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Music Libraries
A music library contains music-related materials for patron use. Collections may also include non-print materials, such as digitized music scores or audio recordings. Use of such materials may be limited to specific patron groups, especially in private academic institutions. Music library print collections include dictionaries and encyclopedias, indexes and directories, printed music, music serials, bibliographies, and other music literature. Types Traditionally, there are four types of music libraries: #Those developed to support departments of music in university or college settings; #Those developed to support conservatories and schools of music; #Those housed within public libraries; #Those developed as independent libraries or archives supporting music organizations. Musical instrument library A musical instrument library lends or shares musical instruments. Examples can be found in Canada; Perth, Australia; and Massachusetts, Illinois, Ohio, Washington anNew Paltz, New Y ...
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Bundesarchiv Bild 183-1985-0827-301, Leipzig, Musikbibliothek, Nutzerin
The German Federal Archives or Bundesarchiv (BArch) (german: Bundesarchiv) are the National Archives of Germany. They were established at the current location in Koblenz in 1952. They are subordinated to the Federal Commissioner for Culture and the Media ( Claudia Roth since 2021) under the German Chancellery, and before 1998, to the Federal Ministry of the Interior. On 6 December 2008, the Archives donated 100,000 photos to the public, by making them accessible via Wikimedia Commons. History The federal archive for institutions and authorities in Germany, the first precursor to the present-day Federal Archives, was established in Potsdam, Brandenburg in 1919, a later date than in other European countries. This national archive documented German government dating from the founding of the North German Confederation in 1867. It also included material from the older German Confederation and the Imperial Chamber Court. The oldest documents in this collection dated back to the yea ...
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Digital Preservation
In library and archival science, digital preservation is a formal endeavor to ensure that digital information of continuing value remains accessible and usable. It involves planning, resource allocation, and application of preservation methods and technologies,Day, Michael. "The long-term preservation of Web content". Web archiving (Berlin: Springer, 2006), pp. 177-199. . and it combines policies, strategies and actions to ensure access to reformatted and "born-digital" content, regardless of the challenges of media failure and technological change. The goal of digital preservation is the accurate rendering of authenticated content over time.Evans, Mark; Carter, Laura. (December 2008). The Challenges of Digital Preservation. Presentation at the Library of Parliament, Ottawa. The Association for Library Collections and Technical Services Preservation and Reformatting Section of the American Library Association, defined digital preservation as combination of "policies, strategies and ...
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Music Production
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005). Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ...
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Music Archives
Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspect of all human societies, a cultural universal. While scholars agree that music is defined by a few specific elements, there is no consensus on their precise definitions. The creation of music is commonly divided into musical composition, musical improvisation, and musical performance, though the topic itself extends into academic disciplines, criticism, philosophy, and psychology. Music may be performed or improvised using a vast range of instruments, including the human voice. In some musical contexts, a performance or composition may be to some extent improvised. For instance, in Hindustani classical music, the performer plays spontaneously while following a partially defined structure and using characteristic motifs. In modal ...
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Lionel McColvin
Lionel Roy McColvin (1896–1976), commonly referred to as Lionel McColvin, was a British librarian. He has been described as "the dominant figure in British public librarianship" in the mid-20th century and a "world leader" in the profession of librarianship. Through his membership of the Library Association and several international library committees he worked constantly to improve the "status of librarianship" and its "standards of service".Alistair BlackNational Planning for Public Library Service: The Work and Ideas of Lionel McColvin ''Library Trends'', Spring 2004, pp. 902-923. Retrieved 24 September 2020. Early life and career Lionel McColvin was born at Heaton, Newcastle upon Tyne on 30 November 1896. His parents were Andrew McColvin, a portrait painter, and his wife, Isabel (''née'' Stewart).B. C. Bloomfield"McColvin, Lionel Roy" ''Oxford Dictionary of National Biography'' (online edition). Retrieved 26 September 2020. After his family moved to London in 1901, he ...
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Universal Circulating Music Library
Universal Circulating Music Library was a music publishers' activity established in the United Kingdom in the 1850s and 1860s. By the 1920s no significant such circulating libraries by music publishers survived, most probably due to reduced demand (the interested public would just buy the music they were interested in). In terms of the housed collections/music in such "libraries" run by publishers, it is probably fair to say that most was lost, with only some still being in music publisher's archives. Messrs. Schuermann & Co. Messrs. Schuermann & Co. were probably the first music publisher in the United Kingdom to start a ''Universal Circulating Music Library'' in 1855. An announcement at the time stated: 'Many of our readers will be glad to have their attention directed towards the very comprehensive Music Library which has been formed by Messrs. Schuermann & Co., of 72, Newgate-street. The catalogue contains more than 42,042 separately numbered works, embracing almost every Engl ...
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Manguinhos Library Park
Manguinhos Library Park ( pt, Biblioteca-Parque de Manguinhos) is a library and park complex in Rio de Janeiro, Brazil. The library opened on April 29, 2010. It contains over 25,000 books, 900 DVDs and 3 million songs, and also has a theatre that seats 200 people, a music room, classrooms, and a “Meu Bairro” ("My neighborhood") room created for community member meetings. It is located in Manguinhos, a favela in the neighborhood of Benfica. Benfica is in what is known as the "North Zone" of Rio de Janeiro. The creation of a "library park" complex was inspired by the library parks of Colombia, which were created as cultural projects in the less affluent neighborhoods of Medellín to promote social inclusion. The library's design is meant to be inviting. Its exterior is painted dark-pink with white doors and windows. The Minister of Culture, Juca Ferreira, and the governor of Rio de Janeiro, Sergio Cabral, attended the inauguration of the first library park. Description T ...
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Music Library Association
The Music Library Association (MLA) of the United States is the main professional organization for music libraries and librarians (including those whose music materials form only part of their responsibilities and collections). It also serves corporations, institutions, students, composers, scholars and others whose work and interests lie in the music librarianship field. National meetings occur annually. Purpose "The purposes of the Association shall be to promote the establishment, growth, and use of music libraries; to encourage the collection of music and musical literature in libraries; to further studies in musical bibliography; to increase efficiency in music library service and administration; and to promote the profession of music librarianship. The Association is a non-stock, non-profit corporation organized and operated exclusively for said purposes. No part of the net earnings of the Association shall inure to the benefit of any individual. No officer, member, or de ...
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Music Librarianship
Music librarianship is the area of librarianship that pertains to music collections and their development, cataloging, preservation and maintenance, as well as reference issues connected with musical works and music literature. Music librarians usually have degrees in both music and librarianship (typically, a Master of Library and Information Science and at least a college-level music degree). Music librarians deal with standard librarianship duties such as cataloging and reference, but the addition of music scores and recordings to collections complicates these tasks. Therefore, music librarians generally read music and have at least a basic understanding of both music theory and music history to aid in their duties. History Most early written classical music was predominantly sacred; collections of written music and literature were held by monasteries, cathedrals, and other religious establishments, such as church music societies, offices, and seminaries. As universities emer ...
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List Of Online Music Databases
Below is a table of online music databases that are largely free of charge. Note that many of the sites provide a specialized service or focus on a particular music genre. Some of these operate as an online music store or purchase referral service in some capacity. Among the sites that have information on the largest number of entities are those sites that focus on discographies of composing and performing artists. Performance rights organisations (PRO) typically have their own databases as per country they represent, in accordance with CISAC, to help domestic artists collect royalties. Information available on these portals include songwriting credits, publishing percentage splits, and alternate titles for different distribution channels. It is one of the most accurate and official type of databases because it involves direct communication between the artists, record labels, distributors, legal teams, publishers and a global governing body regulating PRO's. Many countries ...
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Audio File Format
An audio file format is a file format for storing digital audio data on a computer system. The bit layout of the audio data (excluding metadata) is called the audio coding format and can be uncompressed, or compressed to reduce the file size, often using lossy compression. The data can be a raw bitstream in an audio coding format, but it is usually embedded in a container format or an audio data format with defined storage layer. Format types It is important to distinguish between the audio coding format, the container containing the raw audio data, and an audio codec. A codec performs the encoding and decoding of the raw audio data while this encoded data is (usually) stored in a container file. Although most audio file formats support only one type of audio coding data (created with an audio coder), a multimedia container format (as Matroska or AVI) may support multiple types of audio and video data. There are three major groups of audio file formats: * Uncompressed audio ...
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Sound Recording And Reproduction
Sound recording and reproduction is the electrical, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of sound recording technology are analog recording and digital recording. Sound recording is the transcription of invisible vibrations in air onto a storage medium such as a phonograph disc. The process is reversed in sound reproduction, and the variations stored on the medium are transformed back into sound waves. Acoustic analog recording is achieved by a microphone diaphragm that senses changes in atmospheric pressure caused by acoustic sound waves and records them as a mechanical representation of the sound waves on a medium such as a phonograph record (in which a stylus cuts grooves on a record). In magnetic tape recording, the sound waves vibrate the microphone diaphragm and are converted into a varying electric current, which is then converted t ...
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