Namaste
''Namaste'' (, Devanagari: नमस्ते), sometimes called ''namaskār'' and ''namaskāram'', is a customary Hindu manner of respectfully greeting and honouring a person or group, used at any time of day. It is used worldwide among the Hindu, Buddhist and Jain traditions. ''Namaste'' is usually spoken with a slight bow and hands pressed together, palms touching and fingers pointing upwards, thumbs close to the chest. This gesture is called ''añjali mudrā''; the standing posture incorporating it is ''pranāmāsana''. Etymology, meaning and origins ''Namaste'' (''Namas'' + ''te'') is derived from Sanskrit and is a combination of the word ''namas'' and the second person dative pronoun in its enclitic form, '' te''.Thomas Burrow, ''The Sanskrit Language'', pp. 263–268 The word ''namaḥ'' takes the sandhi form ''namas'' before the sound ''te''.Thomas Burrow, ''The Sanskrit Language'', pp. 100–102 It is found in the Vedic literature. ''Namas-krita'' and related ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hindu Temple
A Hindu temple, also known as Mandir, Devasthanam, Pura, or Kovil, is a sacred place where Hindus worship and show their devotion to Hindu deities, deities through worship, sacrifice, and prayers. It is considered the house of the god to whom it is dedicated.; Quote: "The Hindu temple is designed to bring about contact between man and the gods of Hinduism religion" (...) "The architecture of the Hindu temple symbolically represents this quest by setting out to dissolve or decrease the boundaries between man and the divine". Hindu temple architecture, which makes extensive use of squares and circles, has its roots in later Vedic traditions, which also influence the temples' construction and symbolism. Through astronomical numbers and particular alignments connected to the temple's location and the relationship between the deity and the worshipper, the temple's design also illustrates the idea of recursion and the Microcosm–macrocosm analogy, equivalency of the macrocosm and t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Chennakesava Temple, Somanathapura
The Chennakesava Temple, also referred to as Chennakeshava Temple and Keshava Temple, is a Vaishnava Hindu temple on the banks of River Kaveri at Somanathapura, Mysuru, Karnataka, India.The temple was consecrated in 1258 CE by Somanatha Dandanayaka, a general of the Hoysala King Narasimha III. It is located east of Mysuru city. The ornate temple is a model illustration of the Hoysala architecture. The temple is enclosed in a courtyard with a pillared corridor of small shrines (damaged). The main temple in the center is on a high star-shaped platform with three symmetrical sanctums (''garbha-griha''), set in a square matrix (89' x 89') oriented along the east–west and north–south axes. The western sanctum was for a statue of Kesava (missing), the northern sanctum of Janardhana and the southern sanctum of Venugopala, all forms of Vishnu. The sanctums share a common community hall (''sabha-mandapa'') with many pillars. The outer walls, the inner walls, the pillars and the ceil ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Añjali Mudrā
''Añjali Mudrā'' () is a hand gesture mainly associated with Indian religions and arts, encountered throughout Asia. It is a part of Indian classical dance such as Bharatanatyam, yoga practice, and forms part of the greeting Namaste. Among the performance arts, Anjali Mudra is a form of non-verbal, visual communication to the audience. It is one of 24 samyukta mudras of the Indian classical arts. There are several forms of the Anjali Mudra such as the ''brahmanjali''. The gesture is incorporated into many yoga asanas. The modern yoga pose praṇāmāsana () involves standing upright, with the hands in Añjali Mudrā. As a gesture, it is widely used as a sign of respect or a silent greeting in India and other parts of Asia. It is also used among East Asian Buddhism , East Asian Buddhists, Chinese religionists, and Shintoists and adherents of similar Asian traditions. The gesture is used as a part of prayer or for worship in many Indian religions and other Eastern religions. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hinduism
Hinduism () is an Hypernymy and hyponymy, umbrella term for a range of Indian religions, Indian List of religions and spiritual traditions#Indian religions, religious and spiritual traditions (Sampradaya, ''sampradaya''s) that are unified by adherence to the concept of ''dharma'', a Ṛta, cosmic order maintained by its followers through rituals and righteous living, as expounded in the Vedas. The word ''Hindu'' is an exonym, and while Hinduism has been called the oldest religion in the world, it has also been described by the modern term ''Sanātana Dharma'' () emphasizing its eternal nature. ''Vaidika Dharma'' () and ''Arya dharma'' are historical endonyms for Hinduism. Hinduism entails diverse systems of thought, marked by a range of shared Glossary of Hinduism terms, concepts that discuss God in Hinduism, theology, Hindu mythology, mythology, among other topics in Hindu texts, textual sources. Hindu texts have been classified into Śruti () and Smṛti (). The major Hin ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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T–V Distinction
The T–V distinction is the contextual use of different pronouns that exists in some languages and serves to convey formality or familiarity. Its name comes from the Latin pronouns '' tu'' and '' vos''. The distinction takes a number of forms and indicates varying levels of politeness, familiarity, courtesy, age or even insult toward the addressee. The field that studies and describes this phenomenon is sociolinguistics. Many languages lack this type of distinction, instead relying on other morphological or discourse features to convey formality. English historically contained the distinction, using the pronouns ''thou'' and ''you'', but the familiar ''thou'' largely disappeared from the era of Early Modern English onward, with the exception of a few dialects. Additionally, British commoners historically spoke to nobility and royalty using the third person rather than the second person, a practice that has fallen out of favour. English speakers today often employ semantic a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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British Museum Quarterly
The ''British Museum Quarterly'' was a peer-reviewed academic journal published by the British Museum. It described recent acquisitions and research concerning the museum's collections and was published from 1926 to 1973. It is available electronically from JSTOR. ReferencesBritish Museum Quarterly - JSTOR {{Authority control Visual art journals Academic journals established in 1926 Publications disestablished in 1973 English-language journals Defunct journals of the United Kingdom Quarterly journals 1926 establishments in the United Kingdom 1973 disestablishments in the United Kingdom Quarterly A magazine is a periodical literature, periodical publication, print or digital, produced on a regular schedule, that contains any of a variety of subject-oriented textual and visual content (media), content forms. Magazines are generally fin ... Academic journals published by museums ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Shaivism
Shaivism (, , ) is one of the major Hindu denominations, Hindu traditions, which worships Shiva as the Para Brahman, supreme being. It is the Hinduism#Demographics, second-largest Hindu sect after Vaishnavism, constituting about 385 million Hindus, found widely across South Asia (predominantly in South India, Southern India), Sri Lanka, and Nepal.Keay, p.xxvii. The followers of Shaivism are called Shaivas or Shaivites. According to Chakravarti, Shaivism developed as an amalgam of pre-Aryan religions and traditions, Vedic Rudra, and post-Vedic traditions, accommodating local traditions and Yoga, puja and bhakti. According to Bisschop, early shaivism is rooted in the worship of vedic deity Rudra. The earliest evidence for sectarian Rudra-Shiva worship appears with the Pasupata (early CE), possibly owing to the Origins of Hinduism, Hindu synthesis, when many local traditions were aligned with the Brahmanism, Vedic-Brahmanical fold. The Pāśupata movement rapidly expanded through ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bharatanatyam
''Bharatanatyam'' is a Indian classical dance form that came from Tamil Nadu, India. It is a classical dance form recognized by the Sangeet Natak Akademi, and expresses South Indian religious themes and spiritual ideas of Hinduism and Jainism.Bharata-natyam ''Encyclopædia Britannica''. 2007 A description of precursors of ''Bharatanatyam'' from the Natya Shastra dated around (500 BCE) and in the ancient Tamil epic ''Silappatikaram'' dated around (171 CE), while temple sculptures of the 6th to 9th century CE suggest dance was a refined performance art by the mid-1st millennium CE. Sadiraattam, which was renamed Bharatanatyam in 1932, is the oldest classical dance tradition in India. ''Bharatanatyam'' contains different types of ''bani''. ' ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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6th To 7th Century Rajivalochan Vishnu Temple Namaste 2, Rajim, Chhattisgarh Artwork - 9
Sixth is the ordinal form of the number six. * The Sixth Amendment, to the U.S. Constitution * A keg of beer, equal to 5 U.S. gallons or barrel * The fraction Music * Sixth interval (music)s: ** major sixth, a musical interval ** minor sixth, a musical interval ** diminished sixth, an interval produced by narrowing a minor sixth by a chromatic semitone ** augmented sixth, an interval produced by widening a major sixth by a chromatic semitone * Sixth chord, two different kinds of chord * Submediant, sixth degree of the diatonic scale * Landini sixth, a type of cadence * Sixth (interval) Other uses * ''The Sixth'' (1981 film), a Soviet film directed by Samvel Gasparov * ''The Sixth'' (2024 film), an American documentary film directed by Andrea Nix Fine and Sean Fine * The 6ths, a band created by Stephin Merritt * LaSexta La Sexta (; ; stylised as laSexta) is a privately owned Spanish free-to-air television channel that was founded on 18 March 2001 as Beca TV and began br ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Periodisation Of The Indus Valley Civilisation
Several periodisations are employed for the periodisation of the Indus Valley Civilisation. While the Indus Valley Civilisation was divided into Early, Mature, and Late Harappan by archaeologists like Mortimer Wheeler, newer periodisations include the Neolithic early farming settlements, and use a stage–phase model, often combining terminology from various systems. Periodisations The most commonly used nomenclature classifies the Indus Valley civilisation into early, mature, and late Harappan phases. The Indus Valley Civilisation was preceded by local agricultural villages, from where the river plains were populated when water management became available, creating an integrated civilisation. This broader time range has also been called the Indus Age and the Indus Tradition. Early, Mature, and Late Harappan Early surveys by Sir Aurel Stein in Balochistan led to the discovery of numerous prehistoric sites of unknown association. Following excavations at Harappa and Mohenjo Dar ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Indus Valley Civilisation
The Indus Valley Civilisation (IVC), also known as the Indus Civilisation, was a Bronze Age civilisation in the Northwestern South Asia, northwestern regions of South Asia, lasting from 3300 Common Era, BCE to 1300 BCE, and in its mature form from 2600 BCE to 1900 BCE. Together with ancient Egypt and Mesopotamia, it was one of three early civilisations of the Near East and South Asia, and of the three, the most widespread, its sites spanning an area including much of Pakistan, Northwest India, northwestern India and northeast Afghanistan. The civilisation flourished both in the alluvial plain of the Indus River, which flows through the length of Pakistan, and along a system of perennial monsoon-fed rivers that once coursed in the vicinity of the Ghaggar-Hakra River, Ghaggar-Hakra, a seasonal river in northwest India and eastern Pakistan. The term ''Harappan'' is sometimes applied to the Indus Civilisation after its type site Harappa, the first to be exc ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Dual (grammatical Number)
Dual ( abbreviated ) is a grammatical number that some languages use in addition to singular and plural. When a noun or pronoun appears in dual form, it is interpreted as referring to precisely two of the entities (objects or persons) identified by the noun or pronoun acting as a single unit or in unison. Verbs can also have dual agreement forms in these languages. The dual number existed in Proto-Indo-European and persisted in many of its descendants, such as Ancient Greek and Sanskrit, which have dual forms across nouns, verbs, and adjectives; Gothic, which used dual forms in pronouns and verbs; and Old English (Anglo-Saxon), which used dual forms in its pronouns. It can still be found in a few modern Indo-European languages such as Irish, Scottish Gaelic, Lithuanian, Slovene, and Sorbian languages. The majority of modern Indo-European languages, including modern English, have lost the dual number through their development. Its function has mostly been replaced by the s ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |