely consisting of operettas. It was under Hippolyte's leadership that Jacques Offenbach created his best-known works: ''La Belle Hélène'', '' Barbe-Bleue'', ''La Grande-Duchesse de Gérolstein'' and ''La Périchole''. In 1869, on behalf of his son L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
